The baths - Alcazar, Sevilla, 2024
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The baths - Alcazar, Sevilla, 2024

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i love this guy
Sun and Moon Window Details - Cesky Krumlov
My “No Corpses Are Kept In This Vehicle Overnight” sticker is raising a lot of questions already answered by my sticker
Untitled (Fungi on Stump), Norwalk, CT, 7 29 26, Photo by Joe Bruha, Copyright 2026

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Sailing off the coast of the Crimea in the moonlit night (1858) by Ivan Aivazovsky
Fascinating how what's considered feminine and what's considered masculine can change over time. The rebranding of being a horse girl into being a stereotypical feminine girly trait needs to be studied.
Look at classic children's novels. As recently as the 50s and early 60s, being obsessed with horses as a girl was depicted as strange and tomboyish, and the very concept of being obsessed with horses from early childhood and loving toy horses and desperately wanting your own horse being a "little girl thing" and not a "little boy thing" would send someone from the 1800s and earlier into a coma.
There's maybe a point to be made here somewhere about how when keeping and riding horses stopped being necessary to the functioning of society and became a more "frivolous" thing, it was rapidly rebranded as silly and girly and for women, but what do I know.
i wrote a paper in my masculinity studies class in college about this exact phenomenon, specifically about how high heeled shoes started as a practical way for Persian cavalry to keep their feet on their stirrups, then likely due to that association, became a popular fashion item and status symbol among the upper classes of Europe, before the Great Male Renunciation of the 18th-19th centuries, when men started shunning opulence in favor of utility, leaving them as a fashion item for women instead.
I've joked that the two genders are Aesthetic and Utility before but thats just kinda the case
An idyll of marriage - oil on canvas
— Henri-Pierre Picou (France, 1824–1895)
Randolph Rogers (US, 1825–1892)
Nydia, the Blind Girl of Pompeii, 1853–54; carved 1859 Marble 137 x 64 x 94 cm PAFA, Pennsylvania Academy of the Fine Arts TheMet
According to Rogers, it was replicated 167 times in two sizes.
Reference to "The Last Days of Pompeii" (1834), a novel by Lord Edward Bulwer-Lytton (eruption of Mount Vesuvius in 79 AD)
Nydia was a blind flower seller in love with the noble-born Glaucus, who is engaged to Ione...
"...her courage was beautiful to behold! and Fate seemed to favor one so helpless. The boiling torrents touched her not... but spared that frail form... Weak, exposed, yet fearless, supported by but one wish, she was the very emblem of Psyche in her wanderings... of Hope, walking through the Valley of the Shadow; a very emblem of the Soul itself"
thnx ourheatisgospel and feminineforms
https://www.pafa.org/museum/collection/item/nydia-blind-girl-pompeii
https://www.metmuseum.org/art/collection/search/11951

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Keith Haring (American, 1958-1990), Untitled (Diptych), 20 June 1982. Acrylic on panel, 305 x 284 cm.
Empty promises, Michael Kerbow
On the fields, Lower Silesia, Poland (infrared), 2012 - by Piotr Król, Polish
wee White Tiger moth wouldn't let go

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Agnes Tait. 1894-1981.
Men looking at ruins (Anonymous artist, c. 1874)