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[#FFF363 On Thin Ice]
This prompt has been brought to you by someone who wishes to remain anonymous; thank you very much! Tread carefully now; one wrong move and you'll be in trouble. Just how exactly did you end up in such a precarious situation? What was your goal, what pushed you here? Is it still in your sight while the ice creaks with your every step? And here we are, waiting with bated breath to hear the whole story.
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Saga straightened her back, buttoning again her green suit jacket.
Mister Dachs placed a hand on his wifeâs knee, stopping the bouncing of her leg. âShe already told us she doesnât know, honey. We have to wait for Jev.â
Missus Dachs crossed her arms. âSince when we have to wait for him? Weâre his parents.â
âSince we dubbed him Chief. Now he will be busier than us, so we have to adjust to his schedule.â
âHe called for us!â
Saga drummed her fingers on her knees.
Steps came down the hallway and Saga looked up in time to see Jev entering while unbuttoning his suit jacket. His attendant stopped by the arch with a hardcover green book in their hands.
Missus Dachs sat properly and Mister Dachs straightened, both following their son going straight to Saga to kiss her forehead, then sit at her side.
âI know you both were about to start your new missions; I hope you informed of your delay, but I intend to be brief.â Jev signaled the attendant, who placed the open book the size of their torso on the small table in front of him, stepping back without a sound.
Jev glanced at the book and turned it around, pushing it towards his parents at the other end. Then, he rested against the back of the couch, wrapping an arm around Sagaâs waist to pull her back with him.
His parents leaned over the book and Saga wet her lips, looking at Jev. His eyes locked on his parents.
âWhat is this, Jev?â Missus Dachs looked up at him.
Mister Dachs looked at the cover of the book before falling against the back of the couch.
âChief,â Jev corrected her. âYouâre not speaking with your son, youâre answering to your boss.â
âThatâs bullshit. We have always been your parents!â
Mister Dachs signaled the attendant closer to whisper on their ear.
âThatâs not why I summoned you, but we can talk about that on a future meeting.â Jev pointed at the book. âI should be the one asking that question.â
âI donât understand, son.â Missus Dachs turned to the attendant, giving his husband a glass of whiskey. âSome water, please.â
The attendant turned to the Chief and his wife.
âA cup of valerian tea for Saga, please.â Jev ordered.
The attendant nodded and left while Saga looked at Jev.
âChief,â Jev insisted his mother.
Mister Dachs let his empty glass in the small table, rubbing his mouth.
âJev, for the love of-â
âIrma,â Mister Dachs turned to his wife, touching her arm, âstop. Look at him, weâll go nowhere like this. Besides, the record exists; itâs not like doing like we donât know will help us.â
Missus Dachs looked at him, âThen why did you did it?! We agreed to not let anyone else know about it. Why do you ruin us like this, Bernard?â
âThe records are narrations of facts,â Mister Dachs explained, âand we have to do it even if we donât like the facts. Thatâs what your mother entrusted me to do.â
âAh, so now you do listen to my mother,â Missus Dachs gave him her back.
âI have always listened to your mother,â Mister Dachs muttered, ruffling his hair.
The attendant let the cup in front of Saga and circled the small table to let a tall glass filled with water in front of Missus Dachs.
âThank you,â Jev nodded at them. âYou may leave.â
He waited until the attendantâs steps echoed no more down the hallway to bring Saga the tea set. She kept her eyes on his while taking a small sip, then a longer one, readjusting herself with him once again.
âDoes that mean Oma knew?â Jev asked.
Mister Dachs put his head on his hands.
Missus Dachs placed her tall glass on the small table with enough force for the water to spill out. âWhat were you doing checking past records?â she shouted. âItâs not your job.â
âI found it by chance,â he waved a hand. âWhatâs important is that I saw it and that there was no resolution whatsoever, so-â
âA resolution? Jev, are you asking us to answer for something that happened fourteen years ago?â
âYes.â
âWhat is this bullsh-!â
âYes,â Mister Dachs whispered. He looked up at Jev. âWe needed help.â He stretched his arms to the sides, âIt was bigger than us. Your grandparents were there, the whole Superior Circle was informed, it was submitted to vote. But we were the only ones involved,â he shook his head. âWe made everyone believe there was no other option and swept it under the rug. Weâre not proud of it.â
Saga turned to Mister Dachs and downed her tea, leaving the empty set on the small table.
âIt was our only casualty,â Mister Dachs pointed at the book. âThe only casualty in all my years as Chieftain. I didnât know how to deal with it and it was not my decision.â
Saga covered her lips with her hand.
âWhat are you going to do now, son?â
Jev watched them, âCompensate them.â
The couple in front of him straightened.
âWhat?!â Missus Dachs blurted out.
Jev stood up, bringing Saga up with him, and buttoned his suit jacket. She imitated him while he closed and took the book. âThat was all I wanted to know,â he said. âA vehicle is waiting to take us to the city, so I recommend you to finish your preparations to leave.â
Jev looked at Saga, who took his arm, and guided her to the hallway.
âWait a moment, Jev!â Missus Dachs got up. âWhat are you going to do?! What do you mean, âtake usâ? What does âleaveâ mean?â
Saga looked at him when Jev stopped in the entrance hall to give the book to the attendant, trusting him to put it back in its place. Then, he kept going, opening the door to Saga.
[FFF#362 - Shouldnât Be Done] - Uncharted Intervention
-verse: Off the Rails
Story: The Circadyne Succession
Heads-Up: Immediately follows âThe Weight of Radianceâ. And somewhat calmer.
-
âMy name is Calire. And you are at the Crux.â
Those words hung in the air for a stretch of time, at the end of which Arensky came to be aware of that bright gaze pinned on him expectantly. She blinked. âShould I repeat th-â
âOh, you⌠wanted a response.â Arensky cleared his voice again. Whatever potion or elixir sheâd given him had left a weirdly thick feeling in his mouth and throat. âIâm a little tired.âÂ
She stared at him again, this time a slight tension between her eyebrows, wrinkling the little stripe that ran across the bridge of her nose. âOpen your mouth again?â
âWh-hgaahââ He nearly choked on his own words, her hands holding his jaw open as she tilted his head this way and that. Upon satisfactory inspection, she released his face.Â
He frowned and wiped his mouth. âI can do it myself next time.â
âWhy were you resisting, then?â Not judgmentally. Just matter-of-factly, with a bird-like tilt of her head.
âThought you were going to give me another potion,â he muttered. âIâd rather take liquids sitting up.â
âNo, not yet. This oneâŚâ she trailed off, glancing over her shoulder at the group that was congregating outside of the glass. âSands, theyâre still watching? Hold a moment.â
She stood up and walked to the glass, waving her arms around with weighted gestures, and a smattering of hisses and screeches punctuating sharp spoken tones. The language didnât sound any more familiar than before, but it wasnât painful to listen to, at least. Might be more painful to try to replicate with his limited human vocal cords.
When the throng dispersed to some degree, she returned to Arenskyâs side. âDrama scavs. Always drawn to a scene. Like they have nothing better to do but to give me pressure while I do my job.â She had taken out a roll of gauze and rolled up his sleeve, and was now looking at something on his right arm. âWhatâs this?â
Arensky craned his head to see what she was pointing at. âOh. Floor scrape.âÂ
âRecent?â
âOn the way up. Dropped me. Accidentally, I think.â
A noise like a scoff escaped her lips. âYou give them too much credit.â She smeared something cool and numbing on his elbow, then started wrapping it up carefully. âLet me know if it hurts worse.â
âMm.â He let his head fall back and closed his eyes. Speaking was still a lot of work. It seemed he had capacity for breathing and only breathing â which was better than not breathing, but it made communication such a task.
It was nice to have space to think, though. All of the sensory overload heâd experienced for the past two hours were but background traces now. Not completely gone, just reduced to tolerable levels. So he could look at her, and understand her, but only when she was speaking his tongue, which meant the Icruxti language was truly a different speech and not just meaning obscured by static and echoes.
Actually, he was curious now. It was worth spending the breath.
