Ghost Town Media

As the sun sits high in the sky on this Easter Sunday, it's not just chocolate eggs that we're hunting for. In the world of hip hop, there's a different kind of treasure waiting to be discovered—Easter eggs hidden within the beats and lyrics of our favorite tracks.

For those unfamiliar with the term, "Easter eggs" are subtle nods, references, or hidden messages deliberately placed by artists for attentive listeners to uncover. Much like a scavenger hunt, these musical Easter eggs add an extra layer of depth and intrigue to the listening experience. In the realm of hip hop, artists have mastered the art of planting Easter eggs, making every verse, every beat drop, and every sample choice an opportunity for fans to uncover something new. From clever wordplay to obscure samples, here are some notable examples of Easter eggs in hip hop that have left fans scratching their heads or nodding in appreciation.

1. Kanye West's "My Beautiful Dark Twisted Fantasy" Artwork

Let's start with an Easter egg that's hiding in plain sight. On the cover of Kanye West's magnum opus, "My Beautiful Dark Twisted Fantasy," there's a plethora of imagery to unpack. But one detail that often goes unnoticed is the painting in the background. If you look closely, you'll see that it depicts a fantastical scene filled with various characters from Kanye's career and personal life, each symbolizing different aspects of his psyche and journey as an artist.

2. Childish Gambino's "Because the Internet" Hidden Messages

Donald Glover, also known as Childish Gambino, is a master of incorporating hidden messages into his work, and "Because the Internet" is no exception. Throughout the album and its accompanying screenplay, Glover weaves a complex narrative that blurs the lines between reality and fiction. One particularly intriguing Easter egg is the use of hidden URLs and codes scattered throughout the project, leading fans down a rabbit hole of online mysteries and interactive storytelling.

3. OutKast's "Aquemini" Zodiac References

OutKast's masterpiece "Aquemini" is filled with astrological references that add an extra layer of depth to the album's themes of introspection and self-discovery. From the title itself, which combines the zodiac signs of Andre 3000 (Aquarius) and Big Boi (Gemini), to the lyrical references to astrology throughout the tracks, OutKast invites listeners to explore the celestial influences that shape their music and identities.

4. Missy Elliott's Visual Metaphors

Missy Elliott is renowned for her innovative music videos, which are filled with visual metaphors and hidden meanings. One of the most notable Easter eggs in her video for "The Rain (Supa Dupa Fly)" is the use of fish-eye lens distortion, which serves as a metaphor for the warped perception of reality in the music industry. Through her visual storytelling, Missy challenges viewers to look beyond the surface and uncover the deeper messages encoded within her art.

5. Kendrick Lamar's "To Pimp a Butterfly" Poetic Transitions

Kendrick Lamar is known for his intricate lyricism and attention to detail, and "To Pimp a Butterfly" is no exception. Throughout the album, Kendrick weaves a narrative that transcends individual tracks, connecting them through recurring motifs and themes. One particularly subtle Easter egg is the transition between tracks like "For Free?" and "King Kunta," where the final words of one song seamlessly flow into the next, creating a continuous stream of consciousness that mirrors the album's overarching message.

6. J Dilla's Signature Drum Patterns

J Dilla, the legendary producer known for his pioneering work in the realm of underground hip hop, was a master of hiding Easter eggs within his beats. One of his trademark techniques was subtly incorporating his initials, "JD," into his drum patterns. Listen closely to tracks like "Donuts," and you'll hear intricate rhythms that spell out his name, a testament to his unparalleled creativity and attention to detail.

7. MF DOOM's Masked Persona

MF DOOM, the enigmatic rapper and producer, crafted a persona shrouded in mystery and intrigue. One of the most enduring Easter eggs in his music is the use of comic book references and supervillain imagery, with his signature metal mask serving as a symbol of his alter ego. Throughout his discography, DOOM peppers his lyrics with references to comic book lore, inviting listeners to delve deeper into the mythology he's created.

As we celebrate Easter today, let's not forget to appreciate the hidden treasures waiting to be uncovered in the world of hip hop. From clever wordplay to subtle references, these Easter eggs enrich our listening experience and remind us of the boundless creativity within the genre. So, grab your headphones, embark on a musical scavenger hunt, and see what hidden gems you can unearth beneath the surface of your favorite tracks. Happy hunting, hip hop heads!

As Easter Sunday approaches, it's time to bring out the grill, vibe to some beats, and celebrate in true hip hop style. While Easter traditions often conjure images of egg hunts and family gatherings, there's no reason why the hip hop community can't put its own spin on the festivities. From mouthwatering BBQ recipes to curated playlists, here's how to host the ultimate Easter BBQ bash that'll have everyone talking.

Setting the Scene:

First things first, set the mood with some perfect beats. Create a playlist featuring classic hip hop tracks that'll keep the party going from start to finish. Think Notorious B.I.G., Tupac, Kendrick Lamar, and Drake to name a few. Whether you're chilling with friends or vibing with family, the right music will elevate the atmosphere and keep the energy high.

Grillin' and Chillin':

Now, let's talk about the main event – the BBQ. When it comes to grilling, it's all about flavor and creativity. Sure, you can stick to the classics like burgers and hot dogs, but why not switch it up and impress your guests with some hip hop-inspired dishes?

Snoop Dogg's Gin and Juice Ribs:

Take your ribs to the next level with a marinade inspired by Snoop Dogg's classic track "Gin and Juice." Mix up a concoction of gin, orange juice, brown sugar, and a blend of spices to create a savory-sweet marinade that'll have everyone coming back for seconds.

Kanye West's Pablo Escoburgers:

Channel your inner Yeezy and whip up some Pablo Escoburgers – juicy beef patties topped with melted cheese, guacamole, and a kick of jalapenos. Serve them up with a side of Kanye's famous ego…I mean, coleslaw.

