Ed Ruscha, A Nightclub Named “The Universe”, (1982)
Dry pigment on paper, 152.4 x 101.6 cm
One Nice Bug Per Day

Andulka
styofa doing anything

if i look back, i am lost
"I'm Dorothy Gale from Kansas"
NASA

@theartofmadeline
hello vonnie
I'd rather be in outer space 🛸

Kiana Khansmith
Xuebing Du

★

Kaledo Art

Discoholic 🪩
h
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast

Origami Around
Alisa U Zemlji Chuda

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from Malaysia
seen from Germany

seen from United States
seen from United States

seen from Brazil

seen from Italy
seen from Argentina

seen from Malaysia
seen from Türkiye

seen from Malaysia

seen from Singapore
seen from Poland

seen from United States
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@foreign-lawns
Ed Ruscha, A Nightclub Named “The Universe”, (1982)
Dry pigment on paper, 152.4 x 101.6 cm

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The mystery of icon-preserving bees
For a decade, a beekeeper near Athens, has kept a tradition: every spring, he slips icons of Christ, the Holy Virgin and different saints in his beehives, in order to bless his bees and his yearly honey production. And every year, the very same mysterious phenomenon occurs: bees make their honeycomb cells around the pious images, meticulously avoiding covering them.
Frolic in brine, Goblins be thine.
RINGU リング (1998) dir. Hideo Nakata
Matchbooks for gay bars, clubs and restaurants in Los Angeles, San Francisco, and New Orleans. 1970s-1980s
Forsooth the Dragon!

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Nan Goldin, Robin and Kenny at Boston/Boston, Boston, 1978, from “The Ballad of Sexual Dependency,” 1973–86
Guitarist Grant Green (born June 6, 1935)
photo: Francis Wolff / Blue Note Records
Undercover: Spring/Summer (2015)

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Pendant
c. 1700s
maker unknown
“Gold pendant, the border set with half pearls surrounded by an embroidery of two birds under faceted crystal.”
V&A Museum
Rust Red Hills, Georgia O'Keeffe
Yamamoto Masao (Japanese, b. 1957)
Bonsai #4026, 2019
A3 Risograph poster
http://kimmiki.love

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Ruth Asawa, Untitled (S.237, Hanging Six-Lobed, Interlocking Continuous Form) (c. 1958)
David Zwirner.
Christine Espinal