Every #miku is #canon
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Every #miku is #canon

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Scenes I Havenât Stopped Thinking About Since I Watched Them [20/??]
THE SOCIAL NETWORK (2010) dir. David Fincher wri. Aaron Sorkin
when a government bans young people from using social media, and then categorises messenger apps like Signal and WhatsApp as "social media", they are pushing those young people toward using text messages, a fundamentally insecure form of communication. texts are not encrypted in transit and can be read by both the sender's mobile carrier and the recipient's. that also means they can be leaked in data breaches, subpoenaed, or just handed over willingly to law enforcement at the carriers' discretion.
hmm. I wonder why governments might want this
âhow did you get into writingâ girl nobody gets into writing. writing shows up one day at your door and gets into you
"how did you get into writing" girl i've been tormented by the visions since i was eight years old
"How did you get into writing" girl it started as a coping mechanism, and somewhere along the way I had the horrifying realization that not only I was emo as fuck, but I was also kinda good at turning it into prose.
"Blackbird" - personal work, inspired by my hometown. Blackbirds are my favourite - they sing so beautifully.

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Favorite thing about renaissance faires is that they have fuck all to to with the renaissance. This thang is not about historical anything this is about dressing up like a fairy and watching a joust
#a samurai with a flintlock pistol sitting next to a guy dressed as a caveman drinking a styrofoam cup of dr pepper#and it fucks severely
It's not THE renaissance, it's A renaissance. Of what? Up to you
my personal take on the matter
RIP Marjane Satrapi, author of the amazing graphic novels Persepolis about living during the fundamentalist revolution in Iran in the 70âs and 80âs. She also created the animated movie based on the graphic novels, which is where these gifs come from.
Gifset source
obligatory mourning of the dream of finding true love after society tells you true love will solve all your problems and the crushing reality of realizing you will never really find someone who completes you
i think there is a phenomenon where sometimes a trans person will go âhmm. i am treated as a man when it is convenient for others, and a woman when it is convenient for others, and often as a freakish third thing excluded from the advantages of both. surely, because of the gender binary, the Other Type of trans person experiences the opposite: they reap the benefits of maleness and femaleness at once.â like babes no they can do it twice
This applies to a bunch of other subgroups of the queer community too. Asexuals are made to feel like freaks for not being sexual enough by the same society that makes everyone else feel like freaks for being too sexual. Lesbians feel pressured to be bi even while bi women feel like they'd be more accepted if they were lesbian. Butches, femmes, and wlw who are neither are all made to feel like they're doing it wrong. PLUS unique facets of shittiness for every shade of non binary PLUS different attitudes towards mlm and wlw PLUS divisions within mlm spaces etc etc etc. And these frictions and differing needs and experiences are absolutely worth discussing, but every time we decide the problem is just that Those Other Queers have it easy we are making the actual problem worse.
Hilariously, it also happens within the asexual community as a function of even smaller identity microcosms; I grew up watching waves of this crash back and forth on AVEN back in the day.
Babes. They can always do it twice.

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From Veronica Tucker via Pinterest
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)
i get that americans love their cultural imperialism, but it really does piss me off that june is âinternationalâ pride month just because something happened in the united states.
in aotearoa, june isnât our pride, itâs theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that âyou owe your rights to Black trans womenâ is true there, but here we owe our rights to (mostly) MÄori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa donât even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we donât.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. iâm truly sorry that most of you donât see the negative impact your nationâs culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and cultureâs queer history, donât accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
Fanfiction is cool because you get to learn what other people's parents taught them the hymen is like
I know that I had somewhat unusually comprehensive sex ed but it still surprises me every time I'm reminded that some people genuinely think that losing your virginity is a capri sun kind of situation.
in the face of an apocalypse, you do what you have to do.

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you people can't even boycott chick-fil-a.
how to get out of your own way