Cardi B's Bodak BBQ Chicken:

For a finger-lickin' good dish, try Cardi B's Bodak BBQ Chicken. Marinate your chicken in a tangy BBQ sauce infused with a dash of Cardi's sass and attitude. Grill it to perfection and watch as your guests go wild for this flavorful favorite.

Jay-Z's 99 Problems But a Brisket Ain't One:

Slow-cook a mouthwatering brisket inspired by the one and only Jay-Z. Rub it down with a blend of spices, smoke it low and slow, and watch as it melts in your mouth with each bite. Serve it up with a side of Hova's favorite BBQ sauce for an unbeatable combination.

Sippin' and Savorin':

No BBQ is complete without some refreshing beverages to wash it all down. Keep the drinks flowing with a selection of hip hop-inspired cocktails and mocktails. From Hennessy Highballs to Beyoncé Lemonades, there's something for everyone to sip on as they soak up the sun and enjoy the vibes.

Spread Love, It's the Hip Hop Way:

Finally, remember that Easter is about spreading love and coming together as a community. Whether you're celebrating with friends, family, or your hip hop fam, embrace the spirit of the holiday and show appreciation for those around you. Share laughs, make memories, and let the music bring you closer together.

So, there you have it – the ultimate guide to hosting the best Easter BBQ celebration with a hip hop twist. From bumpin' beats to mouthwatering eats, this year's festivities are sure to be one for the books. Now go forth, grill with confidence, and make this Easter one to remember. Peace, love, and hip hop!

EastBayG, formerly known around the Bay Area, California and Phoenix, Arizona as ‘Zay Parraz’ rebrands himself for the better! EastBayG had a credible résumé with his previous songs, including H.O., Bob Guadio, and Tonight to name a few. His popularity was proven with a growing fan base, though, he had decided to rebrand and rename himself. Why? I have the answer!

EastBayG was not only popular with the crowds and his fans, but was highly respected with other local artists in the community. It seemed as if success was near in sight. I asked EastBayG why he felt a rebrand was in order, here is what he had to say: “I don’t think I had captured my sound yet. I was loud, rapping about random topics, and I felt like I was just, everywhere. I didn’t have my niche yet. I remember I tried booking a concert to open for Lil Boosie and the booking agent told me he didn’t feel it was my style of a concert. I kinda knew what he meant but he didn’t know I was finished working on some fire by that time. He wouldn’t allow me to sign up and that’s when I knew what I needed to do.”

EastBayG has been seen in the studio with a few collaborating artists including Melly Bandzalot, M7.o.c., Widow M.K.R, and even two members of the death metal community, David Wendling who was a drummer from Hounds Of Tindalos and The Writ, and Anthony Espocito, who is a vocalist for a new group called Kilo Az. It’s apparent that a new level of heat will be headed our way.

Expected to be releasing music in mid 2025, EastBayG has dabbled in other projects including writing a novel and opening a family medical office in Mesa, Arizona, which is now seeing patients. He will also be expected to drop a book around the same time as his music debut. He describes a love tragedy from a past relationship as inspiration and although there’s a book deal on lock, there isn’t any word on a specific publish date as of yet. There’s an upcoming photo shoot for the book cover and song thumbnails. We do know that there was some work done in the studio for a playlist that will be part of the book.

Unfortunately, all previous releases under Zay have been removed due to the rebranding process. We will all have to keep an ear out for his return in 2025! In the meantime, EastBayG will continue making more content for the release. There’s zero doubt that EastBayG will be widely accepted back into the community and some of his music engineers say that these new drops will instill his spot in the world of HipHop.

In the realm of music, there are albums, and then there are transformative experiences encapsulated in sound. "Renaissance Era" undoubtedly belongs to the latter category. A collaborative masterpiece forged by the lyrical prowess of K.I.D. Casper and Ohpenmiind, under the visionary production of Thugs Bunny, this album transcends mere notes and melodies. It's a soul-stirring journey of growth, resilience, and hope—a profound exploration of the human experience set against a backdrop of mesmerizing beats and evocative storytelling. Each track serves as a chapter in a larger narrative, inviting listeners to embark on an introspective voyage through the depths of human emotion. From the haunting melodies of "Early Grave" to the infectious energy of "Earned Truth," every song on "Renaissance Era" contributes to a sonic tapestry that resonates deeply with audiences. Join us as we delve into the intricacies of this captivating album, unpacking its themes, dissecting its lyrics, and unraveling the magic that lies within each track. Welcome to the "Renaissance Era"—where music becomes a transformative force, and every note carries the weight of human emotion.

The opening track, "Renaissance," featuring the evocative vocals of Fenix Castro, sets the stage for the album's thematic exploration. With its intricate layers of vocal loops and mesmerizing Spanish flow, the song serves as a compelling invitation into the duo's world. Castro's addition injects a unique flavor into the composition, enhancing its depth and complexity. As the lyrics unravel the journey of breaking free from societal constraints, listeners are drawn into a narrative of personal transformation and empowerment.

"Dosing" takes a soulful turn, utilizing vocal looped beats to create a poignant backdrop for Ohpenmiind's lyrical prowess. The line "telling us to forfeit - gotta learn from every downfall, changing up my stance - only talking bout the southpaw" shows his ability to bring in unique metaphors into real world story telling. His metaphorical storytelling shines through, delivering a powerful message about resilience and determination in the face of life's trials and tribulations. The track demands attention, urging listeners to delve deeper into its rich lyrical content and introspective themes.

"Early Grave" further explores the complexities of human existence, unfolding against a subdued beat that allows the duo's verses to take center stage. The lyrics serve as a sobering reminder of the importance of self-awareness and perseverance in navigating life's challenges. Thugs Bunny's production choices enhance the emotional depth of the song, creating a haunting atmosphere that leaves a lasting impression on the listener's psyche.

"Essence of Even," featuring the dynamic presence of Tallikuh, emerges as a standout moment on the album. With its menacing beat and infectious chorus, the track captivates listeners, drawing them into its hypnotic rhythm. Tallikuh's contribution adds depth and dimension to the overall sound, infusing the composition with a sense of urgency and vitality. It's a song that demands repeat listens, its infectious energy and powerful lyrics resonating deeply as you will want to hit replay as it ends.