âYou learned our language well.â
She didnât pause her work. âPicking up languages is a talent that runs in the family.â
âItâs not just that.â If she had learned it from the world of diplomats or scientists, he doubted she would have such a colloquial cadence. Some of her phrases, in fact, he recognized from his time traveling with Dust Drifter groups. âYou sound like youâve spent a lot of time around humans.â
Now she stopped. For a moment, Arensky wondered if he had insulted her in some way; maybe that was an offensive comparison in their culture?
But the pause lasted barely two seconds before she continued. âI had a good teacher.â She tugged the last strip into place with brisk finality, tearing off the excess with her short talons.
Arensky couldnât count himself an expert on Icruxti emotion. But without the blinding flare around her silhouette, he found someone less alien, and more human, than heâd expected. He could read regret in her tone and in the way her gaze dropped to the side.Â
He decided to change subjects.Â
âWhat do they want with me?â
Calire was rummaging through her kit of supplies. âIâm not sure. We donât get too many humans that make it this far. Youâre going to have a trial, I think. An evaluation?â She pulled out another glass vial, this one with a teal liquid inside.Â
Oh great, more mystery drinks.
"I... really shouldnât be doing this,â she said with something like a half-laugh, half-grimace. âCome, sit up. You said you take liquids better upright, didnât you?â
Arensky narrowed his eyes. âTell me what it is first.â
âLiquid Lexicon. Itâll help you understand them. Us. Our language.â She glanced over her shoulder again. âI donât want them to know Iâm giving you this. As far as they know, this is an emergency intervention.â
âWhy are you, then?â Arensky asked. âWhy help me?â
âBecause you deserve to know what your cross-examiners are saying about you. I'm not going to be there to translate. You'll be on your own."
Nothing new for him. "You're saying I should defend myself?"
Calire tilted her head from side to side. "I don't think you should say anything, actually. They might get mad.â
âYouâre giving me the ability to understand what theyâre saying but not letting me do anything about it.â
âYe- I mean, no!â Her feathers bristled. âJust sit up. Drink this.â
âI still donât know why youâre helping me,â Arensky pushed back, pausing to catch his breath. The effort of conversation was starting to take its toll. âIf I canât do anything about it⌠spare me the details. So what do you want me to do up there?â
âI donât know!â she hissed, balling her fists in frustration. âYouâre the second one, and I messed up the first time, so youâre basically the first one, and Iâm not letting it happen again.â She closed her eyes, dispelling the charged aura that had flared up around her. âJust⌠figure out some way to stay alive and preferably in this area.â
-
1023 words
A little bit of chit-chat and caretaker time. Calire is trying so hard to be chill and calm but ah! a human! she gets to talk to a human! he is talking back to her! She must make sure this one makes it through.
Arensky's just tired man, he was betrayed by his travel group and dragged up to no-human's land where the air is too thick with Dyne to breathe, and then given miracle seltzer to help clear that up, and now he's making small talk with a bird girl about languages.
(TW: mentions of death/the dead and vague mentions of unethical science)
I pick my way across the grass with care. In this section, it's difficult to tell where the overgrown graves and the narrow walkway border one another these days.
He's waiting for me, in the same place- I don't have to count along the headstones or spot for the elegant curve of marble among the crosses anymore. I know my way by heart.
Then again, of course he's waiting for me. He never leaves.
'I made a mistake.' I'm speaking before I even get within three paces of the plot, the wind pulling the words from my mouth and the mizzle drinking them dry. 'I did something I shouldn't have. And now I don't think I can undo it.'
It's not yet done. Only said, only promised; but, no, I'm a coward. I planted the seed. Nobody would have thought it possible without my say-so. I had so many opportunities to recalculate, and took exactly none of them. I am so desperate, gagging and champing at the bit, for somebody else to take responsibility for this.
Pull back the curtain, though, and it's just me grimacing behind a different mask.
I rip up a fistful of weeds, letting their snarling edges whip at my bare palm. I shouldn't be using a visit here for such shameless self-flagellation, but where else am I going to go? Everyone else will either be in the offices, drafting and redrafting, honing how we're going to sell this one to the public and to the European Court of Human Rights, or else drinking to our last normal day for a long while. I spilled out onto the street, out of my suit, willing to do anything not to have someone ask me about another detail I wish I hadn't overlooked, and settled on here.
Reporters don't come to find you in a graveyard. Protestors don't throw beer bottles and bay for your blood behind sweet little English churches, notable only for the sprawling dead behind and the tight-knit congregation.
'Here.' I put down the basket of carnations with too much force. They'll be dead by next week, but what else does a florist have that can go outdoors at this time of year? 'I can't walk this back. IâŚ'
I want to bubbles like a boil on my tongue. My eyes prickle. It's not fair.
What I really want is never to have had the idea to begin with. To have never sat down with a notebook in the hopes of getting it onto paper and out of my mind. I should have known it'd never leave me that way, should have buried it deep, made it my cross to bear and nobody else's.
All writing it out proved was that it could be done. It would work. Even as my pencil sketched out mortality curves, herd immunity calculations, initial thoughts on what would be needed to make this happen, I hated myself as much as I was mesmerised.
Rain drips down the headstone, crocodile tears that caress the rivets of his name. The white lettering has worn away: you'd have to read it like Braille. Or, like me, you'd have to know every careful stroke by heart.
'It's not my decision to make.' I tell the marble shadow helplessly. 'It might not even happen, it mightâŚ'
I know better. I can make as many excuses for my own lapses as I like, but the truth remains; I believe in this plan. I believe in the benefits. I want to see them realised.
I sit heavily in the damp grass. Like it'll bring him back.
I'm not so self-centred as to believe myself original. Doubtless, some clever professor or intern too sharp for their own good has thought through the same lines as I did. At some point, though, they remembered that the people of this country are more than numbers and statistics. For all the benefits we will reap, there will be a cost. There will be deaths, numbers on a spreadsheet, grieving families screaming like their souls have been ripped from them. There will be pain before any joy.
'I should resign.' My fingers twist a blade of grass, twirling it absently as cold rain slides down the nape of my neck like the hands of a ghost pressing through my clothes. 'But it's too late. They'll do it anyway. If I'm not at the helmâŚ'
They'll change course. Once this proves irrevocably unpopular with the public- which, oh, it will, we must make no mistake. Once the initial efforts are over, we've hit on our first real ethical stumbling blocks, and the bodies start rolling through the crematoria, the media will be all over it like leeches to blood, and a steady hand will most certainly be required to keep us steady. If not me, then who?
I have no doubt I'll take the fall in the end. I'll stand before the Court and let pretty little lies about how I didn't really know drip off my tongue like honeyed vinegar. They won't believe a word but, much like my predecessors of nasty, unethical science, they'll have no choice but to plea-bargain for my results. Fortunate, then, that mine will amount to much more than senseless sadism. My name will be in all the ledgers, etched in blood, but I've no doubt we'll all walk.
'I can't let them do this.'
I can. I did.
'I can'tâŚ'
I've written my resignation three times today. Each time I get to the bottom, my fingers erase every single word as though they don't belong to me. And they don't. They belong, until further notice, to the government of the United Kingdom, and to His Majesty's pleasure. The chains that bind me to my work, though, are all of my own forging.
I wipe my face with the back of my hand, unsure whether I've been crying or my face is wet with drizzle.
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for this week's @flashfictionfridayofficial prompt!
word count: 789
for context, this is all the way back when this pair of characters first met, at 7/8 years old (they're now 303/304 as of A Healing for the Birds, lmao!)
ao3 link
â
Rooks and ravens werenât known to mix.
Should they do, as they did on this fateful day, their flight paths may cross but never pass, bound for disparate destinations.
Upon the next sunrise, a raven perched on a branch overlooking a hole into the undergrowth. Gnarly roots masked the entrance to the local crow court, the rumoured home of the jackdawsâ Duke.
He watched as all manner of crows emerged from the hole. Rooks, jackdaws, magpies, a handful of hooded crows for good measure. Some cawed at him, others flying out without a word.
Another rook landed at the top of the gap, shifting into the maroon-haired girl he saw yesterday.
âWho are you?â She asked, just as he went into human form and fell backwards, raising his head to see her.
âHello!â The branch cracked, and fell, sending him to the ground with an âoof!â.
