what makes people want to tour the end
            of something?
.
from A Division of Gods, by Ariana Brown, published in Winter Tangerine
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                    what makes people want to tour the end
            of something?
.
from A Division of Gods, by Ariana Brown, published in Winter Tangerine

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Inflict me so I may know your heart, my time. The one, who stands there, is a mirage. The one who sits here is not I. I do not know if I were present or absent.
Bilal el-Masri, from âNot Iâ in âThe Gateway To Modern Arabic Poetryâ, translated by Munir Mezyed and Abdul-settar Abdul-Latif Al-Assady (via finita--la--commedia)
So this is how the sea starts: increments of longing, Mostly in half darkness Then a white light as waves rush through.
â Meena Alexander, from âNocturne,â published in Guernica
âWhat have I done to you?â we whisper in mirrors, at the edge of the bed, during cold mornings of nothing but ideas.
Christina Tudor-Sideri, from âMonet, Sometimesâ (via finita--la--commedia)
There are things I too hold down inside / glacial shores, screaming memories,
Birhan Keskin, tr. by George Messo, from Selected Poems; âInstrumental,â (via weltenwellen)

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âMemory and time, both immaterial, are rivers with no banks and constantly merging.â â Etel Adnan, Night âNot to know. Not to remember. With this one hope: That beyond the River Lethe, there is memory, healed.â âCzeslaw Milosz, Memory And Memory
i had to go sleep in the belly of a whale/ last night i had a dream/ that i got so bored that/ i began eating the whaleâs flesh from the in/ side/out/ i sucked on the bones/ & i did not choke/ i swallowed some/ & i spat some out/ when i woke, i wept/ what you will consume/ what you will swallow down/ what you will be swallowed up by/ when you canât digest/ the thought of your damn self
-
from dna is just anotha theory for reincarnation: me, sitting in a burning tree (c. 4063), by Destiny Hemphill, published in Winter Tangerine
Construct, within the heart, mystical cathedrals.
Iwan Gilkin, from âLitanies and Prayer,â written c. February 1885 (via violentwavesofemotion)
more animals have died from highways than from bullet wounds. itâs hunting season in my head again
from What The Roads Did, by Sean Glatch, published in Bombus Press
the boy guts a fish in my car on the drive home from the lake. iâm not driving, the other girl is, and her skin gleams from sunscreen and sunlight and water still drying across her shoulders. i look at the boy and i love him, but not in the way he wants, and he doesnât want me to love him in the way he wants anyways. the girl blows me a kiss in the rearview mirror when she catches my eye.
we put translucent tarp down before we hit the road, but the tape is weak and it peels in the corners. the boy gives me a half smile and then nicks his forefinger. i try to hold this silence with a reverence. iâm all eyes, i look at them like theyâre minor gods. this is just a story, iâm following a script, i carry myself carefully, try not to improvise.
i pull the knife from his grasp and run my fingers over every edge, rub them together when they come back with entrails. our breaths loud and tremulous, all one word, one movement away from startle. i want to say i wonât hurt you, but it all catches in my throat and maybe thatâs what they both want anyways.
i press my fingers very gently against the boyâs face, feel the way his jaw moves as he licks his lips. weâre all ravenous for something nonphysical, trying to push each otherâs boundaries without crossing them. weâre all chaining ourselves to the gateless walls.
the girl waits to see which of us will flinch first. who wants to do it, and who actually will.
we scare a flock of geese out of the underbrush along the highway as we drive by, their honks accusatory. the girl finally speaks and her cadence is unnatural but we rejoice at the sound of it.Â
one hour till weâre home and of course, by home, she means the creek, the old boardwalks dipping into the sprawling wetlands, the place the city finally built a bridge over so we could stop jumping across or slipping over fallen logs, where i corkscrew my hands into the earth to stop floating, fireball burning just below my throat, either not daring to make skin to skin contact or the three of us draped on each other like heavy blankets, backs aching, stars unforgiving.
i shift my body weight but even that feels too loud, like we need a few moments of silence after this revelation. the boy starts to clean up the mess heâs made as the girl pulls off the highway.
when we reach the wetlands we collapse on each other in a daze, in the twilight before the twilight, a day old bruise. the boy says man, i was starting to think weâd never come back here.

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This heart, my heart, is small and the love, my love, is large. It travels in the wind, descends, loosens a pomegranate then falls in the wandering of two almond eyes, then ascends in the dawn of two dimples and forgets the way back to house and name. This heart, my heart, is small and the love is large âŚ
Mahmoud Darwish, from âTuesday And The Weather Is Clear,â If I Were Another (Farrar, Straus and Giroux, 2011)
When you think about it, stories have this way of running together like raindrops in a pond. Each is borne from the clouds separate, but once they have come together, there is no way to tell them apart.
Carmen Maria Machado, from âThe Husband Stitchâ, Her Body & Other Parties (via soracities)
God gave us memory so that we might have roses in December.
James M. Barrie, from âCourageâ, The Rectorial Address Delivered at St. Andrewâs University, May 3, 1922. (via finita--la--commedia)
Do you understand what brought you here? Was it the light or the absence of light? The man or what he did. There is a way to measure these things. A syntax. But once you have been touched you cannot be anything else.
-
from Syntax, by Reyna N. A., published in Bombus Press
All my walls are lost in mirrors, whereupon I trace Self to right hand, self to left hand, self in every place, Self-same solitary figure, self-same seeking faceâŚ
Christina Rossetti, from âA Royal Princessâ (via soracities)

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To light, and then    return -
Emily Dickinson, Envelope Poems (via smakkabagms)
Existing like a light around the body, / Through which the body moves like a sliding moon.
Robert Bly, from The Light Around the Body; âLooking into a Faceâ (via seaymphea)