"I'm Here Today," featuring the soulful vocals of Richaul, showcases the duo's versatility as they dial back the drums to let the emotive strings and soulful vibes take the spotlight. The lines "This crown sit heavy, im ready for eons/ all that negative energy, keep it and be gone/ I'm beyond... " from K.I.D. Casper is a great example of his bravado and ability to build intricate internal rhymes that keep you guessing. Richaul's smooth vocal control complements the track's introspective themes, culminating in a poignant expression of hope and resilience. It's a song that speaks to the indomitable strength of the human spirit, inspiring listeners to persevere in the face of adversity.

"Just Wanna See," featuring the impassioned verses of Yasin, delivers a message of long-term hope against a backdrop of drums and vocal loops. Yasin's emotional bars set the tone for an introspective journey, resonating deeply with listeners on a profound level. The track captures the essence of the album, serving as a reminder that even in the darkest of times, there is always the promise of a brighter tomorrow.

As the album draws to a close with "Nothing About That," listeners are treated to a fitting conclusion that encapsulates the essence of "Renaissance Era." Drawing upon musical elements heard throughout the album, the track invites listeners to reflect on the journey they've embarked upon. It's a song that leaves a lasting impression, a testament to the enduring power of music to inspire, uplift, and transform the human spirit.

"Renaissance Era" is not just an album; it's a profound exploration of the human experience, a testament to the resilience of the human spirit.

EastBayG, the rap maestro from the East Bay, brings a fresh twist to the game with his latest track, "By The Pound," featuring the charismatic M7.o.c. This lyrical journey is nothing short of an auditory vacation steeped in lessons.

The highlight of this track lies in EastBayG's ability to manipulate the rhythm of his verses, seamlessly accelerating his flow in the middle of his bars. It's a virtuoso move that allows him to fit more lyrics into each line, keeping the timing impeccable. This technique is like a lyrical sleight of hand that leaves you awestruck, underscoring EastBayG's prowess as a wordsmith.

The sonic backdrop of "By The Pound" is equally enthralling. The beat is a concoction of soulful and ominous elements, creating a unique atmosphere that perfectly complements EastBayG's lyrical storytelling. It's almost as if the beat is a character in itself, whispering secrets about high-quality cannabis growing and easy access to it. The synergy between EastBayG and the beat crafts an alluring atmosphere, immersing you in their world of indulgence and danger.

M7.o.c. graces the track with his presence and effortlessly commands the listener's attention with swag and bravado that are nothing short of magnetic. His entry is a game-changer, adding depth to the song and elevating its appeal. The chemistry between EastBayG and M7.o.c. is palpable, and it's their clever wordplay and metaphors that craft a portal into their world of intrigue.

In the midst of this musical journey, there's a profound and insightful line that stands out: "when the homie got hit, it opened my eyes. You either doing the killin or you the victim that dies." M7.o.c. drops this line with a weight that resonates deeply, highlighting the harsh realities of their world. It's impactful and serves as a sobering reminder that their lyrical tales are grounded in a harsh, unforgiving reality.

"By The Pound" isn't just a song; it's an invitation to step into the enigmatic realm of EastBayG and M7.o.c. Their storytelling, lyrical prowess, and charisma make this track a must-listen for those who seek rap that's as captivating as it is skillful. EastBayG and M7.o.c. have woven a captivating tapestry that's well worth indulging in for its depth and insight.

It’s a cold night in February when I have this conversation with Daniel Kobayashi, an artist that has made noise recently with his music being noticed for its angst-channeled romanticism.  His video for the latest song to catch the ears of listeners ”BLUE” just released and after taking in the amazing visuals, I needed to ask him a few things.  This our conversation.

Ghost Town Media: First off, the song “Blue” is amazing.  Did you know you had something this special when you wrote it?

Daniel Kobayashi: Thank you! Truthfully no. When I wrote blue, I was writing it at the same time as several other songs. It was a very natural, quiet process. It wasn't until weeks after I released it where I was like - "oh okay, I can see how someone else would be into this."

GTM:  Have you had moments like that before like with your song “Russian”?

DK: Russian was definitely the first time that happened for me, I think that's why I adopted a pop/rock/hip hop sound. This song is like the perfect example actually - I just let it rip when I was recording and the energy came across and reached out to people. I'm looking forward to writing more music like that, but maybe lightening up a bit ! I don't feel nearly as intense now haha.

GTM: Speaking of rock music, do you think you will experiment with a live band in the future?

DK: Of course ! I've worked with a live band before for some of my music and I loved the energy.

GTM: There seems to be a big emphasis on color throughout the video, was that something you and the director wanted to stand out?

DK: I have an obsession with the relationship between colors and emotion. Colors our a powerful way to communicate. When Louie and I say down to write out this video, we knew right away that we wanted it to be colorful.

GTM: Has that always been something you’ve wanted to keep in mind while creating your visuals?

DK: Absolutely 100% yes. I have a very specific range of colors I work with, I am very particular about the use of colors in my art.

GTM: On a slightly personal note, what is your favorite color?

DK: Haha, I’m a big fan of crimson red.

GTM: Does the triangle in the video have any symbolic meaning?

DK: No. None at all.

GTM: Do you think the talent involved in the video might be so talented that they don’t even realize that they are creating any underlying symbolism?  

DK: Truthfully yes, and at some point Louie (the director) even mentioned to me that the neon structure I was inside of (ya know, the large neon cube) was meant to symbolize the imprisonment we feel inside of toxic relationships. I was kind of blown away by that.

GTM: Is the direction of your videos something you have more of an oversight with and how much do you ask from the director?

DK: Because I have a background in photo editing and design, I like to have an in depth involvement with the editing process. I don't like bossing people around because I feel like that'll stifle their creativity, but I do like to steer the direction a little bit. I try to make it a 50/50 experience.

