The popularity of the "incompetent stupid piece of shit husband and competent wife who loves him anyways" trope in media is a psyop to make women believe its normal to settle for an incompetent stupid piece of shit husband

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@frauleinandry
The popularity of the "incompetent stupid piece of shit husband and competent wife who loves him anyways" trope in media is a psyop to make women believe its normal to settle for an incompetent stupid piece of shit husband

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sometimes being a fan of something means not wanting them to make any more of it
"who do you self insert as when you read?"
This is me when I read:
it is this 4ever everywhere u look

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this week in iwatodai moonlight, two girls are missing, tensions are high, and the full moon is here...
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I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
#such a good summation of this actually#because yeah there’s usually things that were always present#but which were easy to overlook or give the benefit of the doubt#that suddenly become relevant after a revelation about the creator#and it’s really not the same thing as the self-defensive “’I never liked it anyway’
tags via chimaerakitten
They could never make me hate you, complex female character whose reaction to trauma was not pretty and digestible like how people think it should be.
i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it like…impossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.
it's very frustrating seeing otherwise well-structured posts about media literacy and critical thinking bookended with statements about "nowadays", "nobody has literacy anymore", "this generation is so anti-intellectual", and the like, unquestioningly falling into better past fallacies.
Do we really think the 80s and its Satanic Panic were better at critical thinking? what about the 40s? the Victorian era? societies have always had problems with critical thinking and literacy, because most societies have dealt with propaganda, corrupt leadership, difficulty providing education (due to poverty or discrimination or other issues), and/or people who resist critical thinking (due to privilege or circumstance or what have you). we can criticize media trends without pulling a "well back in the GOOD OLD DAYS" about it.

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watch out, nerds incoming
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this week in iwatodai moonlight, ren and his friends go on a completely safe and sensible field trip to the port island's alleys.
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people on here make ocs and they're mostly men and they ship characters and they're always men and they have favourite characters and they're always men but sometimes they say the men are like women not trans ones though because that would be guh-ross and harsh the vibe of the #fandomspace and they write fanfiction about men and talk about how complicated and #deeplywritten their male favs are and they'll watch movies and tv shows with mostly male casts in every way that matters and not question it because well what do you want them to do about it and they don't even care that that's what they're doing to them it's pure coincidence they always like the male characters better it's pure chance that women are only interesting as yaoi cheerleaders and actually when they write female characters as yaoi cheerleaders they're doing them a favour because they were just so poorly written in the source material it's the charitable thing to do men men men men men men men and if you say anything about it well you're being a killjoy you're being no fun you're being homophobic you're being a misandrist god what is it about women right what is it about women always trying to ruin our fun? why do they care so much? they're just women. who wants to think about women at all.
This week, on Iwatodai Moonlight, Ann spits some facts.
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heres the thing. i enjoy well done heavy subject matter, you can look at my track record of interests as evidence for that, but i do think writers who wont shut up about how complicated and controversial they are for including ~dark themes~ in their writing need to a christmas carol style be forced to sit down and watch all 4 seasons of 13 reasons why to see what happens if you try to incorporate a bunch of heavy stuff in your work with 0 research or regard for people affected
slight clarification: people in the tags are saying "yea there needs to be levity between heavy moments for a story to be effective", which is also very true! but not what this post is about. this post is about how if you write about abuse and murder and oppression but you dont actually know what youre talking about or have a purpose for including it beside shock value and proving how mature you are your work will read like it was written by a twelve year old
fandom loves to see a unique and interesting story and go ah this would be great in my little boxes that make everything the same