He heard her laughter as he stood up and rubbed the dirt off his legs, offering a dusty hand to her. âIâm Petrius.â
âOh, youâre the raven I saw yesterday!â She blinked in surprise, beaming. âYou may call me Claudia. Do you have time?â
âWhy wouldnât I?â He shrugged. Most days he would be under one of his brothersâ wings, off hunting with the wolves or making fabrics out of deerskin. Other times had them stealing other birdsâ eggs, despite their parentsâ orders not to do it for fear of the victim being a swan or one of those crows.
âCome along, then.â Claudia smiled, going into bird form as he did the same.
The pair flew over a litany of conifers. Mist from the morning faded upwards, settling as clouds blotting out the skyâs hues.
He wondered where they were going, as a ruin came into view. It lacked two of its four walls, the remainder forming a corner with a single slit window, an arch and a decent chunk of its middle floor hanging on.
A small stream flowed in front of it.
Claudia landed and shifted first, drifting her hand over the archway. âThis is my little alcove, I come here if I think it might rain.â
âSo you think itâs going to?â Petrius sat upon the grass, looking up at the sky and thinking it would be fine. The grass held no such droplets either.
âI donât think so.â She sat down near him. âItâs just a nice spot.â
âThen donât jinx it!â Laughter followed from the both of them, hers fading first, akin to a rookâs caws.
âSo what do ravens do?â He watched her trace her fingers into the water. Fish hopped and bounced upwards, one bouncing near enough she pulled her hand anyway.
âUh, we hunt I guess. Wander the woods, hope not to find any bad eyes.â
âBad eyes? Whatâs that about?â
âNo oneâs ever told you?â He tilted his head a slight, Claudia doing the same. She drooped the other way, and he followed, before telling her the story as his brothers told him.
âOh, how interesting, my dad never tells me such stories. He always speaks in lessons.â
âWould you like another one?â Petrius gave her a pearly white smile, as he reached his hand into the water and splashed it at her, a fish flopping onto the ground along the way.
She gasped for all the birds to hear, her arms raised out from her cloak, drenched with her hair. âI had my quills in here!â
Petrius descended into laughter, broken for a moment when he got soaked too.
Favours got exchanged and returned upon the stream, the pair splashing their afternoon away.
âHah, you missed!â He stuck his tongue out, going into raven form as to avoid another splash.
She kicked more water at him, and sat upon the grass to squeeze her hair out.
He shuddered at the clothes stuck to him. Drenched, soggy, the cold water weighing him down. Almost like the rain in a way.
âHow do we get back?â He asked, watching a mischievous grin appear on her face, tutting him.
âLike this.â She turned into a rook and shook water everywhere, spreading her wings out.
When she didnât revert just yet, he did the same, his feathers all the more lighter for it.
The flight back to the crow courtâs entrance went without remark. His heart spiked in dread and relief when they landed, though he went into human form to find he was still drenched.
âWill I get to see you again?â Petrius asked, wondering if it was a silly question.
A jackdawâs caw cut him from his thoughts.
Claudia glanced up at it too, her face alighted in alarm as she looked back to him and shrugged as if nothing happened. âSee you later.â
â
Tagging the General taglist for this: (ask/comment/reblog, etc if you'd like to be added or subtracted): @mr-orion @the-ellia-west @thereadingfoz @glassstardust22124 @honeybewrites @ashirisu @drowsy-quill @seastarblue @gioia-writes-and-others @rae-butter @corinneglass @rainbowsnowflake @fourwingedwriter @oddcryptidwrites @ark-inkweaving @bardic-tales @agirlandherquill @wyked-rebellion @oc-writing-corner @kingragnarok-writes @darkluminosity @the-narrator-plague @traderotales @lizardperson
written for Flash Fiction Friday 362, event hosted by @flashfictionfridayofficial
WIP â The Mortal God
Trigger Warnings â N/A
Rating â Gen
Wordcount â 1016
this piece is a direct sequel to There Are Warnings In The Silence (fff 361)
Under the rumble of the ground caving, Illis rolls and slams in too-hard ground and spits dry leaves, and when he stops rolling he wants to throw up. And then he opens his eyes and yelps.
The world is grey and silent and spiky, and wavy like metal reflections. Uneven floorboards and dead roots litter the ground, and crumbling low walls mark one wasting field from the other.
ÂŤIt is rude to enter without knocking.Âť
Illis startles and climbs to his feet at the crackling voices speaking together. A figure stands behind him, and it looks like it came to life right out the colored glass windows of the temple, even if dressed badly in greys and dull browns. Three other figures float near them, more golden smoke than people. The glass-figure blinks, with eyes all gold. ÂŤHow did you get here, child?Âť
Illis flinches as too many voices come out of its mouth and looks down at the ground. ÂŤI'mâ I'm sorry, I didn't mean to! I was just trying to get the ball.Âť
ÂŤI don't care about that. You're in my domain. You are neither child nor avowed of mine, and I have no acolytes.Âť It tilts its head, slowly, and without worry. ÂŤSo how come you're here?Âť
A shiver runs up his spine. ÂŤIâ I don't know, I really don't I swear, I just fell. I'll get out, I'm so sorry, I justâ Eek!Âť he yelps, stepping back as the figure moves too fast and kneels in front of him. It's so tall that its clawed hand lifts Illis's face to make their eyes meet.
Between one breath and the next, Illis gets lost in the gold. He comes back to the figure throwing it's head back and laughing. ÂŤOh, this is simply too good.Âť The smoke-people at its back float closer and around him and speak quietly. It takes him by the arm, and Illis flinches because it's exactly how dad does it. ÂŤCome on, let's go.Âť
ÂŤNo,Âť he yells and plants his feet. He didn't expect it to, but it works.
The figure sighs and turns around. ÂŤChild, the sooner we go and the better it is for everyone.Âť
ÂŤGo where?Âť Illis cries, trying to pull away from the figure's hold. ÂŤI don't even know who you are!Âť
ÂŤWe are going to the Edge and the Pillar. They will know how to instruct you,Âť it says and drags them forward.Illis claws at its glass hand, but it's like trying to move water. It snarls. ÂŤStop. I am trying to help you set on the path of your duty.Âť
ÂŤI don't know what you're talking about,Âť Illis yells. He pulls again, but the glass figure is holding him too strong. His eyes burn. ÂŤI wanna go home.Âť
ÂŤThis is your home!Âť Smoke hands push him forward, where the glass-figure pulls him, and he yelps. ÂŤNow come along.Âť
ÂŤNo! No, no, no, I don't wanna.Âť
The figure yanks him forward so it's face is close to his. ÂŤThat does not matter, child. We do what we must, and you are no exception. Run, and you will doom milions. So do not run.Âť
Illis sobs and shuts his mouth. He won't cry â he won't, he won't âbut the tears make the hold on his arm blurry and his hands are clammy and he can't tug off the glass figure. ÂŤNo, no, that's not me, let me go!Âť
His skin burns and tingles under the glass figure's hand. The smoke people talk low and far and he can't hear them well, and the glass figure growls. Illis's heart slams against his chest like it too wants too run. ÂŤChildâÂť
ÂŤLet meĚś g̸̢ÍĚĚoĚľĚĚÍĚ Ě!Âť
The tingling under his fingers pulses. A light shines from his hand, putting colorful shapes in his eyes, but the glass figure flies back and into a dying tree with a grunt. The smoke people fly up with loud chitters, but he only hears them say "godling" and "follow" and "found" before he's running. He doesn't know where, he just needs to get away from the glass figure and away from the dead fields and out of what here is.
Through burning eyes he sees the orange dried leaves over dead roots of the flat circle where Sarine threw Azai's ball. He fell to get in. He closes his eyes, and stumbles on a root, and the world goes spinning on its head.
He lands in a pile of leaves, and everything itches and burns and his throat is closed up and the plants are screaming. He opens his eyes, and the forest greets him back from outside the dead ditch, green and alive, and Azai's blue ball is next to him. He's home. He's home, he's home, he's home, and his eyes burn and his skin still tingles and the plants are too loud but he's home. There's voices far away calling his name, and he thinks it's Jialee's mum and Tedo's dad and they're looking for him. His legs shake getting up, but he gets the ball and gulps down the dry in his throat to yell for them andâ
ÂŤIllis?Âť
ÂŤThat's a pretty name.Âť
ÂŤIt's good to know it.Âť
Three voices ring in Illis's head, echoey like in the other place and he recognizes the smoke people.
