Fleurty's Archive @fleurtygurl - Tumblr Blog

Writeblr Re: Intro !!

Ayo writer friends!! Welcome to my blog where I post the highs and lows of my writing endeavors.

( ^-^)ノ∠※。.:*:・'°☆

About Me 💙

° Hello, you can call me Fleurty (she/her | adult). I'm an aspiring storyteller and am slowly becoming more confident in writing and sharing my work with others. ° I'm half pinay (Filipino🇵🇭), and queer (🧡💛🤍🩵💙)! A lot of my stories will be inspired by these parts of my identity. I would especially love to find other people with similar identity markers, but also just any other writers in general! ଘ(੭ˊ꒳ˋ)੭✧ ° I'm pretty talkative and ramble a lot, especially for my WIPs and things I'm passionate about. So expect this when interacting with me. ° I also have a book/writing discord server called "The Little Red Writing Hoods." If you are interested in learning more about what our server does, click here for my post explaining our activities and for the server link. ° I am tag-game/DM/ask-friendly - feel free to interact with me in any way!! ヾ(＾∇＾)

#writeblr #writeblr intro #spilled ink #intro post #introductory post #introduction #pinned post

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jay-avian

Hey all 👋🏻 quick update:

Sorry I haven't been posting much. Depression still sucks, trying to look for work. I haven't been interacting much either because that takes energy I don't really have.

Been meaning to post more of that Pokemon fanfic but I keep getting too locked in with research (looking at wikis) that the actual first part is still not finished. Wanted to do something fun with the Galar region and the actual legend behind the wolves and the false king.

Want to start editing for people, but no clue how to get my name out there, what to post, or anything like that. Cause I gotta post to seem credible, but not seem like I'm just interacting to try and get business. Thought about doing book and video game reviews, should probably read more and go to the library (transport has been an issue too..) So much to do, and yet I forget to do all of it

eeriesilkworm

I'm... so confused?

What was the purpose of the scene about queer signals, if Will was never going to receive queer signals? Why was the question concerned with the obviousness of signals, and not the mere presence of them? Why use the term "shared looks" when that was a known call and response on set for Noah and Finn?

What was the meaning of the snowball and avalanche metaphor? Why include that scene at all? Where was the payoff?

You're going to write an entire meta scene on queer signals of attraction, include examples that we have already observed, indicate an eventual pay off... and not let it pay off? Why? To be malicious?

You tell the audience through Will that Mike was just his Tammy this entire time and expect us to believe it? Was Tammy in Robin's video tape? Did Robin know Tammy since she was five? Did Tammy run after her in the rain or recognize her breathing over the radio?

And Will Byers never got kissed. Will Byers witnessed queer love, queer joy, and queer intimacy through a kiss at the beginning of the season, wanting that for himself because he's a romantic... and never even got kissed. Not even by his epilogue boyfriend.

baejax-the-great

God it has to suck being Verso.

You're a memory. A fragment. Imagined into reality based on a guy who died to save his family. You want so badly to die to save your family, but they aren't your family. You love them like they are your family because you were created to be him. You're not him. He's dead. You're immortal. He ran straight into death and so you were created with the same impulse but you can't do it. You literally cut yourself in half to make other people laugh. You watched a guy die for your sister the same way you did, except it wasn't you and he wasn't real and you're not really her brother and she cares about him far more than you. You want to die so badly. You were born wanting to die. You're not real, and your mother, who you love, is dying to keep you alive. You aren't really alive. Your family is tearing itself apart trying to kill you. You can't die.

namesarehard123

You can really tell the political environment that the Knives Out movies are critiquing and referencing with each rendition

fleurtygurl

EXACTLY MY THOUGHTS!

(Btw Dective Benoit Blanc for the win)

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Don't call me Rosy, I'm anything but.

I'm not your friend, a tease, or a bitch.

I'm a colleague, a chemist, an equal.

So don't call me Rosy when you refuse to know me.

You tell me to dress up, look pretty,

That red lipstick would fit me sweetly.

And that my dresses give you the wrong impression,

But me in a lab coat? Ha! It's out of the question.

Double down on your beratements,

Heal the icks of my belligerent sentiments

Take the photo out of its frame

and bomb it with your name

You can X out my credit.

You can X out my heart.

You can X out Rosy.

But you can't X out my worth--

My findings,

My influence,

My presence,

Go ahead and X out Rosy.

She never existed anyway.

#my little rambles #rosalind franklin #writeblr

Not me talking to @careful-fear and them using their fancy vocabulary, and then I proceed to think "stalwart" is a town in England but then no. It's not. It's an adjective-noun whatever the fuck. Not a town.

I'm afraid I might be a dumbass 😂

#my little rambles #me being a dumbass #will have to name a #city or something #stalwart #in a WIP #bc this is going to stick with me

ACT I: The Legality of Hawaiin Hot Rocks

Act I Scene VI

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#firefighter shenanigans #act 1 scene 6 #writeblr

Maisie:Is he going to die?

Iguana: He's just being dramatic.

