# DRABBLE 01: LET ME TELL YOU A STORY. a storm doesn’t care if you love it; it only knows how to swallow. it eats the trees, the power lines, the dirt road you came in on. the storm is the moment before, the knife before it cuts, the breath before it goes. THE BLEEDING BEGINS IN THE HEART. IN THE HOME, OR WHAT'S LEFT OF IT.
storm as god, storm as grief, storm as gutted and gory and wrong. storm as reckoning, storm as residue, storm as fractured and feral and loud. storm as a wound reopened, torn and exposed to the air. storm as a hymn, discordant and rising, a song sung by a mouth too wide and too wild to ever be silent. swamp as machine, swamp as maw, swamp as memory. swamp as rot, as hunger, as hum. swamp as silence that speaks in whispers that curl through the trees, threading through moss and fog. mother as invocation. girl as reply.
thesis: everything that waits will eventually wake.
the players in this story have no shelter, only shadow. no structure but splinters, no home but the memory of what was taken. the road pulled them back like a needle tugging at a thread, winding them toward the remains of a story unfinished. her mother’s hands know how to hold absence, how to dig into silence and find something alive beneath it. isla’s hands do not. her hands are fists, clenched tight around a shard of wood, sharp with warning and reluctant inheritance. her hands are not ready to pray.
the bayou swallowed their absence, but it did not forget. the trees bowed low with the weight of it, their branches heavy with moss, with memory, with mourning. the air carried the storm’s residue, thick and sour, a taste of something left too long in the dark. isla thought she could hear it, the storm’s echo, lingering in the wet gurgle of the swamp, in the creak of the trees. her mother heard more. her mother crouched low, her skirts brushing mud that clung and pulled like it didn’t want to let go, and she opened the jar. ashes, salt, bone dust spilled through her fingers like sand, like a countdown, like a prayer. the dirt swallowed it up, greedy, as though it had been starving for something to hold.
once, isla was a child who believed in edges. the porch was the edge of the world, the water was the edge of her courage, and her mother was the edge of her questions. “ why? ” the question prodded, again and again, until her mama’s answers thinned to silence. don’t go near the water after dark, her mother warned, but it wasn’t enough. isla needed reasons. she needed to know if the dark was a thing you could touch, if the water was alive, if the swamp had a voice. she used to stand at the edge of their porch, barefoot in the mud, whispered into the silence: i ain’t afraid of you.
the swamp didn’t answer, not then. but it listened.
her mama knew this, too. knew that the swamp doesn’t give anything back because it never lets anything go. knew that the storm might leave scars, but the swamp leaves nothing whole. when she opened the jar and let the ashes fall, she wasn’t offering; she was begging. “ they don’t like being left, ” with her hands buried in the mud like they were looking for something she’d dropped years ago. her voice was too soft, too far away. “ the ones in the water. they don’t forgive. ”
so what is the house, if not an altar? what is the past, if not a tether? in this story, they do not speak of what they lost. in this time, the swamp whispers what they owe.
“ they’re still here, ” mama voiced distantly. isla stayed back, the shard of wood pressing into her palm like a question she didn’t want answered. her mother pressed her hand to the dirt, and the swamp sighed, deep and heavy, like it had been waiting for this moment.
“ who? ” isla pressed, though she wasn’t sure she wanted to know.
mama didn’t answer. just turned back toward the car, her hands trembling, her face set in a way that said don’t ask me again. on the drive back, isla couldn’t stop looking out the window, couldn’t stop thinking about the edge of the water, the ripples where her reflection used to be. “ what if it never lets us go? ” isla spoke from the backseat, her voice cracking, small, childish.
her mother’s grip tightened on the wheel, her eyes fixed on the road like it might disappear if she blinked. “ it doesn’t have to, ” a conclusion made, a nail in the coffin. “ it already has us. ”
the swamp doesn’t take prisoners; it takes pieces. a hand here, a heartbeat there. it takes the silence between questions, the breath between words. it takes isla’s name and folds it into the trees, into the water, into the air that clings to her skin long after they’ve left. she clenches the shard of wood in her hand like it might protect her, but she knows better. the swamp doesn’t care about edges.