He flinches and stumbles and turns around. There's no one, but there are hands on his shoulders and on the sides of his head and he freezes.
ÂŤWe told you not to run.Âť
ÂŤWhy did you think you could run?Âť
ÂŤYou can't hide from us.Âť
ÂŤWe know you now.Âť
"Illis!"
Illis gasps. The bushes rustle, and lantern-light turns the forest orange before Jialee's mum appears. "There you are! You scared everyone," she says, already halfway into the ditch. He's frozen and shaking and he can't get words out of his mouth, and he just buries his face in her shoulders when she picks him up. "It's okay, it's okay, you're safe. Let's get you home." She puts her hand â real and warm â on his back. The cold invisible ones don't move.
â
â The Mortal God Taglist â
@definitely-not-flynn @lizardperson @firesidefantasy @savvyminnow
written for Flash Fiction Friday 362, event hosted by @flashfictionfridayofficial
WIP â The Mortal God
Trigger Warnings â N/A
Rating â Gen
Wordcount â 1016
this piece is a direct sequel to There Are Warnings In The Silence (fff 361)
Under the rumble of the ground caving, Illis rolls and slams in too-hard ground and spits dry leaves, and when he stops rolling he wants to throw up. And then he opens his eyes and yelps.
The world is grey and silent and spiky, and wavy like metal reflections. Uneven floorboards and dead roots litter the ground, and crumbling low walls mark one wasting field from the other.
ÂŤIt is rude to enter without knocking.Âť
Illis startles and climbs to his feet at the crackling voices speaking together. A figure stands behind him, and it looks like it came to life right out the colored glass windows of the temple, even if dressed badly in greys and dull browns. Three other figures float near them, more golden smoke than people. The glass-figure blinks, with eyes all gold. ÂŤHow did you get here, child?Âť
Illis flinches as too many voices come out of its mouth and looks down at the ground. ÂŤI'mâ I'm sorry, I didn't mean to! I was just trying to get the ball.Âť
ÂŤI don't care about that. You're in my domain. You are neither child nor avowed of mine, and I have no acolytes.Âť It tilts its head, slowly, and without worry. ÂŤSo how come you're here?Âť
A shiver runs up his spine. ÂŤIâ I don't know, I really don't I swear, I just fell. I'll get out, I'm so sorry, I justâ Eek!Âť he yelps, stepping back as the figure moves too fast and kneels in front of him. It's so tall that its clawed hand lifts Illis's face to make their eyes meet.
Between one breath and the next, Illis gets lost in the gold. He comes back to the figure throwing it's head back and laughing. ÂŤOh, this is simply too good.Âť The smoke-people at its back float closer and around him and speak quietly. It takes him by the arm, and Illis flinches because it's exactly how dad does it. ÂŤCome on, let's go.Âť
ÂŤNo,Âť he yells and plants his feet. He didn't expect it to, but it works.
The figure sighs and turns around. ÂŤChild, the sooner we go and the better it is for everyone.Âť
ÂŤGo where?Âť Illis cries, trying to pull away from the figure's hold. ÂŤI don't even know who you are!Âť
ÂŤWe are going to the Edge and the Pillar. They will know how to instruct you,Âť it says and drags them forward.Illis claws at its glass hand, but it's like trying to move water. It snarls. ÂŤStop. I am trying to help you set on the path of your duty.Âť
ÂŤI don't know what you're talking about,Âť Illis yells. He pulls again, but the glass figure is holding him too strong. His eyes burn. ÂŤI wanna go home.Âť
ÂŤThis is your home!Âť Smoke hands push him forward, where the glass-figure pulls him, and he yelps. ÂŤNow come along.Âť
ÂŤNo! No, no, no, I don't wanna.Âť
The figure yanks him forward so it's face is close to his. ÂŤThat does not matter, child. We do what we must, and you are no exception. Run, and you will doom milions. So do not run.Âť
Illis sobs and shuts his mouth. He won't cry â he won't, he won't âbut the tears make the hold on his arm blurry and his hands are clammy and he can't tug off the glass figure. ÂŤNo, no, that's not me, let me go!Âť
His skin burns and tingles under the glass figure's hand. The smoke people talk low and far and he can't hear them well, and the glass figure growls. Illis's heart slams against his chest like it too wants too run. ÂŤChildâÂť
ÂŤLet meĚś g̸̢ÍĚĚoĚľĚĚÍĚ Ě!Âť
The tingling under his fingers pulses. A light shines from his hand, putting colorful shapes in his eyes, but the glass figure flies back and into a dying tree with a grunt. The smoke people fly up with loud chitters, but he only hears them say "godling" and "follow" and "found" before he's running. He doesn't know where, he just needs to get away from the glass figure and away from the dead fields and out of what here is.
Through burning eyes he sees the orange dried leaves over dead roots of the flat circle where Sarine threw Azai's ball. He fell to get in. He closes his eyes, and stumbles on a root, and the world goes spinning on its head.
He lands in a pile of leaves, and everything itches and burns and his throat is closed up and the plants are screaming. He opens his eyes, and the forest greets him back from outside the dead ditch, green and alive, and Azai's blue ball is next to him. He's home. He's home, he's home, he's home, and his eyes burn and his skin still tingles and the plants are too loud but he's home. There's voices far away calling his name, and he thinks it's Jialee's mum and Tedo's dad and they're looking for him. His legs shake getting up, but he gets the ball and gulps down the dry in his throat to yell for them andâ
ÂŤIllis?Âť
ÂŤThat's a pretty name.Âť
ÂŤIt's good to know it.Âť
Three voices ring in Illis's head, echoey like in the other place and he recognizes the smoke people.
He flinches and stumbles and turns around. There's no one, but there are hands on his shoulders and on the sides of his head and he freezes.
ÂŤWe told you not to run.Âť
ÂŤWhy did you think you could run?Âť
ÂŤYou can't hide from us.Âť
ÂŤWe know you now.Âť
"Illis!"
Illis gasps. The bushes rustle, and lantern-light turns the forest orange before Jialee's mum appears. "There you are! You scared everyone," she says, already halfway into the ditch. He's frozen and shaking and he can't get words out of his mouth, and he just buries his face in her shoulders when she picks him up. "It's okay, it's okay, you're safe. Let's get you home." She puts her hand â real and warm â on his back. The cold invisible ones don't move.