GTM: How far back does that experience go? Was that a passion before music?

DK: Oh I've had an interest in being able to edit and design for as long as I can remember - like - 12? 13? 14? It's been a long, long time. My admiration for those two things were always hand in hand. I remember the definitive moment: the music video for 'all of the lights' by Ye dropped - and after I saw the intro that Hype Williams made - I KNEW I had to be able to make stuff like that.

GTM: So you would credit Hype Williams as your inspiration?  What other artist/directors inspire you?

DK: Oh man - visually? Japanese designer Kenzo Takada, Kanye West, Marina Abramovic, The Neighbourhood, George Lucas,  Stanley Kubrick, Lana Del Rey, Yung Blud, I could go on. I'm a pop culture freak! Haha.

GTM: You’ve got an eclectic set of influences.  That’s amazing.  So back to something a little closer to home.  Did or does the song ever feel too real at times?  Do you, or maybe even other artists, get a little freaked out at the idea of such a personal thing being on display?

DK: It's funny you ask that! I was just thinking the other day about how personal some of my music has gotten. I haven't gotten used to that yet, but I've noticed the more personal and real my music gets, the more people can relate. I don't get freaked out about being honest on some of these tracks per say, I think I've gotten pretty good about just saying what I feel. It's the aftermath that always makes me cringe! Haha.

GTM: When you say aftermath do you mean the end product itself or the response it gets?

DK: Oh I for sure mean the response it gets. You never know how people are gonna take one thing or another, and on top of that, everyone is a keyboard warrior nowadays. Hopefully it's all love for this song and video but we'll see!

We wrapped up the conversation with well wishes and me racing back to my YouTube app to watch the video for “BLUE” again after I gained a deeper appreciation for a song I already had on repeat.  

If you need a feel good track to get you up and out of your funk or just keep the good times going, then check out "Embodiment" from the Underground Uprising "Artist of the Week" DEEZ.  This track is full of life and enthusiasm that you can't help but vibe to it.  The key element that drives this song is the energy of DEEZ.  He does a great job of being the embodiment of positive words and actions.  His infectious fervor for life captures you and holds on from start to finish. 

The instrumental, starting subtly and elevating organically, is hypnotic and allows DEEZ to demonstrate his brand of positive and Hip Hop.  Seeing things through a positive lens instead of a negative one yields the best results and with lines like "You have all the power up in your mind', you can tell that DEEZ is not an artist frozen by fear.  He wants you to "chase what you love" and this song is a damn good anthem to play while you're doing it.

The first verse is a good example of easing into a song and letting your bars build as it goes.  This approach really helps make the second verse pop with more complicated rhyme schemes and a more dissecting delivery that ends with a smooth tone and a calm demeanor befitting a man that is on his true path and content in his place in the universe.  The flow on this track allows for you to "bop" with the rhythm and energy while digesting powerful affirmations like "Problems? Continue to solve them" and "Stop spreading lies".  This song leaves it mark not only in style but in substance and is a must add to any playlist that needs some positive energy.

After President Trump fell flat with his comments about recovering from COVID-19, he is changing focus and saying that he wants to offer another $1,200 stimulus check.  The problem is that $1,200 was not enough for pretty much everyone effected by the pandemic and the possibility of that same amount having even close to the same impact as before is impossible with the economy struggling for months with no plans for recovery.

Trump initially stood firm against discussing the possibility of offering any form of financial help in the form stimulus checks until after the election tweeting, “I have instructed my representatives to stop negotiating until after the election when, immediately after I win, we will pass a major Stimulus Bill that focuses on hardworking Americans and Small Businesses.”  It took a few hours and it appears that Trump decided to flip-flop on the matter.  He tweeted, “If I am sent a Stand Alone Bill for Stimulus Checks ($1,200), they will go out to our great people IMMEDIATELY.”  

If a bill is put in from of him with nothing but the stimulus checks written into the bill, then he might sign and it is really a win-win scenario for Trump.  He gets to say that he is trying to do what is best for the American people by giving out $1,200 to everyone and if the bill isn’t a stand alone bill then he can reject it and have leverage to do so.  The big issue here is that the $1,200 promised in this hypothetical situation did not last very long the first time.  A lot of people are out of work and being forced into debt to stay afloat.  Many others aren’t as lucky. 

The world is starting to move again and we are glad to keep the trend continuing with our latest interview.  The Underground Uprising "Artist of the Week" DEEZ is an up and comer with a sound and vibe all his own.  Dive in and find out what drives him and his music in our interview below.

Where are you from?  What was it like growing up there?

"Born in Phoenix, AZ went to school up north in Prescott Valley. What was it like? For me it was small & slower than I wanted, though these days I can appreciate that. "

How did you come up with your name Deez?

"I actually didn’t haha. My government name is Darius & growing up I chose to hang out with a mostly older crowd. Nicknames come about… first it was “lil deezy” being the youngin n all. But yeah eventually it just stuck when I started to get more serious with the flows."

What inspired you to pursue music?

"I’ve been around it my whole existence. My pops sings / played the drums in his own band and various others, so I think in some sense I’ve always effortlessly, gravitated towards music of all types. Words are another love of mine. Like I was always writing poetry etc. I even published a small book. This is a tough question to answer in a short manner. Ultimately I think what inspired me was a feeling of wanting to express myself. I believe we all have an identity & I’m embracing mine hoping to provide a positive impact on society."

Biggest challenge up to this point in your career?

"You mean besides Covid-19? I was just getting my feet wet with the live performing when the shutdown happened, so having that halted was a real hurdle I’m currently working around. Just more opportunities to be creative :) "

What do you think of the current state of AZ hip-hop?

"We have such a wide variety of talent here, not to mention ITS ALL LOVE. A beautiful thing we have in common is we all want to see each other win. Excited for what this state has to offer the future of Hip-Hop."

Advice for up and coming creators and artists?