Maisie: He looks so pale.

Iguana: That's a symptom of being a little bitc---

#teaser for the next scene #i will be posting later #tonight!

Act I: The Legality of Hawaiian Hot Rocks

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Act I Scene V

#firefighter shenanigans #act 1 scene 5 #writeblr #play writing #playwright

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I'm super close to finishing editing my next scene, but am ahhhhh! It's late, and I have work tmr. So I really can't binge write tonight. But it'll be coming soon!

#my little rambles

zgongjin

Maps of the Three Kingdoms

Over the past few months, I embarked on a little adventure making 3K maps, and now that I have finished everything, I'm pretty excited to share all the maps!

The maps are based on The Historical Atlas of China map collection for the 3rd year of Jingyuan (262), with topography provided by digital elevation models from HydroSHEDS.

The problem with using modern topography on ancient maps is of course that sometimes labelled landforms do not match nicely to the local topography, since measurements may not be so precise in the past. I tried my best to correct when I could, but otherwise, I left them as it is when I couldn't find a clear possible correction (so don't be surprised to see some rivers flowing along mountain peaks!).

Tumblr compresses images quite a bit so for now the full collection (including overall and individual provinces) is on SOSZ here.

zgongjin

I haven’t been able to get updates going on SOSZ in the past few months, so I have decided to start hosting my maps on a GitHub site here. From now on, I’ll post any debugging updates or new maps there, alongside my ongoing projects: translating official titles and a curated collection of interesting artefacts.

Here are a few snippets of how they look at the moment:

You can find the public repository here. As always, feel free to reach out if you’d like to reuse any content or if you notice any bugs.

#romance of the three kingdoms #saving for my #personal obession with #this book

Act I: The Legality of Hawaiian Hot Rocks

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Act I Scene IV

#firefighter shenanigans #act 1 scene 4 #writeblr

Act I: The Legality of Hawaiian Hot Rocks

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Act I Scene III

#firefighter shenanigans #act 1 scene 3 #writeblr

littlecakeclub

The Matriarch Isn’t the Villain. She’s the Mirror

I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.

These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.

And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.

Alma is still stuck fleeing the colonizers.

Ming is still afraid of her true self.

Celine believes that fear and mistakes must be hidden.

It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.

And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.

They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.

What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.

The house is destroyed in Encanto.

Mei accepts her full self.

So does Rumi.

And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.

Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.

And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.

These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.

These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.

But it’s not just their story.

One day, we’ll be the older generation.

And we’ll need to be humble enough to learn from the ones after us.

So don’t be a fool.

We may be Mei, Rumi, or Mirabel today.

But tomorrow, we could be Ming, Celine, or Alma.

And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.

So let’s have compassion for all these characters.

Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.

∘₊✧──────✧──────✧₊∘

If you’re curious, I’ve written more on K-pop Demon Hunters:

A post on the mental health themes woven through the songs — right here.

A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.

An analysis about Rumi, Jinu, and the danger of sinking together — here.

Some book recs for each of the K-pop Demon Hunters characters — here.

∘₊✧──────✧──────✧₊∘

edit (07/08/25): Thanks to several kind Colombian commenters and reblogs, I’ve learned that the historical context shown in Encanto is more likely tied to the Thousand Days’ War, a brutal civil war rather than direct colonial violence. I initially framed Abuela’s trauma through the lens of colonialism, which was a mistake. The real context is deeply rooted in internal ideological conflict. As a South asian viewer, I’m very grateful to those who shared insights ! I encourage readers to check the comments and reblogs for more historical nuance and brilliant perspectives 🧡

And thank you to everyone who shared, commented and interacted on this post with me !

#boost!#what a fantastic take!#couldnt have said it #better myself

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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fleurtygurl

Writeblr Re: Intro !!

Ayo writer friends!! Welcome to my blog where I post the highs and lows of my writing endeavors.

( ^-^)ノ∠※。.:*:・'°☆

About Me 💙

° Hello, you can call me Fleurty (she/her | adult). I'm an aspiring storyteller and am slowly becoming more confident in writing and sharing my work with others. ° I'm half pinay (Filipino🇵🇭), and queer (🧡💛🤍🩵💙)! A lot of my stories will be inspired by these parts of my identity. I would especially love to find other people with similar identity markers, but also just any other writers in general! ଘ(੭ˊ꒳ˋ)੭✧ ° I'm pretty talkative and ramble a lot, especially for my WIPs and things I'm passionate about. So expect this when interacting with me. ° I also have a book/writing discord server called "The Little Red Writing Hoods." If you are interested in learning more about what our server does, click here for my post explaining our activities and for the server link. ° I am tag-game/DM/ask-friendly - feel free to interact with me in any way!! ヾ(＾∇＾)

fleurtygurl

I'm going to be updating my intro post soon... some things are still accurate, but I've changed the name of one of my wips and in need of some serious revamping on my master links.

#writeblr #intro post #writeblr intro

Act I: The Legality of Hawaiian Hot Rocks

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Act I Scene II

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