hello vonnie
Keni

★


Discoholic 🪩

Janaina Medeiros

⁂
Claire Keane
will byers stan first human second

if i look back, i am lost
we're not kids anymore.
ojovivo
sheepfilms
DEAR READER
Misplaced Lens Cap
i don't do bad sauce passes
styofa doing anything
Cosmic Funnies

Andulka

shark vs the universe

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@foreign-lawns

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Chaka Khan, 1976
The free poster that came with the initial release of ‘Since Yesterday’ on 12″ in 1984
Yoshitomo Nara ◉ she's not looking away
MGMT - Time to Pretend
I’m feeling rough, I’m feeling raw, I’m in the prime of my life.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Angel's Egg (1985) dir. Mamoru Oshii
kenneth anger in lucifer rising. egypt 1971
I’ve had tumblr for 4 years but some of you bitches have had it for a decade. It’s time to seek penance
wait I’m curious now . Reblog this with how long u’ve been on tumblr for. Dating back to ur oldest blog ever !!!
Georgian enamel secret message ring (c. 1780-1830), gold with hand-painted floral panels and hidden inscription, Victoria and Albert Museum, London

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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An engineer wiring an early IBM computer, 1958 - by Berenice Abbott (1898 - 1991), American
Man Ray, Magnolia (Double Exposure), 1930 6 7/8 by 9 in. (17.5 by 22.9 cm.)
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Daido MORIYAMA
Alphaville (1965) dir. Jean-Luc Godard
Daido Moriyama
1965

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Daido Moriyama - Meshed Woman, 1977
“I was punished for clinging. I clung. I clutched all those I loved; I clutched at the lovely moments of life; my hands closed upon every full hour. My arms were always tight and craving to embrace: I wanted to embrace and hold the light, the wind, the sun, the night, the whole world. I wanted to caress, to heal, to rock, to lull, to surround, to encompass. And I strained and I held so much that they broke; they broke away from me. Everything eluded me then. I was condemned not to hold.”
Anaïs Nin, from “House of Incest,” published c. 1936