â
â The Mortal God Taglist â
@definitely-not-flynn @lizardperson @firesidefantasy @savvyminnow
âOh, that camera just caught us,â Clarence gripes, âweâre going to be on the fucking news. This is going to be just like the thing with the snakes.âÂ
Keshawn pauses in hurrying his charge away to give the man an odd look â he knows by now how many stories he hasnât heard, but itâs still strange to catch one whose context he canât even guess at. âWhat thing with what snakes?âÂ
âYou know, we made all the snake habitats wrong and it made national news when they lectured us,â Clarence mutters, looking for all the world like a scolded kid, and Keshawnâs confusion must show, because Clarence adds, âdo you not know about that? I thought that would be in my file â god, if itâs not, probably no one knows that was us.âÂ
âWhat was you?â Keshawn demands, exasperated, just slightly, because even a few years out Clarence still acts like the people around him should catch his shorthand. Itâs like he hasnât gotten used to the idea that there are people he didnât grow up with around.Â
âOkay, so, way back, before we developed the contacts to deal with this kind of thing, sometimes weâd find animals,â Clarence says, miming something the size of a smaller dog, like heâs implying they were usually smallish animals. âFucked up science experiment animals, sometimes, but usually normal ones. And, like, lost pets you can leave at the animal shelter, obviously, but other animals, well, we didnât know.Â
âSo this one time there was this guy, he was some kind of exotic animal trafficker or something I guess, I donât know, we didnât get an explanation on it because we killed him first. I mean, not like that! He was trying to kill us while we were only trying to talk to him, so we killed him back. Anyway, he had, like a shitton of snakes. All different kinds.âÂ
âThere was a body in a warehouse,â Keshawn says, slowly, still carefully believing that Clarence tried to talk the man down first. âYour territory. It looked like maybe his contact turned on him, but no one ever found what he was smuggling.âÂ
âOkay, I feel like youâre describing a lot of unsolved murders, but if he was, like, overkill riddled with bullets, and blood smears all around, yeah, probably. It was only the two of us so it took a while to drag all the snakes out, and thatâs why we got marks all over the floor, and we had to steal a truck and everything to get them all out of there. And we donât know anything about snakes, right, so we have to look up a video on how to take care of them, and there was one that had instructions on how to build snake houses and everything! Like this guy really seemed to know what he was talking about. We thought it was right!Â
âSo we build these little habitats, and get all the snakes sorted by what kind they are, and then we took them to the zoo, like usual, in that little building they set aside so we could do night deliveries. I mean, they kept leaving us notes telling us to stop doing that, but they also got a sturdier trailer, so what was the real answer, am I right? And so we carefully arranged all the snake habitats there, and left a note on the door warning people it was full of snakes, in case anyone had phobias or anything.âÂ
âAt the zoo?â Keshawn asks, figuring that must be the sort of thing that gets people not hired, but thereâs something about it, niggling at the back of his mind. Heâs heard this story from another angle, he could swear it. âYou... left a note. With a little cartoon of snakes.âÂ
âWell, you know, the note only said Warning: Snakes, so I thought an illustration was in order. Anyway we thought those were a safe way to house endangered snakes, you know? But the zoo got so upset they made a whole segment about that guy was wrong about building snake habitats, literally that morning on the morning news, and then people got so curious about it that it made it onto syndication, and then everyone was mad about our snake containers in public, even though they didnât say our names or anything. I mean, they couldnât. No one knew it was us, I guess. I kind of thought the news wouldâve guessed at some point.âÂ
âI remember that,â Keshawn says, news clip flashing through his mind. âMy friend was the one who did that PSA. She was so upset about someone doing that to a ton of endangered snakes, like they were giving a gift to the zoo or something â before that, they thought it was someone pranking them, leaving animals in their office all the time. But then everyone figured it was someone poaching animals as some kind of unholy donation.âÂ
âWe saved them! From a snake trafficker!â Clarence says, pained, like heâs looking for Keshawn to tell him he did the right thing. Itâs just that Keshawnâs pretty sure leaving random animals at a zoo overnight isnât the right thing at all, and he trusts the people he knows with zoology degrees on that front. âAll of those were animals we rescued from, like, supervillains or whoever. We were helping them! The zoo was really mad?âÂ
âI mean, they had no idea where you were getting them, and the animals often seemed distressed, so. Yeah.â Keshawn shakes his head, because of course they seemed distressed. Heâd be distressed, too, right after getting rescued from a mad science lab. âThey did appreciate that, for the most part, your notes got longer and more legible.âÂ
âOur handwriting? They were upset about our fucking handwriting? We were kids! Of course we had bad handwriting!â Clarence looks so genuinely distressed that Keshawn canât help but throw an arm around him, squeezing his shoulder a little. Keshawnâs really not sure whether his friend will be relieved or horrified to learn it was just kids not knowing where else to leave their rescues.Â
Prompt: Shouldn't Be Done
Story: Souls of Black (more oneshots here!)
Synopsis: When preparing for a journey that could change his life, Azar's sister, Lyari, warns against it.
Warnings: None
Words: 832
Moreso a character study, and me figuring out Azar's character and background.
"Azar, I see you have a moment."
Gilded heels clicked on the stunning mosaic glass floor, echoing in the entrance chamber of the Emergent. Azar turned calmly, seeing Lyari crossing the distance between them. Her warm auburn hair was tied in a bun with a spiraling section beneath it, glittering with golden chains across her brow and the sides of her head.
"I have been rather busy, sister," Azar said, but dipped into a small bow. A formality, with the few guards near the door of the chamber behind him. Rather, he was half tempted to strangle Lyari for catching him at all.
He cared for her, truly. She had done more for him than anyone else. But did she always have to watch him? She was merely a year more Awakened than he.
"Busy, you say? Is that why you've been out for days, now?" Lyari stopped in front of him, lowering her voice to a hiss. Azar felt his jaw tighten, but he kept a smile as he straightened.
"It has not that been...that kind of outing. I can assure you." Azar tightened the colorful scarf at his neck, looking away. He knew that she, like many others, didn't experience the feelings he did. He had no proper grasp on them himself, truly.
But it was recently that he'd been told the full story of the other facet that made him different from everyone else. One that tied back to legends he'd always been curious of, that now, he'd been told he was a part of.
And one he'd told no one, not even his sister.
"Then what has it been?" Lyari demanded, keeping her voice low. "Your wandering does no good for our image, and in factâ"
"I am aware," he snapped. Lyari's expression hardened, but Azar sighed deeply. He reached out, gently placing his hands on her upper arms. They were bare, as her colorful dress had no sleeves. "Sister. I have been speaking with the guests that you turned away days ago."
"What?" She lurched away as if he'd burned her. "Those outsiders? Whatever for?!"
"They have told me more of their mission. To make the Biomes better, to better all of Dridon! They wish to spread their influence across the continent."
Lyari scoffed, crossing her arms. "And how do they plan to accomplish that?"
"The same way they arrived here." Azar looked out of one of the tall windows on the wall. The Emergent was aptly named: a sprawling building in the trees, above most of the canopy of the Jungle Empire. With that height, he could see the distant gray clouds that barricaded the edge of the Biome, killing anyone who tried to pass.
Lyari followed his gaze, her eyes widening for a moment. Then, she sighed, clearly angry. "You cannot be serious," she hissed. "The chances of them being Driftersâ"
"Then how do you explain their enchanted diamond arsenal?" He looked at her. Lyari fell silent, before her expression turned solemn.
"You wish to galivant off with these heathens? What of our station? Our empire? All of the time put into bringing order to this Biome, and you wish to abandon it?"
Azar paused, then gently put a hand on her arm again. "I will be bringing order to all of the Biomes, expanding our influence. I must be the one to do this, Lyari, as you must stay here to keep it in check."
"Why you?" she asked, frowning at him. "Why must it be you?"
Azar hesitated. Lyari's frown deepened to concern.
"Brother?" she asked.
"It is... complex." He made himself meet her eyes. "But I believe I am being called by The Great Abyss to this path, that It has set it before me. To something far grander than we can truly comprehend."
He used his ability as he said the words, giving them more credence, more...power. It was one he didn't fully understand, but using it was nearly as natural as breathing.
Lyari believed in and followed The Great Abyss, and had always dreamed of glory, reaching for it even when most would assume she had all of it in her palm. And it was these beliefs that his charmed words reinforced.
Slowly, Lyari nodded, just as Azar had hoped. She smiled, reaching up to put her hand on his. "If you believe it, then I suppose I should encourage you to follow Its will."
Azar smiled back, and for once, it didn't feel so hollow. "I am glad, sister. I will make you proud."
Gently, he kissed her forehead, then embraced her. She hugged him tightlyâher care was ever evident behind that brash exterior.
Minutes later, he walked through the Emergent door, and there stood the guards who would accompany him to meet those strange, powerful outsiders. The lead, Droksa, bowed first as he arrived, the five of them wearing glittering armor of bronze imbued with emeralds.
"Is everything accounted for?" he asked.
Droksa nodded, and he strode past her. "Wonderful. Let's go meet our new allies."
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hi ho hello. 545 words, aka boiled-brain-goo, for @flashfictionfridayofficial. went for creating a mood but now it's just dialogue so xD maybe i'll try again another day x)
A handful of moths fought with the naked light of the light bulb. It seemed hopeless. The glass was too strong and impenetrable and Glenn could not help but sigh while watching these dumb critters.
A cracking thunder broke the silence in the warehouse they were hiding in.
"We should abandon our plan", Glenn said, not taking away their eyes from the moths.
Keith scoffed. "Of course you're the first to give up. Can't believe I ever expected anything else."
"I did not say that we should give up."
"Well. Honestly⌠With Mirko dead and Jenny down, I don't really see any other option but giving up", Miranda admitted and took a deep pull of her cigarette.
Glenn could not help but glancing at Jenny who was still unconscious and fully bandaged up. The memory of all they lost tied their stomach in knots.
