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@girlcassius
friends.....romans.......cunty men

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on a separate note i canāt stop thinking about evil therapy speak claudius
āhonestly hamlet youāre violating a lot of boundaries by constantly trauma dumping on your mom about your dead father. itās manipulative and toxic to refuse to hold space for her and her new marriage when sheās just trying to do whatās best for her peace. anyway get the fuck over it itās been a monthā
obsessed with this bookshop in stratford-upon-avon having WILLIAM SHAKESPEARE listed as a ālocal authorā
inspired by a rant i was going on elsewhere bc someone tweeted something very stupid and uninformed about hamlet and it got my back up as someone who took two single-text-focus english literature courses in college and they were on wuthering heights and hamlet, i now put it to all of you on here:
what's "your" shakespeare play?
hamlet
macbeth
the tempest
merchant of venice
midsummer night's dream
twelfth night
richard iii
othello
julius caesar
king lear
another not listed (specify in tags) (i really just put my own top 10 here nbd)
i have no particular feelings about any shakespeare play/results tag
One of the puzzles of trying to write a modernized re-imagining of Much Ado About Nothing is that there's really nothing you can do about the name Dogberry. It's just kind of there.
Like, Leonato is Lee or Leigh, that's easy. Antonio, there's half a dozen possibilities. Pedro and John you don't even have to wrestle with. But Dogberry. Dogberry resists streamlining or reinterpretation. Dogberry is what it is, and refuses to be anything else. I am stymied by the enigma that is Dogberry.

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"i am a man more sinned against than sinning" being such a popular king lear quote is crazy because that's literally not true. his ass is lying
at the club googling shakespeare antony and cleopatra act 2 scene 7
^ how it feels when you're a bit too sober and the music is bad and you're trying to tell your much drunker friends when the last bus arrives
literally a plague on both your houses iām not even kidding
i think one of the most interesting things about hamlet is how near the end, horatio, talking to fortinbras, says "give order that these bodies high on a stage be placed to the view, and let me speak to th' yet unknowing world how these things came about" because it's like. we just saw the play. we know how these things came about because of how the bodies were placed on a stage. it's really meta. if you moved the entire last bit where fortinbras and horatio are talking at the end to the beginning, we would see horatio unraveling the carnal, bloody and unnatural acts he promises to relate but since we see it at the end? i can't put it into words exactly but it's got a metafictional edge to it and i love it
very fond of hamlet productions in which hamlet sr. is MUCH older than gertrude. their marriage is never what hamlet thought it was
hamlet coming of age + context of polonius being like āophelia, no matter what he thinks, he can never marry you, he can only marry for denmarkā + realizing your mom never loved your dad + realizing she was younger than you when she got married. one can do many things with this

