His parole officer is not gonna be happy about this
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Show & Tell

shark vs the universe

Andulka

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taylor price
noise dept.
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d e v o n

Kiana Khansmith
DEAR READER

pixel skylines
hello vonnie
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ

Kaledo Art
macklin celebrini has autism
NASA

seen from Malaysia

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@garry-seinfeld
His parole officer is not gonna be happy about this

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Seascape John Everett - Date unknown
Mimesis by Kim Kei
Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.
you can also find me @mary_bu__
[& &]
Depression 04

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Inglewood, CA
© Sinziana Velicescu
[666]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ミントの風 ライオンTOPBOY 鈴木英人
Hish, by Sidney Sime. From Lord Dunsany’s Gods of Pegana, 1905.
Xuebing Du
HALF WAY HERE

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Callum Innes Exposed Painting Paris Blue, 2018 oil on linen 235 x 230 cm