Magazine A4 - 80 Pages

Melania - Log in Log out On January 30, 2026, Melania premiered as a carefully staged cultural event, another example of how contemporary media turns personality into spectacle.That same day, i reposted a link on Facebook to my 2016 project, “Facebook - log In or Sign Up” (g03.org), created during the year of Trump’s first election. The work combined close-up GIF images of Melania with the code of the Facebook login page — merging portrait and platform, face and interface. Soon after, the site was deactivated by Google and labeled a “Dangerous Site,” accompanied by warnings to delete its files. What had been conceived as a reflection on visibility and digital identity was treated as a threat by automated systems. In a moment shaped by what some describe as moral pageantry — where public gestures of judgment often matter more than nuance — and by platforms that increasingly mediate social reality through algorithms and AI, this removal felt symptomatic rather than exceptional. Visibility today is conditional. Access is governed. And the line between image, code, and control grows thinner each year.

The body is a machine - 2025 Postcard

Asterix in Lusitania (alt) Felix Moedus

L’ascenseur de Gloria, “un symbole de Lisbonne”

The body is a machine Postcard Size: 14,8cm X 10,5cm Grammage: 350 g/m² Paper: Classic demimatt - mate

Postcard - Life Magazine cover, March 2025 (lucite embedment) 12.75 x 9.5 x 2 in.

Le Monde Diplomatique 2022

Untitled 2025

B-side 1: Summer with Monika - 1953 2: Port of Call - 1948 3: Face to Face - 1954 4: Persona - 1966 5: Through a Glass Darkly - 1961 6: Cries & Whispers - 1972