David Lynch: Postmodern Mood Structures (1994)
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David Lynch: Postmodern Mood Structures (1994)

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Dakar Carvanal organized by Oumou Sy, By Desjeux
My parents in Jamaica and a note on the back of the photo written by my mum
what kind of asshole is gonna put ketchup on a hot dog? a child, richie.
CARMY BERZATTO and RICHIE JERIMOVICH in THE BEAR (2022 — PRESENT)
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Gene Szafran, 1971
An unproduced design by Maurizio Sacripanti for the Italian Pavilion at Osaka Expo ‘70. The building’s oscillating metal panels, drawing inspiration from cellular organisms, would have “pulsed” unpredictably.
there's been a recent development in Anarchism where due to the lack of a significant portion of black anarchists, of black historical anarchist theorists and revolutionaries, in contrast to the afro-Marxist tradition which can boast of several, the new wave of theorists who are black and ascribe to Anarchism have pointed out how it excludes them by omission; that Anarchists have largely neglected to actively incorporate Blackness into Anarchism, banking on 'international solidarity' to be enough (it isn't). but there's a new development from this as well,
some recent developments have argued that although Anarchism isn't black or black-oriented, regardless of that, that Blackness, the black experience in general but in the US in particular, is inherently anarchic. Both from the salish sea black autonomist and more recently from marquis bey's anarcho-blackness
eventually there'll be tête-à-tête between the longstanding afro-Marxist tradition and the relatively new Anarcho-Blackness, I think
Up until now black anarchism is still very much a 'classical' Social Anarchism strain even though there's rich and fertile opportunities in the Egoist critique and within Social Anarchism itself; Kom'boa managed to touch on them both though accenting one over the other; I wonder where it'll take us
Anarchism has long seen the establishment of an organized movement as a necessity for bringing about an anarchist society. Direct action and committed, sustained activism often manifest in organizations in order to have a critical cadre of bodies willing to put in work for the movement’s goals. As movement-oriented, or at least oriented toward understanding the importance of collectives and communes with substantive numbers to stave off political quashing, anarchism bears deep affinities to Black queer and trans movements to bring about social justice. Surely there have been many demographics who have organized in order to change society, so movement orientation is not unique to Black people. My point is that the Black Radical Tradition has consistently rejected the seemingly stark divide between theory and practice, refusing the false assumption that “one could separate the articulation of ideas that would govern how we envision the future from actually enacting that future.”Anarchism, too, “has traditionally drawn upon ideas of coherence between theory and practice,” which is to say that doing theory is a critical praxis, that what we seek to engender in the world on a material level is itself a profound theoretical apparatus.
Movement-oriented politics often orbit around the concept of domination. They also, though, orbit around conceptions of world-making and futurity—that is, not only the plights of the current moment but also the world in which we envision ourselves after and in excess of the plight. Radical feminist, queer, and Black liberationist movements from the Black Panther Party for Self-Defense (BPP) to Black Lives Matter (BLM) to Street Transvestite Action Revolutionaries (STAR) all, because of their resistance to domination and imagining of a radical futurity, bear affinities with anarchism. In line with the recalibrating work of the Black anarchism expressed in this text, one might argue that Black movements like Black Power and the BPP—though at times, from some of their more Marxist-Leninist perspectives, critical of anarchism proper—are anarchic despite not having been affiliated with anarchism, precisely because “Black anarchism did not originate within anarchism, but external to it.” The Black anarchism of, say, the Black Panthers is one in which they “blended anarchist positions with their revolutionary nationalism,” though there is a distinction to be made: Black anarchists do not hold on to a nationalist conception of an exclusionary, bordered State, as Marxist-Leninist Black Panthers do. Nationalism should be understood as anathema to anarchist sentiments, and the Black anarchism of someone like Kuwasi Balagoon seeks to get rid of borders: “it seems to me that Anarchy would have to be anti-imperialist, that there’s no other ideology that refuses to recognize borders,” he says in his July 28, 1984 letter from prison. The link between anarchism and Black Power/the Black Panthers is given more strength by that fact that many of the key figures in expressed Black anarchism—Ashanti Alston, Kuwasi Balagoon, Lorenzo Kom’boa Ervin, Ojore Lutalo—were members of the Panthers. Although it is crucial to note that these thinkers and activists, and the organizations they were a part of, do not necessarily possess the “right” conception of (Black) anarchism, they can be thought of as instances of the work Blackness does to anarchism.