"The only way to get better is to do it. Don’t just invest in what you desire, invest in yourself."

Favorite independent artists?

"Tyler The Creator, locally though Joseph Bills, Sincerely Collins, thekaleidoscopekid… to name a few."  

What advice would you give yourself if you could go back to where you started?

"None, I wouldn’t be me if we changed something."

Who would you like to collab with in the future?

"JOSEPH BILLS & THEFONZARELLIPROJECT "

What’s the next move for Deez?

"Moves are consistently in motion, for I am ever-evolving, just tune in to find out."

For everyone that flocks to Hip Hop music because of the lyrics then you need to look no further than Big Doobie.  This Detroit to Phoenix artist released his "From the D to AZ" mixtape, hosted by the one and only Sauce Walka, and we needed to spotlight our favorite track so you can get a sample of the talent and skills he possesses.  

The instrumental draws you in while distant layered vocals invite you further until the drums hit and Big Doobie's infectious chorus takes off.  This gets you invested right away as you can't help but move to the beat and his cold delivery.  His flow reminds you of the grittiest days of Hip Hop, before it took over as the most beloved genre in the world.  There is confidence that has to stem from real life experiences and inspirations because the conviction in his delivery is what sells it the most.  The flows switch throughout to the point where you start to anticipate it.  Of course Big Doobie matches and exceeds what you might be anticipating.  From the first line, "I have no competition, there is no opposition", the bars elevate to more internalized and complicated rhyme schemes as the songs plays and it leaves you wanting more.

If you have Sauce Walka hosting your project its bound to sound great.  There is also some expectation that starts to swell up as well.  It's not easy to meet people's expectations when it comes to anything in life, especially music, however, in just one song Big Doobie surpasses that expectation.  Big Doobie is what a lot of people call a "rappers" rapper.  This means his lyrical ability is basically on an elevated level compared to most other artists.  This isn't to discredit anyone else, it's actually a compliment to have an artist like Big Doobie setting the bar so high.  With high production value, a driving instrumental, catchy hook and lyrics delivered with such emphasis you can feel yourself vibing to the cadence alone, "Snappin" is a complete hit that demands more than a few replays.

The world is starting to move again and we are glad to keep the trend continuing with our latest interview.  The Underground Uprising "Artist of the Week" is the man they call Big Doobie.  Find out about what influences and motivates his music in our interview below as well as some other interesting information and   background on his past and his future plans.

Where are you from?  What was it like growing up there?

"Detroit Michigan, but been back and forth in AZ since 2000 graduated high school here. I loved growing up in the D is was different than it is now, it was still crazy but not as poor, so people looked out for each other in a different way. Community raising the kids type of situation. Moving here in high school was a culture shock. If never seen kids that were not black before, outside of Arab and Chaldean. I felt like I moved to another year planet, like the kid was taken off the earth for me, there was no looking back after that."

What kind of music did you listen to as a kid?

"Bone thugs in harmony, 36mafia, Project Pat, No limit, hot boys, Tupac, Yukmouth, E40, DMX, Eminem, I also loved Michael Jackson, and queen, and Marvin Gaye, and Bootsie Collins,  all types of music."

Where did you get the name Big Doobie?

"Doobie is a family name, my cousins and I call each other Doobie. We started a club promotion company out here in like 07-08 called the Doobie boys I’ve always been big Doobie."

What do you both think of the current state of AZ Hip Hop?

"I think the current state of AZ music is growing, changing, elevating, I love it, it’s active."

Biggest influences in Hip Hop?

"Biggest would be Yukmouth, and Master P."

What are some issues you see in the industry right now?

"To much trash, the fans are oversaturated with bullshit it can be hard to get to the good shit sometimes with so much bullshit in the way."

How would you remedy that issue?

"Just go harder that’s the only remedy."

What are the highest and lowest moments in your career?

"I just started taking my music seriously in December, I released my first mixtape in May, I would say releasing that tape finally has been the high point so far, the low would be all the years before December that I didn’t prioritize my music and let the streets and other things get in the way of me Investing in my dream."

Who would you like to collab with in the future?

"Kendrick, Wayne, Tip, and Jeezy are on my short list of future collabs, and Sada."

What’s the next move for Big Doobie?

"Pushing new singles, getting back to doing shoes, building my brand, becoming the richest rapper Arizona ever made, and turning other Arizona rappers into Millionaires."

The Underground Uprising "Artist of the Week" is back and this time we are bringing an up and comer from Arizona that goes by the name AllWhiteBrix.  Read the full interview below to get to know him and a little bit about what drives him as well as some advice for other artists and some personal stories thrown in as well.  

Where are you from?  What was it like growing up there?

“Born and mostly raised in Utah, I moved around a lot as a kid. Majority of the people there though are unfortunately very closed minded, Besides that though it wasn't too bad. The outside activities there are endless!“

How did you come up with your name?  What does AllWhiteBrix mean to you?

“So I was very sheltered as a kid/teen but the one artist I always found myself listening to was Lil Wayne. I was listening to music one day and came across the song "Steady Mobbin" by young money and in there he has a line where he says something like "All, all white bricks I'm straight like it's jumping back to thirty six". Well If you didn't know my name is Brixton and I guess when I heard that line it was just like that's it "AllWhiteBrix". It was not until a couple months to maybe a year later when I had brought the idea to a couple friends they then informed me the actual meaning behind it. I was shocked to say the least considering the fact that I didn't even know what it met at the time I come up with it, besides I don't really mess with that stuff.“

When did start making music?

“I actually started writing poetry freshman year of high school as a way to express myself, It wasn't until around my junior year until I actually started making music. I went to a trade school called EVIT where I learned radio broadcasting and audio production and that is when I fell in love with the whole music making process.“

5 Favorite artists of all time?

“That's so hard to choose there are so many great artist out there but If I had to choose It would be (in no particular order) Lil Wayne, Mac Miller, Tribe Called Quest, Eminem, Snoop Dogg“

What do you both think of the current state of AZ Hip Hop?

