John Everett (British, 1876-1949)
Deck scene, 'Suzanne', barque
Watercolour, 57.7 x 43.4 cm
National Maritime Museum, Greenwich

Misplaced Lens Cap
The Bowery Presents
ojovivo
Lint Roller? I Barely Know Her
Game of Thrones Daily

#extradirty
Cosimo Galluzzi
Monterey Bay Aquarium
RMH

@theartofmadeline

JVL

❣ Chile in a Photography ❣
Show & Tell
sheepfilms
will byers stan first human second
NASA
Cosmic Funnies
Fai_Ryy

seen from United States

seen from Türkiye

seen from Malaysia
seen from United States

seen from Malaysia
seen from Guatemala

seen from Mexico
seen from Indonesia
seen from Brazil
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
@forceofneature
John Everett (British, 1876-1949)
Deck scene, 'Suzanne', barque
Watercolour, 57.7 x 43.4 cm
National Maritime Museum, Greenwich

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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REGRET TO INFORM YOU YOUR SON HAS DIED FROM TRENCH FOOT LOL HE SERVED WITH COURAGE AND HONOR LOL PLEASE ACCEPT OUR DEEPEST CONDOLENCES LOL
Chris Long (American b.1978), Green Nocturne, Caloosahatchee, 2022, Oil on Wood panel
It is so ridiculously easy to gain a reputation for being competent by just reading signs.
This is not metaphorical. I mean actual, literal pieces of paper/plastic/metal/whatever explicitly erected to inform the public.
“How did you know this was the right trail?” I read the sign.
“Wow, how did you know what that flower is?” There’s a SIGN.
“How did you know we needed to use the side door?” THERE IS A SIGN POSTED ON THE FRONT DOOR.
Just…why are we having such different experiences of the world? People can read. I KNOW they can read. There’s nothing wrong with their vision.
Just. READ. THE. GOD. DAMN. SIGN.
This also applies to:
Syllabi
Instructions

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Cartoon by John O'Brien for NEW YORKER magazine, 1991.
what doesn’t kill you makes your nervous system more sensitive for the rest of your life
White Desert, Egypt by Andrey Rodionov
Night Pool # 8, 40 x 32 cm, oil on perspex on wood panel, 2024 Alice Brasser

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Jim Musil (American), Night Meadow, 2026, Acrylic on claybord
Ratatouille (2007) dir. Brad Bird
Jason Anderson
'S T R I A'
Oil on 60 x 60cm linen
this is one of the more favourable photo's i've ever taken

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Some wide angle shots I took back in the start of May. It was the transition of seasons and introduction of new palettes.
tennis courts, july 2014