SHAWN HATOSY as JACK ABBOT The Pitt S02E08 | 2:00 P.M.

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SHAWN HATOSY as JACK ABBOT The Pitt S02E08 | 2:00 P.M.

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just booked a trip to Paris again in 2 weeks who am I omg
Mohabbot red string theory
anatomy practice ig hihihihi
“Meet me in the supply closet”
Happy mohabbot Monday oomfies

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“You have to go, kid. He has to stay”
Inspired by @samirasclawclips amazing writing that’s linked down below. Go give it a read!!
💬 0 🔁 0 ❤️ 2 · orpheus | mohabbot · You have to turn. That is the message of the myth: you must. There is no version where Eurydice steps
I'M FREE!! WORST EXPERIENCE OF MY FUCKING LIFE!!!
SHAWN HATOSY as Titus Danforth in Ready or Not 2: Here I Come (2026)
I've taken two naps today, I'm fucked. literally debated a third when I woke up again
Repairs 🔧

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Titus Danforth 🧐
One of the inspirations for cinematographer James Laxton for his work on the film Moonlight was Dutch art photographer Viviane Sassen. Her work had a huge influence on Laxton’s choice of colors for some of the film’s most iconic scenes like the swimming lesson, set in it high contrast colors and crystalline blues. The moment feels biblical as Juan holds Chiron in what looks like a pieta over the waves. As Juan releases him to float, Chiron quickly steadies himself and Juan says, “Right there, you’re in the middle of the world”. In the midst of this pivotal moment of self-discovery there’s a real awareness of the camera as the water is lapping against the lens. Laxton had to maneuver a 200-pound camera in an underwater housing for the scene. The waves distort the lens to accentuate the feeling of being present at such an intimate moment.
Moonlight (2016) dir. Barry Jenkins
Elena Wuest (German, b. 1977) ‘Beyond’, 2025 Oil on canvas, 80 x 60cm
teeny tiny mohabbot 🤍🤍

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a slaughterhouse. an outlet mall. slot machines. fear of god. you know the usual
Shawn Hatosy photographed by Ian Spanier for the LA Times