“Arizona is active! We got so many great artist out here plus the azhiphop festival! I feel like there is a lot more opportunities out here then in some other states. As I always say AZ got the heat!“

Advice for up and coming creators and artists?

“Be yourself and invest in yourself. Give more than you receive. Lastly, embrace change.“

Biggest lesson you’ve learned so far?

“The biggest lesson I learned was probably to love the struggle/process and to take risk. The journey for building a career in music is a long road but it is important to love the process that is gonna take you to your destination.“

Who influenced/influences your music the most?

“I think Mac is my biggest influence. His songs were always so different and creative. He had a good work ethic and always kept the day one homies around.“

Who would you like to collab with in the future?

“There is so many artist I would love to collab with but I think Futuristic, Chika, Travis Thompson, and Childish Gambino would be dope to collab with just to name a few.“

What’s the next move for AllWhiteBrix?

“Well of course a lot of things are on pause because of covid such as live shows and things like that, but I have been talking with my booking agent to try and setup a virtual show online but for now that's still in the works. However I will actually be dropping a new single once a month every month on monday with the hashtag #monthlymusicmondays. So stay tuned into my IG for new releases and be sure to follow me on soundcloud and all social media sites @AllWhiteBrix“

We are in the era of the producer.  From Metro Boomin to Murder Beatz and so many more, this is the time where a good portion of the limelight is now going to the people behind the switches and keys.  Arizona Hip Hop has their own base of producers and DJs that craft some amazing music for talented artists in Arizona and all over the world to utilize as the foundation of their songs.  One of these talented Arizona producers recently released an album that caught our attention. The Way I Dreamed It, Vol. 2 from ProducedbyTyler was recorded and produced at Sunset Studios in Mesa, Arizona.  This 11-track album flows from beginning to end and acts as a calling card for ProducedByTyler as producer and engineer while signaling that he’s one of the more unique and talented producers in Arizona.  

The album kicks off with “Shakira Wine” which plays like a dancehall jam and that tone informs the rest of the album.  This song could easily fit into a weekend playlist next to Sean Paul or Vybz Kartel tracks.  The vocal talents of Blk9 really shine through and the hook is very catchy.  These talents also act as a bridge between the first two songs as Blk9 joins FRESCOTOLDYA for “Friday Night Party”.  This also keeps the same vibe from the previous track while offering up a feel good track that could act as a soundtrack to carefree nights.  That carefree feeling gets turned into a slow jam with the next song “Zone”.  The music slows down and the smooth vocals signify this is time to address adult topics.  The bars from D-Beezy Baby ride the beat with an up and down cadence that matches the content of the song while Kiid Tru sets the tone with a deep chorus and Dre Smuzic goes all in with some impactful notes and lyrical construction that really highlights his range.  

The fourth song on the album is “777” which features E batt, strips away a lot from the music which allows the exhibition of lyrics and delivery stand out.  While it’s a shorter song, it’s begs for a replay as the simplicity of the music and the passion of the lyrics balance out and leave you wanting more.  MeechieGotBarz brings some hype with his delivery on the next track “Gary Payton” which sees the music take the low key approach  like the previous track and gives this ode to cannabis a subtle way to turn up the intensity of the album.  This song is easily a standout on the album and could be a fan favorite as more and more people listen.  

Album Artwork by Andres

Blk9 is back to deliver and does it big with the next track “Slide”.  The song plays contextually with the previous one but also hits on sonically established elements from earlier in the album.  Having Blk9 featured on two tracks earlier on the album, which are decidedly different in content than this one, really shows the thought that went into making this album have a seamless flow while not being one dimensional. Another standout track is up next with “Randeveu” which Teek Hall, FRESCOTOLDYA, and Earth Yarb jump on and do it big.  Teek uses his distinct voice to set the tone while the effervescent flows of FRESCOTOLDYA permeate the middle of the track and Earth Yarb serenades you on the way out.  Blk9 and Kyle James linkup on the next track “What You Deserve”, a middle finger to someone that puts themselves on a pedestal.  The bars are honest and offered up with an old school inspired delivery which fits the beat well as it doesn’t over complicate things, and for a track about such a real and universally applicable situation, it does wonders for the consumption of the content of the song.  

D-Beezy Baby brings heat on the 9th track “Heavenly” which he uses to put racism and bigotry on blast.  The power of his voice is enhanced by the atmospheric music ProducedByTyler created and it works the other way around as well.  This track is powerful and emphatic and deserves a listen for more than a few reasons.  Kyu the Legend, the Real Messori & King Life the Goat come together for the more unorthodox song on the album.  Celebrating the lavish things in life while doing in on their own terms is the message.  This message is delivered not just in the lyrics but the instrumental is so unique itself that it helps catapult that message further.  The final track from ProducedByTyler is another stand out as it gives the synth laced music time to resonate before Blk9, Kyu the Legend, Earth Yarb & Kyle James collab to close out this amazing exhibition in showcasing your sound as a producer.  

From love to lust and the parties and vibes that flow between the two, ProducedByTyler does a tremendous job of setting the tone of his album and doesn’t crowd the track list with songs or sounds that don’t flow with the established motifs and themes of the album.  If you want a mixtape style project where the songs feel like a mashup of sounds that feel like singles thrown together to make an “album” then you should try something else.  If you want a real album, something that has cohesion and fluidity, something that allows you truly get lost in the sound, this is the album for you.

As the weather gets colder, so can our hearts.  This year more than any we have a longing for those epic summer days that just didn’t get the chance to happen.  Despite that pause in summer fun, the ups and downs of life don’t pause.  From fresh romances to break ups, life keeps going.  So whether you’re dying for another song to turn up while you’re closing out the summer or you need something to help soothe a wounded heart, Danny Kobayashi’s latest single “Blue” from his AFTERDARK EP is the perfect song to end the summer while leading you into the rest of the year.

