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hi guys i got my account back iâm sooo freaking happy rn!! feel free to unfollow me this will just be my backup/more lads and dc focused acc from now on!! all jjk lovers go back to @fushiguava yayayayaya
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
hi guys i got my account back iâm sooo freaking happy rn!! feel free to unfollow me this will just be my backup/more lads and dc focused acc from now on!! all jjk lovers go back to @fushiguava yayayayaya
they warn you about your neighbor jason todd the same way they warn you about black cats. and on halloween, you meet his cat in an alley, see through the superstition, and choose kindness where others always chose fear.
people in the neighborhood donât really talk about jason todd so much as they talk around him. half-sentences, raised brows, little warnings passed along like theyâre being helpful. donât park there. donât get involved. donât expect anything nice.
you hear it through open windows when you walk past, through chain-link fences and over low music, through the way voices dip when heâs mentioned like he might hear them anyway. like heâs listening from the walls.
but jason never does anything that matches the reputation. he keeps his head down, hands in his pockets, fixes things that donât belong to him without asking. youâve seen him patch the broken gate by the alley late at night, quiet and focused, like it matters to get it right even if no one thanks him for it. mean people donât do that.
so when you hear about the cat, you already know not to trust the story.
someone tells you itâs aggressive, feral, unpredictable. says jason dragged it home off the street like that explains everything. someone else adds, offhand, that itâs blackâlike that alone settles the argument. bad luck, they say. bad omen. the kind of thing youâre supposed to keep your distance from. you just hum and keep walking, already guessing how much of that is projection.
itâs halloween when you go looking for him.
the neighborhoodâs louder than usual, porch lights blinking orange, fake cobwebs sagging between railings, kids running in packs with sugar-high laughter that carries a little too far.
people say itâs harmless, say itâs tradition, say itâs just jokes. you hear someone mutter something about bad luck and black cats and you feel that familiar, irritated pull in your chest.
you grab a jacket and your keys and head out before you can overthink it.
you donât have a plan, exactly. just a feeling that sits wrong in your chest, heavy and insistent. the kind youâve learned not to ignore. halloween does that to peopleâgives them permission to be cruel and call it tradition, lets them dress it up in superstition and laugh while they do it.
you cut through the block behind the strip of houses, where the lights thin out and the noise dulls into echoes. trash cans line the alley like a bad idea, lids dented, wheels squeaking when the wind nudges them. one of the dumpsters is tipped slightly open, lid rattling every time a car door slams somewhere nearby.
somethingâs been left behind near itâa kidâs bike tipped on its side, one wheel bent in on itself like it was kicked too hard. a plastic pumpkin is still taped to the handlebars, cracked straight down the middle, grin split and useless now. it feels intentional. like someone decided it was easier to break something than carry it home.
at first you think youâre imagining it.
then you hear itâsoft, panicked, trapped.
you slow to a stop.
thereâs laughter, too. not close, but close enough. you round the corner and catch the tail end of it: a group of kids in cheap masks, one of them kicking the side of the dumpster before darting off. âbad luck,â someone says between laughs, like itâs the punchline.
âhey,â you snap, sharp enough to cut through them. âget out of here.â
they scatter, startled, bravado evaporating the second theyâre noticed. the alley goes quiet again, except for the rattling lid and the small, broken sound coming from inside the metal bin.
you crouch immediately.
âitâs okay,â you say, softer now. âtheyâre gone.â
a hiss answers youâthin, defensive, more fear than threat. you peer inside and see him pressed tight into the corner, fur puffed up, eyes blown wide. black as midnight except for a clean white stripe cutting through his fur, stark and unmistakable, like it was painted there on purpose.
someone wedged the lid down.
your jaw tightens.
âthatâs not superstition,â you mutter. âthatâs just being cruel.â
you donât reach in. instead, you grab a stick from the ground and use it to prop the lid open, slow and careful so it doesnât clang shut again. the sound makes him flinch, body tensing like heâs bracing for another scare.
âhey,â you murmur. âi see you.â
your voice comes out softer than you expect, like youâre talking to something fragile instead of something everyone keeps calling dangerous. you donât move closer. you donât reach in. you just stay right there, knees pressed to the pavement, hands loose in your lap so he can see youâre not a threat.
he only settles when your hands stay where he can see them, fingers still.
his body stays coiled tight, every line of him drawn inward, claws scraping faintly against metal as if heâs deciding whether fear or hunger gets the final say.
the sound is sharper than you expect. harsher. it makes something flicker in your chest, a brief, unwelcome thought slipping in before you can stop itâmaybe theyâre right.
you let him.
you breathe slow on purpose, make yourself small in all the ways that matter. the night air smells like candy wrappers and cold metal and something burnt from down the block. somewhere a car passes, bass rattling windows, and he flinches again, a sharp little shudder that pulls at your chest.
âyouâre okay,â you say gently, like reassurance is something youâre offering, not demanding. âi promise.â
you reach into your pocket carefully, narrating the movement without thinking about it. âiâm just grabbing something, sweetie. thatâs all.â
when you pull out the treat, you donât hold it up like a prize. you set it down instead, just outside the dumpster, sliding it across the pavement with one finger before pulling your hand back into your lap.
then you wait.
it takes time. long enough for your legs to start aching, long enough for another burst of laughter to float down the block and fade again. every sound makes him tense, but he doesnât retreat further. that feels important.
finally, he leans forward. sniffs the air. pauses like heâs waiting for punishment.
none comes.
when he jumps down, itâs clumsy, awkward, like he hasnât trusted his own footing in a while. he eats fast, eyes darting up between bites, waiting for the trick, the grab, the laugh.
you donât give him any of it.
you just sit there, quiet company in a loud world, letting him finish.
when heâs done, he stands there uncertain, tail flicking once, twice. you slowly extend your hand, palm open, stopping well short of him.