"The way I see it," they continued, "we are like those moths. We will keep fighting and fighting against a foe that is ridiculously stronger than us. Untouchable. Invincible. Indomitableâ"
"Way of boosting the morale", Miranda grumbled.
"So continuing like this just doesn't make any sense", Glenn said. Let the words settle over the group. Let one more thunder disrupt their thoughts.
"So what are you suggesting then?" Keith asked.
"We need to get a tool that is strong enough to smash the light bulb and then we can fight until death takes either us or them. And I am willing to entertain the thought of us winning, once we created the right circumstances."
"Light bulb", Miranda repeated dryly.
"Well. The light bulb is⌠A rhetorical choice and stands for the power of our enemies. Obviously."
"And the tool?" Keith asked.
Glenn took a deep breath. "We have been fighting as a group, but our magic is individualistic. If we combine our powers, we can make up for those even who left usâ"
"Stop, stop, stop", Miranda interrupted them again. "What you're suggesting is not only dangerous but also forbidden! The power we'd hold would most likely tear us apart and even adding the magic of those who left us⌠Are you suggesting we just add magic even of those unwilling?"
Miranda's eyes were wild, trained on them.
"Jenny can't fight. But she is the strongest among us. We know that merging powers is cumulative. If we as individuals hold a collective power, we'd be unstoppable."
"What you're suggesting makes sense, but it can't be done", Keith said.
"Can't be done or shouldn't be done?" Glenn looked him in the eyes and found only hesitation.
"What about our integrity?" Miranda asked. "Merging other people's powers with ours⌠It's undignified. Jenny couldn't even agree to it. Wouldn't we betray our own ethics? Become just like them and stray from the path?" Miranda started to pace, her cigarette forgotten between her fingers.
"The way I see it, we either hold onto our dignity and lose in this fight, or we sacrifice our integrity, ethics, whatever, and be victorious. And honestly, with our friends dead and dying, I do have a preference."
Flashing lights and a booming thunder later, the group had a new plan. A last resort, perhaps, but who cared as long as they were successful?
this is from the world of the infrequently-mentioned Ambition is a Lonely Tower. Q is one of those characters whose pronouns and identity i have struggled with for a while. i just found out that Q does not use pronouns, which makes a lot of sense in hindsight
cw: reference to animal carcasses/bones/teeth
The caret blinks, a violet eye peering through a slit in the black. Impatient. Expectant. Q blinks back. This was supposed to be normal by now. Instinctual. A thousand excuses at Q's disposal. No transportation; nothing to wear. Prior plans; out of budget. Q's seen them all, read them all. Sitcoms and harlequins, threads and blogs. Saying 'no' without having to actually say it. Telling her that Q can't give her what she wants, without accidentally telling her to leave. It's like she sees right through it, right through Q. Every excuse has a response, every problem a solution. She has a car; she can pick Q up, or they can meet halfway. She needs new clothes, too; they could go thrifting. She can be flexible; when is Q next free? They don't have to spend money; they could have a picnic, or go back to her apartment and have coffee and talk like people, like friends and Q wants it, wants it so badly it hurts, so badly that Q would fly screaming into the blazing heart of her horrid yellow sun just to make it stop. No. This shouldn't be wanted, shouldn't be done. What she's offeringâinteraction, association, connectionâcan only end badly. For Q. For her. The caret blinks. Q taps the edge of the keyboard with one fingertip, the tikka-tik-tak as thin and sharp as bone, as teeth. The ones with teeth are her favorites. The first piece of Qâs pieces that sheâd seen wasnât on Qâs blog, but on a strangerâs Substack. It was one of the early onesâbefore Q had learned to clean them up, before Q had learned that humans sometimes walk around in the woods for fun. Itâd featured a full set of opossum teeth, complete in number if not in type. The scene Q had made in the leaves and stones and twigs had not, of course, been an opossum. But the teethâthe way they studded the muddy sky and fell upon the thin-stretched body Q had patched together from leaves and broken glassâhad struck her. Sheâd never seen a piece of art like that before. Sheâd never seen art that felt lonely. These things don't end well, no. But she's different. She doesn't know that Q's throat and tongue refuse to form English phonemes, no matter how hard they try, but she does know that Q uses a tablet to speak. She knows about Qâs aversion to crowded places, to socialization. Maybe they could go straight to her place, like she suggested. Maybe Q could wear the long, baggy coat Q found in the clothing donation box by the gas station, find a way to cover Q's feet, obscure the shape of Q's legs. Beanies are normal, even if they mash Q's ears flat; masks are normal, even if they don't stay up on Q's nose. Maybe no one would notice. If Q could just move quickly, keep Q's arms tucked in, patagium folded, be smallâ But she would notice. Even if the rest of the world couldn't be bothered to notice Q, she would. She did. And if she sees Qâactually sees? No one's that different. The caret blinks. That familiar electricityâterror, frigid and rawârips down Q's spine. Q could lose her. Lose everything. Or. Or Q could see herâwithout the automatic touch-ups and the cat-ear filters. The woman who feels alone in a crowded room, who always seems to miss the cues everyone else knows by heart. Maybe they could learn the steps togetherâor at least be there to catch the other when they fall. As though Q's ever been able to catch someone. As though Q's ever been the one to protect something, rather than break it. The caret blinks. Q draws in a deep, slow breath, folds Q's wings, angles Q's wrists to the keyboard. This is selfish. Futile. Long overdue. Q begins to type.
@flashfictionfridayofficial prompt - "shouldn't be done"
Darling had planned to simply work outside the Directorâs office for a time. Trench was presently taking an afternoon nap, after which Darling intended to intercept him before he could return to work.
That interception would also be for work, simply of a different kind. Both of them had a great dedication to any and all Bureau business.
But intercepting Trench during the brief, scheduled free period after his nap was safest. Trench dearly loved his routine, and unless circumstances demanded a change, he stuck to that routine rigidly. Interruptions to it often pained him.
Darling had no wish to come between Trench and his evening paperwork. Thus, he would wait for that scheduled break. It was simple enough for him to involve himself in his own paperwork, secure in the knowledge that Trench would emerge from his office precisely on schedule.
However, today the door swung open over twenty minutes early.
Darling startled, nearly dropping his clipboard. Barbara Martin, Trenchâs secretary, did drop the pen sheâd just picked up.
Trench walked out, not wearing his jacket. His hair was somewhat rumpled in the back, and he approached with a somewhat slower stride than usual. âBarbara. Any messages?â
âDirector!â A consummate professional, Barbara quickly composed herself. âNo new messages. I am afraid I do not have your evening paperwork compiled yet, but it will be soon.â
âGreat, thank you.â Trench gave her a small smile, then pulled off his glasses and held them up to the light. He made a small, disapproving sound. He reached for his jacket pocket for a cleaning cloth, apparently realized he wasnât wearing his jacket, and sighed. âI forgot my jacket. Thatâs a violation of the dress code.â
âI hardly think anyone is going to object to the Director briefly stepping out of his office without a jacket,â Darling said brightly, hopping up. âWhat are you doing?â
Trench blinked slowly at him, still holding his glasses in one hand. âDarling. Iâm sorry. I didnât see you.â
âUnderstandable, given that youâre not wearing your glasses.â Immediately, Darling had to hold up a hand to counter the argument that he could see brewing on Trenchâs face. âI know, I know. You were wearing them when you first came out. I was joking.â
âOh.â Trench just stood there for a moment. He was certainly not functioning at optimum capacity. âYes. You were. And I presume you were waiting for me. Would you like to come with me while I retrieve my jacket?â
âCertainly.â Darling fell in step beside him. âI thought you would be taking your afternoon nap.â
âI was.â
Darling raised his hand and tapped his watch. âItâs early. You shouldnât be done.â
âMm.â After stepping into his office, Trench laid his glasses on a shelf. He took his jacket from the coat stand and slowly pulled it on. âI did lie down. I slept.â
âBut hardly for your usual length of time.â
Trench shrugged. âI had nightmares. Going back to sleep didnât sound appealing. So I decided to get up.â
That was extremely unusual, which certainly said something about the severity of the nightmares. However, instead of raising that point, Darling simply handed Trenchâs glasses back to him to clean. âWell, I was in fact waiting for you, so perhaps youâd care to accompany me to my lab?â
Movements still sluggish, Trench took out a cloth and cleaned his glasses. Despite the sluggishness, his eyes had brightened by the time he put his glasses back on. âFor what?â
âA private presentation of my latest invention. Further development of containment techniques.â Darling caught Trench by both hands, drawing him closer. âYou know just how much I love giving you private presentations, Director. Especially when you, um. Reward me for my hard work after.â
Trench chuckled, which was not something he did often. âWell. We do have extra time before I need to do my evening paperwork.â
He leaned in, giving Darling a sweet, gentle kiss. Darling closed his eyes and leaned him, head tilted at an angle which would avoid their glasses becoming entangled.