With its string-heavy instrumental, laced with a beautifully deep bass line, this track could’ve been written for Post Malone and fit nicely along side the rest of his primarily rock driven catalogue.  The lyrics don’t fall flat in the slightest and do their best to match such a powerful musical foundation.  Even an artist like The Weeknd, a connoisseur of sexual provocation mixed with self reflection and dark indulgences, would be proud of lines like “she thinks that I’m Latin when I’m Japanese, I can’t hear her talk when she’s on her knees”.  The content starts thoroughly dark but with a chorus that says “You said it’s all black and white, then why are we feeling blue?”, it’s easy to see why it’s so unapologetic in its tenebrous approach.  Danny Kobayashi cuts through all the bullshit and lets the realities exist.

Now admittedly, that’s some good company to be associated with but the song stands out amongst its sonically compatible peers as well.  Danny Kobayashi’s voice is not like anyone else and this elevates the song as it allows his talent to truly stand out.  You might hear the perceived influences of current artists but his tonality and cadence help shift that sound to a decidedly unique one that is all his own.  Throw in top notch melodies that will not only have you signing along but help drive home such powerfully honest words.  Danny Kobayashi has given us a song you'll be blasting in headphones while you’re trying to shake off a heartbreak or playing it loudly on some really nice speakers that help the bass hit just as hard as the lyrics do.

We are back with the Underground Uprising's "Artist of the Week" and this time we have a director/videographer to showcase!  D. Carter, the man behind "To the Top Visuals" is the first "AOTW" to  be chosen for their skills behind a camera and after you get to know him and his work a little better, you'll be a fan or an eager artist that wants to work with this diversely skilled man from Arizona.

Where are you from?  What was it like growing up there?

"I was born in Mesa, Arizona. Raised in the East valley of Phoenix, bouncing from Chandler, Gilbert, Mesa, and Tempe. I've been here my entire life. I moved a lot, but mostly throughout the east valley. I love AZ, it is a place I'll always represent and call home. I've met several solid people who've played huge roles in my life. I've had a lot of great memories and a lot of bad one's. But I'm sure it's like that anywhere you are from. The one thing i love about Arizona is its difference in nature. You can go from the Phoenix desert at 120 degrees and take an hour and a half drive up North and be in cooler weather and surrounded by pine trees. Growing up here has been a long experience and journey. I don't know any other place better than I do Arizona."

What kind of videos/movies/tv inspired you as a kid?

"I grew up loving a lot of sci-fi and comedy films. "Star Wars" brings out my nerdy side and i could watch those movies over and over despite how many times I've already seen them. I also loved movies like "The Matrix" , "Romeo must die", "Predator", "Alien", "Rush Hour" "Chappelle show" and stand up comedies to name a few. As a kid I was heavy into "Pokémon" and "Yu-Gu-oh!" I don't care what nobody says that was my thing. Lol. I really enjoyed movies or shows where their was a main character who was separated from the rest "The one" or they had special abilities that no one else had. Some badass "lone ninja" type stuff. Lol. I actually try implementing that on my own projects. I think it's cool."

When did “To the Top Visuals” start?

"[It] originated as "Carterora Productions" about two years ago. As I was building my portfolio as an artist going by "D Carter", I needed content. I didn't have the money to afford photo shoots or music videos all the time with what I was trying to do. I knew I needed to put things out but I was limited. I hated that feeling. I originally invested into camera equipment with a business partner who had experience in multimedia in hopes to grow as an artist and build a business shooting music videos and doing photo shoots for other artists. My partner and I had conflicting schedules and (life happened) at the time and couldn't run it full force attacking it head on together like i was intending to. So I ended up doing it by myself. I started building relationships and taking on big projects like Weddings, Corporate videos, small business videos, artist photo shoots, artist music videos etc.. I really had no experience what so ever with a camera or knew anything about it. But I did my research and learned more and more over time. I had to learn the ins and outs of a camera, a drone, editing, all while having my own style to it. It was very over whelming for a while because I was also trying to be a music artist. Then all the sudden I was a videographer and a photographer.

I've had my fair share of gigs and the experience is really what took me to a new level. Although I still am the learner and have much more to figure out. It has skyrocketed my opportunities and building relationships being able to it all.  Until I met my manager, (Danielle Ellis) aka "The Matrix" We built a team together under the label "To the Top Music Management". She has helped me immensely to grow as an artist. We decided to partner and run the multimedia business I had built, together and rebrand the name to match what we had already started in To the Top Music management. To make things simpler, thus the name "To the Top Visuals".

Favorite director?

"I loved Tarantino films, Spielberg, and of course George Lucas for giving us star wars lol."

What do you both think of the current state of AZ Hip Hop?

"I think anyone can agree that Arizona is a hotspot for talent. I've met so many talented and credible like minded individuals who are all here trying to do the same thing. The driving direction in AZ hip-hop is in full acceleration. One day i believe AZ will be known for Hip hop like California, New York or Atlanta. One driving force will be Respect the Underground and what they have put on for the city, year after year. Especially with the showcasing of talent at each years Annual Hip hop festival."

Advice for up and coming creators and artists?

"My best advice, do what you love to do. Not because it's cool. If you truly love the ART and can dedicate your life to it, then take every opportunity thrown at you. I mean that as in right away. Not next week, next year, or when you're ready.. Because you will never be "ready". The time is now fam."

Biggest lesson learned in your career?

"My biggest lesson as a music artist, was to stop making music for other people. Make music that YOU like. Don't follow the trends. Separate yourself from the rest. I see to much of the same things nowadays. I also learned that this is a business, not a hobby. You need to have both a business mindset and a creative mindset or else this will be very difficult for you. It was for me. The last important thing I learned is don't listen to what people think or criticize you on about your art. And that goes for the multimedia side as well. Your art will never be good enough for some people and that's okay. You have to accept that. The ones who enjoy what you do will follow."

What are you most proud of, what is your biggest accomplishment so far?