–Marquis Bey, “Anarcho-Blackness: Notes Toward a Black Anarchism” (2020)
Some Black radicals, including Ervin, Ashanti Alston, who today serves on the steering committee of the National Jericho Movement to free U.S. political prisoners, and Kuwasi Balagoon, a former member of the militant Black Liberation Army, first encountered anarchist ideas in prison. Like some white European anarchists, they saw the ideology as an antidote to the corrupting influence of power within left organizations. As Alston wrote in 1999:
Top-down organizations [and] leadership organization[s] are relationships based on some being the brains and most being brainless and therefore IN NEED OF those with the brains. I reject that. I love myself and I love People and therefore we all got brains and together are smarter than any small group of muthafuckas claiming to be my/our leaders.
Balagoon, who came to identify as a New Afrikan anarchist, pointed out that anarchists’ anti-state orientation made them anti-imperialists. Ervin, meanwhile, argued that anarchism opposes all forms of oppression, including 'patriarchy, white supremacy, capitalism, state communism, religious dictates, gay discrimination, etc.' He supported community-based mutual aid societies, worker-controlled food systems, tax refusal, rent strikes, and opposition to police brutality.
While anarchism never became central to Black radical thought, Williams notes that many major figures, including Angela Davis, bell hooks, and Audre Lorde, have analyzed political issues in anti-authoritarian ways. These ideas continue to influence today’s Black-led anti-racist protests, many of which embrace local mutual aid strategies, policy goals like police and prison abolition, and non-hierarchical 'leader-ful' structures.
–Livia Gershon, "The Real Story of Black Anarchists" (2020)
Panther anarchism is ready, willing and able to challenge old nationalist and revolutionary notions that have been accepted as ‘common-sense.’ It also challenges the bullshit in our lives and in the so-called movement that holds us back from building a genuine movement based on the enjoyment of life, diversity, practical self-determination and multi-faceted resistance to the Babylonian Pigocracy. This Pigocracy is in our ‘heads,’ our relationships as well as in the institutions that have a vested interest in our eternal domination.
— Ashanti Alston
“To be frank, a lot of self-described Black anarchists just simply aren’t anarchists. In fact, they tend to be liberals or even authoritarians who exist in the anarchist social spaces out of convenience or as tokens. It’s also clear that as much as Black radicals in an anarchist spaces may share a critique of whiteness, we may not share anything other than that.
Luckily, on this front, there have been developments. A good example of this was the debate during the Maroon workshop that happened over the weekend. The two presenters (black and indigenous, respectively) were pushing a political position that many in the crowd found to be authoritarian and vanguardist and numerous Black anarchists criticized their hierarchical approaches. Comrades remarked that in the past, they’d seen Black people circle up in radical spaces despite political differences almost out of a scarcity mentality. Or going even further, Black authoritarian or liberal perspectives would go unchallenged because the speaker is Black in a mostly non-Black space.
Simultaneously, there were Black participants in the Maroon workshop who were upset about the conflict and ridicule directed at the presentation. They made comments about how we’re “all on the same side” and other liberal platitudes such as “it’s problematic to laugh during a presentation” that diminishes very real political differences between black people. This is just dishonest. To suggest that Black anarchists should have common cause with Black liberals and authoritarians is real goofy. However, an important development nowadays is that Black liberals and authoritarians can get challenged by people that look like them and be forced to actually defend their ideas.”
–Black Anarchist Reflections, From Bash Back! and Beyond, Sept. 25th, 2023
Daniel Martin Diaz

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Massimilliano Pelletti, b. 1975, ''Green Hermes'', 2022, Green Onyx.
Robin F. Williams (American, 1984) - Out Lookers (2021)
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Pink Pantheress (2021)
kelis (2000)