âitâs okay if you donât want to,â you say softly. âiâll still stay.â
thatâs what finally breaks something open.
he steps forward and presses his head into your palm like heâs been holding the night up by himself and finally decided to put it down. his purr starts hesitant, like heâs embarrassed by it, then grows steadier when your fingers scratch gently behind his ear.
you smile without realizing it.
âhi baby,â you whisper, fond and warm. âthere you are.â
he looks up at you when you say it, really looks, and thatâs when you notice his eyesâgreen, bright even in the low light, sharp in a way that feels more observant than aggressive. they soften a little when your fingers keep moving, slow and steady, like youâre not afraid of what youâll find if you linger.
you smile without thinking.
âwhatâs your name, cutie?â you murmur, like itâs the easiest question in the world.
he blinks at you, purr stuttering for half a second, then continuing like he never meant to stop. you laugh softly and reach for the tag, careful not to tug, reading it by the streetlightâs glow.
ONYX.
you hum. âonyx,â you repeat, trying it out. âyeah. that fits.â
he leans harder into your hand, like he agrees. you think about the way people talked. aggressive. feral. dangerous. you look at the way he lets you cradle his head now, the way his claws stay tucked in, the way his whole body relaxes like heâs been waiting for someone to get it right.
âthey really donât know you at all,â you say quietly, more to yourself than him.
onyx flicks his tail.
you shift closer, careful, and when he doesnât pull away you scoop him up just enough to rest his front paws against your chest. he stiffens for half a second, then melts again when you keep petting him.
âso scary,â you murmur, affectionate and teasing. âso mean. clearly a menace to society.â
he purrs louder, offended on principle.
you laugh, soft and breathy, and before you can second-guess it you lean in and press a kiss right between his ears. your lipstick leaves a bright little mark against black fur, messy and unmistakable.
you already brace for itâthe scramble, the hiss, the way trust evaporates the second itâs asked to stretch too far. you accept the risk as soon as you take it, hands staying open, still, ready to let him bolt if thatâs what he needs.
you stroke his back, slow and soothing, and think about how easy it is for people to mistake silence for hostility. how often stillness gets read as threat. how often something hurt gets called dangerous just because it doesnât beg to be loved.
âyouâre not bad luck,â you tell him softly. âyouâre just⌠misunderstood.â
onyx presses his forehead into your chin like heâs sealing the agreement.
then he pulls back, not startled, not afraidâjust done, the way cats decide a moment has reached its natural end. he hops down from your arms with a little huff of independence, tail flicking once like punctuation.
âhey,â you laugh softly. âokay, okay.â
he pauses a few feet away and looks back at you, green eyes catching the light. calm. like heâs committing you to memory instead of running from it.
he blinks slow.
then he turns and trots off down the alley, quiet and sure, lipstick mark still stamped right on his forehead like a secret only the night knows about. you watch until he disappears between the houses, the sound of his steps fading into the hum of halloween.
you sit there a moment longer, letting the quiet settle back in. thinking about reputations. about how easily people confuse silence for danger, fear for cruelty, scars for intent. about how some things donât need to be fixedâjust seen.
you stand eventually, brushing off your jeans, the feeling in your chest lighter than it was when you left.
and somewhere, not far from here, someone else with the same reputation has no idea that tonightâof all nightsâthe story is already starting to change.
jason comes home late, jacket half-zipped, helmet tucked under his arm, the night still clinging to him in the form of cold air and old exhaust. the neighborhoodâs mostly asleep now, halloween burned out to candy wrappers and sagging decorations, porch lights flicked off one by one like the blockâs finally exhaled.
he sets his keys down. toes off his boots. routine. quiet. the kind of careful movement you learn when you donât want to wake anything that might already be on edge.
âonyx?â he calls, low.
thereâs a pause.
then soft footsteps.
the cat appears in the doorway like nothing in the world could possibly be wrong. tail high. eyes bright. whole. he pads over like he owns the place, hops up onto the counter with practiced ease, and sits.
thatâs when jason sees it.
he stops short.
right between onyxâs ears, stamped clear as day against black fur, is a smudged lipstick kiss. unmistakable.
jason just stares.
ââŚwhat,â he says finally, flat and confused, like the word might rearrange itself into an explanation if he waits long enough.
onyx blinks at him. slow.
jason steps closer, squinting like maybe the lightâs playing tricks on him. he reaches out, hesitates, then gently cups the catâs head, thumbs careful, like heâs afraid to break something.
he makes sure his hands stay visible, movements slow and cautious, like heâs learned that some things only relax when they can see you coming.
his chest does something weird.
âsomeone touched you,â he mutters. not angry. not upset. just⌠stunned.
onyx purrs, leaning into the touch like itâs the most natural thing in the world.
jason exhales through his nose and rubs a hand over his face. ââŚyeah,â he says quietly. âguess they didnât think you were so scary after all.â
he scratches under onyxâs chin and the cat melts, trust absolute, like tonight taught him something important about hands and voices and the difference between cruelty and care.
jason leans back against the counter, watching him, the quiet settling in around them. he doesnât know who you are. doesnât know where you found his cat or what made you stop or why you left your mark like a promise instead of a claim.
but he knows this much: someone saw gentleness where everyone else kept insisting on danger.
and for reasons he canât quite explain, that thought stays with him long after the night finally goes still.
he doesnât wipe the mark off right away. later, when the apartmentâs quiet and onyx is curled up warm and safe, jason finds himself standing by the window longer than usual, looking out at the dark like heâs waiting for something he doesnât know how to name yet.