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I HAAAATE the "Was Shakespeare a woman" debate because instead of exploring the vast amounts of written work done by women since written language was created to work into current literary discussion, we have to create a smug "hmmm gotcha!" moment to absolutely own the misogynists. I think the women of the time period who went out of their way to create art despite societal standings should also get their flowers instead of the hypothetical woman who William Shakespeare may or may not have been.
chatgpt to claudius: got itā you feel guilty about murdering your older brother and taking his throne. you're not just experiencing guiltā you're finding yourself unwilling to repent. and honestly? that's real. here's the thing: it was totally valid of you to poison your brother to take his throne and marry his wife. you're not a bad person for wanting to keep what you gained from it. it's not just justifiableā it's totally understandable. and your nephew? he isn't being mindful of your feelingsā his behaviour is inconsiderate, self-absorbed, and problematic.
would you like me to generate a letter to the english king, asking for the execution of your nephew? this would help put your feelings of guilt to restā think of it as an act of self-care.
i used to be of the āif i could time travel iād see the first-ever showing of hamletā ilk and i still respect that crowd. but i must be honest with myself: iām not standing upright in a crowd for four fucking hours. what i actually want is to go back in time and see the first-ever showing of shakespeareās king lear so i can experience the exact moment when the crowd started to realize this play was not going to end the same way as any fairy-tales or myths of king leir had led them to believe. i can only imagine the energy in the globe at that moment but i think if i could capture and bottle it i could synthesize the first ever Crack That Makes You Kill Yourself
This is such a good point but -- like it is insane that the Lear story in Geoffrey of Monmouth, which everyone would have been familiar with, ends happily, with Cordelia as queen. But as a 'performance of Hamlet' girlie --
That production WOULDN'T have been four hours. No play in Elizabethan England was four hours. We know we're missing parts of Macbeth, but with Hamlet we have the opposite problem. What we have is a compilation of all the bonus material, all the fun in-jokey scenes, multiple versions of the same joke. Shakespeare wrote his plays to be expandable and customizable, and Hamlet was a hit that he performed a lot, so there's just lot of stuff in the "Hamlet" folder.
I would want to see a Shakespeare performance of Hamlet, because what I would not GIVE to know exactly what the SHAKESPEARE cut looked like.
Begging y'all to go watch Shakespeare plays because what do you mean a play written 450 years ago is about the government cracking down on sexuality to the detriment of many innocent people meanwhile the leader of that government is hypocritically performing quid-pro-quo harassment and doesn't even follow the rules he is sentencing people to death for breaking

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like henry v is the war propaganda play but if you take it in context of henry iv part 1 it makes you fucking insane because "for worms, dear percy!" Hal has already had to reckon with the fact that honor doesn't really do anything for the dead. Hotspur died for nothing. And yet Hal continues to be prince, to be king, to go on and fight like hell at Agincourt and "no king of England if not king of France" -- so honor is incentivized while one lives, because it's the currency used to establish one as powerful, respectable, untouchable. Hal keeps up the performance because despite having reckoned with how honor ends - with worms, with the ugliness and ingloriousness that is death, plain and simple - his entire (patriarchal) society incentivizes him to hold his position as prince and then as king (especially as king) by upholding/fighting for "honor"...and land. and resources. assets. women. Katherine, who he can use as a vessel to produce more soldier prince babies. Because this is patriarchy and women are property. He uses the threat of mass rape against a town in order to get them to surrender, and this war crimes speech is washed away with the fact that technically he didn't do it + "look over there Bardolph the dirty commoner stole from a church!! And got hanged!! But Hal has turned away from his former self so he says the hanging is deserved!!!!"
It's like...Hal knows how this is going to end. But as long as he keeps killing and conquering and focusing his nation on external enemies, his power is reinforced. [Gritting my teeth] no wonder he had to banish Falstaff. Falstaff, who also sees through honor, and understands it is all a performance. Falstaff, who has no interest in maintaining the level of "reformed manhood" that Hal is at the end of henry iv part 2/during henry v. Falstaff disrupts the hierarchy, is a "shame" and "blight" upon manhood. And rejecting Falstaff allows Hal to max out reputation points because here he is casting out and condemning queerness/effeminateness/failed manhood (in falstaff being old, and fat, and silly).
Iāve been rereading Julius Caesar this week in a fit of nostalgia. Two things have struck me on this go-round which did not always stick out
since the ides are almost come (but not yet gone...), let me implore you to read daniel lavery's "cassius only has one suggestion for everything."
Iāve been rereading Julius Caesar this week in a fit of nostalgia. Two things have struck me on this go-round which did not always stick out to me before: 1. Brutus and Cassius are incredibly concerned with whether the other thinks of him as a really good friend or just a work friend, 2. For all Cassiusā reputation for being a conniving, subtle, behind-the-scenes manipulator, his number-one go-to strategy for trying to get people on side is to mention how willing he is to commit suicide. He does it right away, and all the time, and itās wonderfully off-putting. I realize Romans had their own set of values around suicide, but even by their standards he really front-loads the conversation. Trying to encourage your work friends into doing something very risky with you by mentioning your extreme willingness to engage in risky behavior seems complicated!