It was always alarming when Trench deviated from his routine, even for understandable reasons. As Trench was awake early, however, Darling would ensure that they both enjoyed the additional free time.
written for Flash Fiction Friday Prompt #362, event hosted by @flashfictionfridayofficial
Story: Original Work (Ao3 Link)
Content warning: Reference to gore
Rating: Teen and up
Word count: 961
Just Talk
Weâre just performers, thought Crow. Why do we need military training? Weapons to them were only meant to be stage props, were they not?What was Isen thinking?
The young man was seated at the center of the stage, on a makeshift throne decorated with snakeskin cloth and animal skulls. There was also a human skull on the floor beside his dark boots. How he came by it, Crow wasnât quite sure. Like himself, the young man was dressed all in black. His coat front was sparsely covered with decorative badges. His long sleeves were shredded at the cuffs, and his pants ripped in some places, not due to wear, but in a manner of style. He wore a leather belt set with jagged spikes, and a necklace with a little silver skull hanging from it. His hair was long, sweeping past his slim shoulders; it kept falling forward in front of his eyes, obscuring his pale face, which made it difficult to tell his mood by his countenance, as any expression he made was largely hidden behind the black curtain. Â
As he looked around the theatre, Crow could see the lineup of people stretching to the back of the room. There werenât that many, but it was nonetheless a sizeable group.
Earlier that month, he had been out on the town putting out notices and posters, which Isen had filled with words and phrases targeted at attracting a certain kind of individual. They were largely designed by hand, with the help of a few friends, and were decorated with ghoulish images of ghosts and skeletons, dismembered limbs, and other dreary things which were sure to offend the delicate sensibilities of their wider community. Crow had even gone so far as to put some of them up on the outer walls of some temples, uncomfortably aware that this was a thing many people would consider to be crossing a line.
Glancing around at the people assembled there that day, he could see that their campaigning had succeeded in bringing together misfits and rebels of all kinds. The question was, which of them were suitable to join their band?
He glanced over at Isen, watching him assessing them, with his elbows propped on the arm rests, hands on his chin, head in an alert position, and eyes likely staring intensely at each applicant in turn, sizing them up, assessing their worthiness.
One man had come forward, dressed in a mossy-green cloak clasped by a crimson flower brooch, his gristly brown hair flowing down over his wide shoulders. He stood confidently before the macabre throne, looking upwards as his host examined him.
âYouâve told me what you can bring to the stage,â said Isen, âNow tell me, how would you define the traits of knighthood? What kind of knight would you be?â
The others stood far enough away that they were not able to eavesdrop. Only Crow was close enough in proximity to hear the conversation.
The man in the green coat cleared his throat and spoke, in a smooth, confident tone.
âThe traits of knighthood are high valor, and the desire to do good for the people. As a knight, I would provide a light in the darkness, and be a savior to those who are powerless. I would fight against evil, and live my life in accordance with the will of the gods⌠I wouldââ
âThat enough,â Isen interrupted. He tossed his hair out of the way, and Crow could see one side of his smiling face, as he shook his head. âI believe you misunderstood our appeal. Did you think we were recruiting for the kingâs guard? Over here, weâre more likely to serve the devil than to serve god. Actually, we donât serve anyone, but we do the devilâs work nonetheless. In our band, the mask you wear on stage cannot be vastly different from who you are at heart.â
He scoffed, ignoring the other manâs incredulous face drop, and waved his hand before him. âDismissed.â
Crow couldnât help but wonder too, as the man finally got the message and walked off towards an exit, his gait dazed and bewildered.
Why was he asking about knighthood, and weapons? Crow himself loved to collect them as much as any of the other boys, but they were performers, not warriors. The weapons they kept were more for show and decoration, and were sometimes used as stage props, not meant for actual combat.
This was not what Crow had expected when he helped him set up an audience chamber. They were looking for a new lineup for a theatre act. Since when did it begin proceeding like a call to arms?
It was one thing to boast of breaking boundaries. It helped the image, gave them character, and that was vital to stand out among other, similar acts. But there were times such as this that Crow wasnât sure if it was all just talk.
If his friend wanted to make it real, it meant crossing a line, using their magic in a way that would go far beyond enticing and repelling the sheep of the world through an infernal illusion.
One time, another friend had asked Isen if he was looking to make an army, or a troupe of traveling entertainers. And Isen had replied, with a curious smile, âWhy not a little bit of both?â
Watching him and listening to him make one rejection after another with casual confidence, one could not help but wonder whether one was worthy enough to be accepted, and if so, how on earth had he, Crow, passed that assessment which others could not seem to comprehend? Had standards remained unchanged since their beginning, or was Isen looking for something even darker this time? Â
Written for this weekâs @flashfictionfridayofficial theme, âShouldn't Be Doneâ!
Fiction type: Original story (inspired by the fairy tale of Snow White)
Word count: 999
cw: body image, mental health, self-harm, self-mutilation, attempted suicide
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The apple is plump and round, perfectly ripe with just a brush of yellow across the shiny red skin. There's not a bruise on it, and it was clearly polished with care before being brought here. It will be delicious, undoubtedly â crisp and honey-sweet, just as its breed suggests.
Even so, the lady's frown creeps down like frost on the first day of winter.
"Another apple. Really?"
She's starting to think the prince liked her better when she was asleep â perfectly still, perfectly beautiful.
Then again, she has to admit, she's not thrilled with him these days either. She liked him better before he was a King. Back then, he was her prince â her savior, whisking her out of the forest, his back steady and strong atop his horse as he carried her to a safety she hadn't known in ages.
But she is not a glass-cased corpse, and he is not a hero. He is just her husband. She is just his wife.
And she does not want any more apples, poisonous or otherwise.
She wants cakes, and dancing, and the forest floor beneath her feet. All the things that shouldn't be done, now that she is a Queen.
She tucks the fruit into a pouch to feed to her horse later, and turns back to her mirror.
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"Snow White is the fairest of them all."
If she had known the true reason behind all her troubles, she would have smeared her face with dirt until the mirror changed its mind. She would have happily made herself ugly if she could have continued her life as it had been, carefree and sweet.
She remembers a time when she was sweet. A naive and cheerful girl who sang with the birds and danced with the dwarves. A girl who didn't fear fruits or family. A girl who just...lived.
What's so good about being beautiful, anyway?
She turns her face left and right in the mirror, tracing the lines of her cheekbones, her lips, her nose, and tries to imagine them differently. She distorts herself, sucking in her cheeks, puffing them out, pushing her features this way and that like a child making faces. This way, she is a pig. That way, a horse. Another twist of her lips, and she is a duck, a chicken, a swan.
But when she stops, it's still her: the same face she's always had. A face beautiful enough to drive a stepmother to murder. A face that trapped her under a glass coffin first, a gold crown now, and she's not sure how much difference there is between the two.
Is it her fault? Has it always been her fault?
"Mirror, mirror, on the wall," she murmurs. Irony burns sore in her throat like an illness â or is that just the lingering shape of the apple that was caught there for so long? The pain of it has never fully faded.
The mirror in her room is not the same as the one her stepmother once spoke to each day, but she doesn't need a magic glass to hear its awful, impermeable truth.
"Snow White is the fairest of them all."
She slams her hand against the frame in frustration. It cuts her fingers to pick up the shards, then cuts her cheeks as she presses them to her face, but she doesn't care. A few thin lines of blood are little price to pay against all her apparent beauty has already cost her.
