As much as I love Act One, what with Iām Not That Girl and The Wizard and I, Act Two is just incredible.
The exposition and events in Act One really add to the second act, the character arcs in particular. Glinda rises to new heights of popularity, but soon realises that even a privileged life can be hollow; Fiyero finds that his facade is only serving to hurt him and others and follows his heart, later paying the ultimate price for his sacrifice; Elphaba leads the Gale Force in a wild goose chase until she faces off with the Wizard for the second time, choosing her own happiness for once before losing what little she had.
For me, while Wicked Witch Of The East is complex and links the musical to its source material with ease, events really begin to get interesting after Wonderful. After years of running and chasing and pining for each other, Elphaba and Fiyero come face to face, and then Glinda runs in and makes things even more complicated. Fiyeroās moments of brainlessness - āwell, it wasā¦but it wasnātā - are humorous, and Glindaās subsequent reaction brings an element of shock to the situation, though at the expense of her character likability.
The reprise of Iām Not That Girl flips the premise of the song on its head - the idea of the green outcast falling in love with the boy in love with her popular best and only friend, the boy she can never have - and segues into As Long As Youāre Mine seamlessly.
As Long As Youāre Mine is incredibly passionate and romantic, which sets the wistful and dejected Iām Not That Girl off very effectively, though it does carry some dark undertones, the two being fugitives and traitors of the government.
The cornfield scene is, quite honestly, hilarious, especially with Willemijnās mocking of Glinda, and the two ending up in a catfight. Of course, the romance from earlier quickly dissipates, and while Fiyeroās sacrifice is incredibly romantic and selfless, adding to his flourishing character development, it makes way for what must be the angstiest scene in the entire musical, and also my favourite one. The second act blends the musical with its source material seamlessly and to great effect, creating backstories for three of the four Witch Hunters and embellishing the main charactersā developmental arcs, with Elphabaās and Glindaās final reconciliation as well as Elphaba and Fiyero mirroring dialogue from earlier in the act. Everything in Act One adds another layer of complexity to later events, and thereās nothing that isnāt meaningful, touching, or relevant to the plot.