The feminine urge to see Phantom of the Opera 27 times and put a picture of Michael Crawford in your refrigerator. Not on it. In it.

Kiana Khansmith
Cosimo Galluzzi
Not today Justin
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n
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trying on a metaphor
taylor price
Alisa U Zemlji Chuda

Origami Around
I'd rather be in outer space 🛸

祝日 / Permanent Vacation
$LAYYYTER
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost
almost home

Love Begins
PUT YOUR BEARD IN MY MOUTH
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@franfinesheffield
The feminine urge to see Phantom of the Opera 27 times and put a picture of Michael Crawford in your refrigerator. Not on it. In it.

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Herdwick Sheep after shearing, Matterdale, Lake District, Cumbria, England
by James Rebanks
people of colour deserve to be able to enjoy fluff and escapism and transformative media and silly fandom stuff the same way that everyone else is allowed to, i think. there’s a lot of unexamined hostility toward anyone who isn’t white; sometimes it’s subtle, and sometimes it’s not. there needs to be far more love and support for poc, and far less defensiveness and tolerance regarding racism in spaces like these.
when taking in a redeemed villain, it's important to give them lots of monologuing opportunities. a few will eventually settle out of that habit, but for the vast majority, it continues to be their most important social behavior, and even a major form of stress relief. it's also completely harmless, unlike some other behaviors that they may struggle to drop, so be sure to encourage them by presenting them with either large audiences (digital is ok — they love to be on screens), or potentially, a more intimate, one-on-one monologuing opportunity with a trusted confidant, depending on their prior villainous preferences. they may show signs of aggression during their monologue, but remember that it's just a performance — and if you play along in kind, your redeemed villain will develop a burning desire to protect you at any cost before you know it <3

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Dress
c. 1895
“This dress made of taffeta features a net overlay designed with metal sequins and beadwork. The standing collar is made of lace as is the yoke. This dress also has lace undersleeves. There are elaborate designs on the center front of the boned bodice and also on the skirt hem. This dress is gathered at the back and has a train. Features that indicate this is an 1890s dress are the monobosom and the standing collar.
This dress was created by Julius Barnes & Co. and was part of the Miss May Godfrey Collection.”
Grand Rapids Public Museum
I'm not saying Anna is the sole reason I spent a weekend in London but she definitely was one of them. I've seen many, many Christines over the years that I have loved, but Anna is really on another level. what a voice. what an absolute star.
isn't it kind of crazy that for any moving vehicle you need to wear a seatbelt but then on buses they're just like fuck it stand up whatever
Moonstone Round Cabochons
this windows 95 era software we use at work has a rotating 3d skull gif if the person who owned the account died

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watching grace & rocky & adrian hang out inside the biodome must be the eridian equivalent of when you go to the aquarium and see the trainers chilling in the sea lion exhibit
No dog’s better than dad.
The main thing you can change is how you perceive yourself. Stop looking in the mirror and realize that you’re living for yourself, not other people… I have belly fat like everybody else, and I don’t want to be airbrushed on the cover of a magazine. I don’t want someone to swap out my stomach with a supermodel. I don’t want dirty old men looking at me in my underwear.
you have to romanticize the mundane or you won’t survive it’s cruel out there so drink your coffee and spray a little extra perfume

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On This Day: 19th June, 1881
Fashion plate 494 from the Revue de la Mode, engraved by A Chaillot after an illustration by an artist with the initials AA.
Savons & Parfums de la Parfumerie Ninon, 31, r. du 4 Septembre _ Garnitures & Gants de la Ville de Lyon, 6, r. de la Chsée d'Antin _ Jupons & Corsets de la Mon. de Plument, 33, r. Vivienne _ Chaussures de la Mon. Bernier-Laffon, 160, r. Montmartre.
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Description from page 204:
PLANCHE COLORIÉE
Toilettes pour villas et châteaux. — Robe vert mousse, en foulard imprimé et satin merveilleux uni; jupe courte plissée à gros plis creux et garnie au bas d'un plissé fin en satin, découpé en dents rondes. Tunique drapée à gauche par quel-ques plis serrés; à droite, elle forme écharpe en satin relevée sous la draperie derrière. Cette draperie est la continuation de la tunique de foulard, elle retombe sur la jupe. Corsage à basque en pointe bordée d'une draperie à plis plats en satin; derrière, pouf plissé double; le haut, ouvert en cœur, est encadré d'un revers uni drapé à plat; froncé derrière le cou. Manches presque longues à revers uni croisé et drapé plat. Plissé de tulle de soie à l'encolure et aux manches.
Toilette en surah mauve et satin merveilleux blanc. — Jupe courte en satin blanc à tablier garni de cing volants coulissés deux fois sous deux rangs de perles lilas. Un sixième volant, plus haut, est coulissé sept fois avec sept rangs de perles. Corsage mauve à devant blanc coulissé très serré formant pointe du bas; le haut est une guimpe en linon; la tunique est rapportée au corsage et froncée à la taille, drapé derrière; elle est encadrée, ainsi que le corsage, d'une haute dentelle blanche retournée à plat. Manches au coude, à volant de satin plissé, gants de Saxe longs, sans boutons.
more warm-up paints from the past week! 🍃 featuring a special guest!