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When the King comes to understand why their mirror has shattered to pieces all over their chambers, he goes silent, then has her imprisoned in a room far up in the north end of the castle â his beloved princess, locked in a tower.
He's not a monster, of course. This is his wife, and he wants his lovely bride to still be comfortable. He's just worried about her, he insists, brushing the pads of his thumbs sadly over the cuts on her face.
There is a soft bed, a grand piano, two chaises longues to recline against in case she feels faint. Nothing sharp, no needlework or knitting, but he lets her have some paints, oils and watercolors and delicate canvas. A few things she inherited from home, too â her mother's jewels, her father's books. Some of her stepmother's things as well, though she's never been brave enough to look. She still remembers the taste of poison, and shudders.
And a hand mirror, because lovely ladies still ought to be able to preen themselves, even in captivity. She won't, though.
Restlessness is gnawing at her from inside her bones. Her teeth are gnawing too, gnashing at her cheek as she paces back and forth across the short length of the room. She tries to busy herself with the quaint hobbies she's been left with, but honestly, these activities are too idle.
She tries more than once to choke herself on the jewels. It never works. Her body has known this feeling of unwelcome dangers in her throat, and it won't accept them again.
After a while, there is nothing else to do. She sits with her stepmother's things, and begins to look through.
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The castle is far behind the fair maiden now. She worries that they will be after her to bring her back any day now â but does it matter? They won't recognize her anymore anyway.
She licks the side of her lips, reveling in the bumpy edges of her skin against her tongue with satisfaction. Her face is wrinkled and spotted, but she lets the hood fall freely around her shoulders. The worse she looks, the better.
Her stepmother never understood the treasure she'd had all along. The spell to turn her to a hag was the best thing she'd ever done, if only the woman had been able to stop competing with a child long enough to realize.
Snow White realizes. She doesn't need to be beautiful. She is something better now. She is free.
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The turbo toxic yuri grew a plot and I like them being worse(?). Thanks to @flashfictionfridayofficial and @firawren for the opportunity to let them cause each other problems!
[Image ID: white text reading â# FFF362 Shouldnât Be Doneâ on a background of different shades of red.
End ID]
you know i deserve it, well, take it out on me
word count: 666 (ha)
Content Warnings: power imbalances but on multiple fronts, briefly mentioned corpses, implied murder, implied war crimes of attacking civilians, referenced eugenics, briefly referenced torture
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âYouâre very difficult,â the RenaskiÄi per fajro tells her with a smile, sorting through the scorched remains of a bedroomâs closet for impractical clothes, ones too large and fine to be repurposed after the war.
Vian doesnât know how these survived, only just hidden behind a single hidden door. Theyâd torn through the mekanismo kvinoblaâs belongings, untrained soldiers charging into the cityâs highest towers, burning and breaking anything theyâd come across. They, her and the RenaskiÄi per fajro, saw bones on the stairs as they climbed those steps today, broken and scorched as the walls. Maybe it was the work of the last devotees while the mekanismo kvinoblaâs power, and bodies, were crushed or the RenaskiÄi per fajro herself might have known what would happen, that something would happen, herself something between a god and a machine (âTheos ek mÄkhanÄs,â a god who was a girl once told Vian, whispered like a secret from a dead world) and more than both of them.
The RenaskiÄi per fajro cheers when she pulls a dress made for a body not exactly human free from the ash and rubble. More than human, some would say. Vian would not as the RenaskiÄi per fajro beckons her over in the sunlight streaming through shattered windows, a lead manacle around her remaining wrist.
âHelp me,â orders a woman who was content to let their city die out over a few generations. Who burnt Vianâs eye out, watching satisfied as her mind boiled Vianâs skin. A woman, god, machine, tyrant that Vian is going to let loose again in all her power. Once the RenaskiÄi per fajro is dressed.
Vian could refuse. Their bargain was Neferu pretending at being part fivefold mechanism again, nothing else in exchange for slowing the cityâsâŚdecay. For everything the RenaskiÄi per fajro is capable of and ended up necessary for, these clothes are complex things, made with a chorus of attendants in mind to gild the living pieces of the cityâs living, multipart machine. And the RenaskiÄi per fajro is no longer something to worship. Vian broke the five-part mechanism until only one damaged piece remains, begging her to help it dress itself out of gray prison clothes.
The RenaskiÄi per fajro laughs at her of course, with a voice bred to command armies, when Vian doesnât move. âYou wonât help me, little general?â
The RenaskiÄi per fajroâs eyes travel down to the gun at Vianâs hipâthe RenaskiÄi per fajroâs once, a piece of history for a shelfâwaiting to see if sheâll reach for it. To see if Vian is strong enough to kill her and weak enough to try. Thereâs a light in those eyes, like that pyrokenetic energy Neferu loved, and a hungry smile on her face. The fivefold mechanism was always hungry, bodies burning through energy to match their minds and every part of the city their minds commanded.
Vian reaches forward, lifting one of the dressâs sleeves from a distance. It shakes, she wasnât made for telekinesis, but holds well enough. She bows into a sweeping curtsy, her remaining eye meeting Neferuâs.
âYour dress, unua menso.â
The RenaskiÄi per fajro is hungry and as Vian straightens she thinks the RenaskiÄi per fajro will have to learn to fucking starve.
Neferu huffs and laughs again, climbing inside the dressâs layers, her one hand flying to finish its ties herself. âDifficult. But I absolve you.â
The RenaskiÄi per fajro sets the last pins of a dress that sweeps the floor, ash pulling itself away from her steps until she stands in front of Vian, almost who she was when she stood over Vian like a god and took her away. She raises that same hand to cradle the blind side of Vianâs face, dragging a nail around the edge of Vianâs eye. Vian refuses to so much as blink.
âNow that Iâm presentable,â says the RenaskiÄi per fajro, the ground rolling under their feet as the city wakes, âletâs go see what harm youâve done.â
A Beauty and the Beast 1991 ficlet written for @flashfictionfridayofficial. I know this is being posted a bit too late to qualify for the event, but since it is my own prompt this week, I felt like I still should post this.
Fandom: Disney Beauty and the Beast 1991
Relationship: none
Rating: General
Tags: Canon Compliant, Mid-Canon, Curiosity, Fear, Mild Angst, Answering the question of what is going through Belle's mind when she enters the west wing
Word Count: 441
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It is only when Belle is reaching her hands up to the ornate, beast-faced gold door handles to the west wing that she hesitates.
She draws her hands back and turns her face away from the too-familiar handles as apprehension shivers through her.
"It's forbidden!" she remembers him barking at her, his thick brows drawn down fiercely and lips peeling back into a snarl very like the expression on these very door handles.
It had frightened her into silence then, and a twinge of fear resurfaces now that she's confronted with a reminder of his monstrous face and his order. She knows the wise thing to do would be to follow that order. She shouldn't anger such a ferocious beast. He is capable of doing anything to her that he wishes.
Belle blinks slowly as she casts her eyes to the floor and considers this. Is he actually capable of that? Earlier, she had angered him greatly when she refused to dine with him, and even though he had pounded on the door to her room and roared at her so savagely it made the hair on her arms stand up, he hadn't come through that door. He could have, easily. But he chose not to.
The fear dissolves away. He won't hurt her even if he catches her, which he probably won't, and she doesn't care about following his orders anyway. Why should she? She owes him nothing. She agreed to stay, not to obey.
This terrible beast stole her life from her. The least she can do is get what enjoyment she can out of his fantastical home, and that means discovering everything there is to know about this enchanted palace, including what is in the west wing that he is so determined to keep hidden.
Yes, perhaps it is foolish to barge in alone. She could fall under some sort of enchantment herself, simply by entering. There's no telling what she will find and what it will do. She really shouldn't do this. She knows this.
But Belle's insatiable curiosity billows up to push itself to the forefront of her mind. She wants to know what is in there.
And, perhaps, she wants to spite that awful beast just a bit as well. To show him that he hasn't taken everything away from her. She can still make her own choices. At least in that, she can still be free.
Resolve blooms inside her chest and hardens her expression as she turns her face back to the door, takes a deep breath, and pulls open one of the heavy doors to whatever mysteries lay in the dimness beyond.
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View the gifs of this actual moment from the movie here