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@garethsimms

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Written on the Wind (Douglas Sirk, 1956)
「 16 - 2016」
Terrace House Boys & Girls in the City - Masato Maeda
Dark Souls III - Hidetaka Miyazaki
Elle - Paul Verhoeven
FADER mix - Manara
Yuri on Ice - Sayo Yamamoto
Kentucky Route Zero: Act IV - Jake Elliot, Tamas Kemenczy & Ben Babbitt
Monster Factory: Second Life, Second Chances - Part Three - Justin & Griffin McElroy
Uncharted 4 - Bruce Straley & Neil Druckmann
Not Above That - D∆WN
Cemetery of Splendour - Apichatpong Weerasethakul
The Life of Pablo - Kanye West
Rinse FM Podcast - Yamaneko
Final Fantasy XV - Hajime Tabata
My Woman - Angel Olsen
Yeezy Season 3 x Pablo Launch - Live from MSG Stream - Kanye West
Actress and the London Contemporary Orchestra @ Barbican
Dia Azzawi Relationship, 1975.

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Landscape Plus, 2016
Laida Lertxundi
Photo engraving, transfer, chine-collé, hand drawn ink line
Record of Lodoss War - ロードス島戦記 (1990)
「 15 - 2015」
88:88 - Isiah Medina
Art Angels - Grimes
Blackhat - Michael Mann
Bloodborne - Hidetaka Miyazaki
Chris Paul v Spurs - NBA Playoffs
Fade to Mind on Rinse FM - 9.10.15 - MA DJ b2b Manara
From Teklife to the Next Life - Meaghan Garvey
Hallucinogen - Kelela
Life is Strange - Raoul Barbet & Michel Koch
Magic Mike XXL - Gregory Jacobs
Man Don’t Care - JME (feat. Giggs)
Metal Gear Solid 5: The Phantom Pain - Hideo Kojima
Rocket League - Thomas Silloway
The Garden Thrives/A Walk Down Chapel - Jam City
Young Thug - Young Thug
Criticism of avant-garde vs criticism that is itself avant-garde

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In the Cinema, Malcolm Drummond
c. 1913
Lana Turner, 1941.

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The Naming of Oedipa Maas
“If Oedipa as everywoman is to define her own life, she must start by re-defining the words she lives in and learns by, and in Foucauldian terms she must seek a new discourse. In this sense then, it is not important that she has been written by a man, as the suggestion remains that all women have been written by a man, even those that are writers themselves; her fate then is suspended in line with that of her contemporaries, awaiting the redefinition of patriarchal culture.”
Feminist reading of Crying of Lot 49
La Collectionneuse, dir. Eric Rohmer (1967)