"What I am most proud of in this journey in the music business and multimedia business is the experience itself. Never did I think 4 years ago I would be where I am today, strategizing and executing a clear vision with Mic Myers, Talika, KMRN, Genesis, and Drk Matr, all of which are a part of our label “To the Top music management” as well as hosting Hip-hop night at Good Time Charlis in Chandler. I've worked with or had the opportunity to surround myself with several successful artists and media artists such as Whitney Peyton, Sincerely Collins, Fat Belly Filmz, Shot by Dub, Delly Everyday, Bag of Tricks Cat to name a few. I've collaborated with super producer Kato on the Track, on a beat and had the opportunity to meet and learn from him. I've taken pictures of several local artists whether it be photo shoots or performance photos for groups like The Kotton Mouth Kings... The opportunities are out there.. I'm proud of my journey and I cant wait for what's next."

Who would you like to collab with in the future?

"I would love to collab with Futuristic one day, but I'm sure everyone would want that since he's one of the faces of AZ hip hop right now.. J Rob the Chief is another artist i believe is next level. I'm open to collabs with anyone who is serious about this honestly. Eventually I'd like to expand outside of AZ and collab with other we'll known artists. But overall I want to grow and help others grow too."

What’s the next move for To The Top Visuals?

"To the Top visuals has a few videos coming out that we are excited about. One of which being Whitney Peyton. She is an incredible talent and has given us the opportunity to collab with her. So stay tuned for that. Otherwise, To the Top Visuals is open for business and taking all inquiries for video, photo, beat production, studio recording, album art or cover art, or even if you need help learning the business side of music etc.. So hit us up we got you!"

If you find yourself in a summertime lull with your playlists or maybe you're "that" kind of music super fan who always needs something new to put in rotation or even if you're the music liaison to your friends and need something impressive to recommend, then we found something you are gonna want to listen to.  The debut album from Arizona artist BNasty, titled One Way To Go, should be on your radar if you fit into any of the aforementioned scenarios, or even if you just like good music.

The album is full of the energy and determination that you would want from a young and hungry hip hop artist with songs like Eerie, the first single off the album, which delivers on bars and confidence alike.  The most impressive aspect of BNasty is his flow sounds so much more polished that you would expect.  Tracks like "Watch Yo Step" & "Super Soldier" really play well next to tracks from big name artists like Migos or Lil Baby due to the confidence BNasty brings to the mic.  The most underrated aspect of his talent is showcased on songs like "Pressure" & "Show Me Love 2" where BNasty utilizes his soulful and catchy cadences to propel the tracks from being just well written to genuine standouts on the album.  

BNasty brings so many different levels of himself on this album and you typically wouldn't expect a debut album to try and accomplish this.  But of course, BNasty is not your typical artist as he proves time and again on this project.  From the first track, with its "Gangs of New York" intro, to the last track and its ode to self improvement, this album gives you the dark and the light, and some great greys in the middle.  Superb production helps the tracks stand on their own merits and does what superb production is supposed to do, allow the listener to feel like its just them and the artist.

The debut album is always a gamble for any artist.  The world is getting their first "official" project and the artist needs to be able to get across who they are while captivating an audience that typically knows little if anything about them.  If the artist is lucky they will be able to impress enough that skeptics become fans and fans become fanatics.  BNasty crafted a debut album with potential to do those things while also offering the promise of more to come.  

We are happy to see BNasty selected for the "Artist of the Week" after his placement a few weeks back with his partner in crime Tevo.  Now the focus is solely on him and his latest album "One Way To Go", so lets get to know more about BNasty and his first solo album.

How did you come up with the name BNasty?

"Growing up in south Phx, I had a neighborhood friend who started chanting “Bnasty” at one of my basketball practices. And since then it has stuck with me, I’ve always loved two things, and those two are basketball and music and The name “Bnasty” was originally a nickname my basketball teammates would call me.  I also go by another name “BDot” get used to seeing that name!"

Is this your first solo project? If so, what was it like making an album that was all you?"

In total I have 3 albums out but this album is the first solo album I’ve done. I gotta say, making an album isn’t easy but I love making music and honestly these ideas are just coming to me and I’m taking advantage of my time and getting a lot of shit done. I wanna push more and I will push more."

Favorite part of creating the album?

"Favorite part of creating the album has gotta be the release date! When I wake up and I get that email that my music is out there, it’s early asf and I’m already getting messages from people who listening and sharing before I get a chance! Which was cool!"

Biggest challenge creating the album?

"Biggest challenge creating the album had to be making the final cut for the album, the albums has a total of 8 songs when it originally started out with 12. I had to listen time and time again to figure out which songs should go and which ones should stay. It’s not that the other songs were bad,They just we’re not perfect. So I took em back to the studio and now I got some spare parts lying around😎"

Why did you name the album "One Way To Go"? What does that mean to you?

"I named the album “One Way to Go” in honor of my third album that I worked so much on. Also bcuz at the start of this album was when I decided for myself that I will take my music serious! And I won’t stop until I make it!"

Favorite song on the album?

"My personal favorite song on the album is “pressure” just bcuz that song consists of a couple different tones of me, while the beat is perfect!"

The video for "Eerie" was really good, do you plan on doing more videos off the album?"

Speaking on the Eerie video,I’ve been working with a couple of guys, Almighty from Almighty Visuals and my boy Emmanuel who also shoots videos. We have been working together to get a video to every song on the album and we are in the process rn with a few videos done, of course Eerie was the teaser, but now here comes the rest !!"

Can you talk to us about your writing technique?  What inspires you?

"I love writing, and I remember telling my brothas Im going to write a book one day, but I’ve recently created a blog, and starting writing short stories I haven’t published them yet, but I’ve shown a few people my writing outside of music and they tell me they like it a lot. My writing technique in my music is different than my stories but you will be able to tell the passion in both."

What’s the next move for BNasty?"

The next move for BNasty is mainly videos, behind that would be expanding. I have faith that my following will grow."