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Sarah is hot, and tired, and thirsty. Sadly, the only thing in her purse is a dead cellphone, a pack of Purra Meowa Gum, a nail file, some old crumpled receipts, and her wallet.
Kit's is as boring as it is predictable. That's right- knives! Lots of knives! So many that you wonder how on Earth they all fit.
He also carries a roll of bandage, a Sharpie, a slightly-smaller-than-standard tarot deck, his phone and thirty-odd quid in cash. If you really dig, you might find a Ziploc bag containing some truly gross-looking homemade trail mix, which has probably been sat there for years in case he gets stuck someplace.
Choosing to charitably interpret this one so that I don't have to draw.
I cannot draw.
The, ah, metaphysical map that guides Kit from place to place is his psychic powers. He gets a bit of a steer on whether or not things are good ideas via his tarot deck, which rarely fucks him over but also has an interesting interpretation of 'good idea'.
Sometimes he also ignores the cards.
His visions are less 'road map he pulls over occasionally to consult' and more 'sat-nav which screams about turns that, as far as Kit can tell, do not exist, gives him directions in anything but chronological order, and sometimes just screeches incoherently before refusing to speak at all for several hours'.
All this to say, his path is never straight and so rarely smooth.
Alright, we're all going to have to walk. No phones. No directions. Just endless roads. Your characters probably travel to a few different places, right?
Reblog this story and share a little bit about one of the locations in your current wip!
This can be somewhere the characters go, where they're trying to get, a forest, a mountain, a town or village, a favorite coffee shop or an altar! Any kind of location will do!
Share an excerpt, chat about it, or even drop a moodboard!
Kit and Georgie's favourite place (and, later, Alex's) is their flat in the city. It's more of a vampire-hunting bungalow situation, really, 'flat' is generous.
The first room you'll encounter, coming through the front door, is sort of multi-purpose. First and foremost, it houses Georgie's computer setup, which is in some state of powered-up twenty-four seven. There's enough space to sit (on the floor, obviously), and a couple of cluttery bits strewn around the room. It has the entrance to the small kitchen on the left, and the entrance to the main training room in the middle.
The training room is the heart of the home. Georgie's and Kit's bedrooms, plus the armoury and the bathroom branch off this room. The floor is mostly padded, and full floor-to-ceiling with weapons (they have some great custom storage solutions). Kit, especially, spends a lot of time in there.
Kit's bedroom is mostly functional and sort of Spartan. The top drawer of his bedside table contains only knives, for God's sake. It's got his bed, his wardrobe, and his favourite weapons. He reads tarot on the bed, because why buy a table?
Georgie's room is equally bare, because they pretty much just use it for sleeping. If they don't fall asleep in front of their computer. It's basically just a waystation to get changed, medicate, and take naps as necessary.
When Alex arrives, he makes the place much more his own :)
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Stopping by and returning a Summerfest ask. Hope you are having a wonderful day / night.
What is the specific moment, or breaking point, where Kit realizes Alex is actually indispensable to him, no matter how much he originally resisted taking on an apprentice?
Happy Summerfest!
There are lots of reasons why it was practical for Kit to take on an apprentice, and why it should be Alex. Georgie walks him through those fairly early on and, though he protests, he gets it. But, while he trains Alex and does all of the things he's supposed to do, he's still not sold on the idea. He still thinks he can save the world on his own, and would rather protect Alex from what could happen to him in the field (despite taking the dangers and realities of the job extremely seriously during his training).
True to form, the moment at which Alex becomes indispensable to him is when Kit himself is injured and unable to carry out his duties. Unbeknownst to him, Georgie authorises Alex's first 'solo' hunt during this period (with Georgie not physically present but, of course, only a phone call away). When Kit finds out, he's angry, but also... relieved? It's a real watershed moment for him having to let go of the reins a little and treat Alex as a capable fighter in his own right, even if it'll take him a long time to reach Kit's exact skill level and understanding of the profession's intricacies.
The fact is, Kit and Georgie are terribly overstretched. Georgie could go out into the field if needed, but Kit would rather limp himself out there, injury and all, than permit them to place themselves at risk without at least having Kit as backup.
Of course, that's not the only reason he needs Alex. But he doesn't like to think about the others.
Oh, Kit's classic "I will literally crawl into the field with a broken leg before letting either of you take a hit" complex is so painfully good. I love that little detail.
There is such a fantastic tension in that moment. Georgie secretly pulling the trigger on Alex’s first solo hunt while Kit is benched is such a brilliant move, since it forces Kit into a corner where he has to witness Alex’s capability without his own overprotective instinct sabotaging the lesson.
That mix of anger and quiet, terrifying relief when he realizes Alex actually pulled it off? Wonderful character work.
Kit leaning on practical logistics and overstretched workloads because it’s so much safer than admitting the emotional weight of what Alex actually means to him is the exact kind of delicious psychological avoidance I love to see.
Happy Summerfest! This trio's dynamic is fantastic.
Kit's especially protective of Georgie because of their disability and how an injury that would be frustrating but ultimately mostly fine could really tank their ability to do much of anything for a while... but he'd also put his arms around the whole world and protect it from harm if he could. Georgie lets him have his instinct to shield, because it's easier to let the dog guard a toy or two than to wrangle him as he attempts to control every single sock and cup and piece of stray thread in the house.
Georgie's not looking for a fight by sending Alex out, but they are pragmatic. He's objectively a perfectly fine choice. And if Kit ends up slackening his death-grip on Alex's collar as a result, all to the good.
I'm glad you like the dynamic! I promise they're not always this intense. Sometimes, they eat chips and snuggle.
Fantasy Worlds Collide sounds like such an interesting project! What inspired you to tie multiple worlds and stories together like that? How do you keep them all straight in your mind?
Hi! Thank you so much for dropping by for Writeblr Summerfest! I'm always thrilled to talk about Fantasy Worlds Collide, especially since its journey has been such a massive part of my creative life for nearly three decades.
To answer your first question about inspiration. The decision to tie multiple worlds together wasn't actually part of the original grand master plan. It happened organically as a reflection of my own evolution as a writer, a researcher, and a person.
The project originally began as a single, quiet, focused story: a straightforward Final Fantasy VII fanfiction centered on an original human Shinra scientist named Bianca Moore. At the time, there were no cosmic dimensions, no complex pantheons, and no multiversal hierarchies. It was simply a ground-level human lens witnessing Sephiroth’s descent into madness and tragic fall.
Over the years, my creative goals shifted. I entered a commercial phase where I set out to write original fiction for self-publishing. During that time, I branched off into high-stakes urban fantasy and paranormal romance. I spent years immersing myself in deep theological research, classical mythologies, Dante's Inferno, and intricate angelic and demonic lore. This period expanded my roster of characters—like Kayla—and fundamentally reshaped how I viewed Bianca's thematic arc.
The real magic happened at a pivotal turning point I lovingly call "The Great Smoosh." Following a critical medical mandate to completely eliminate publishing stress (and all stress, really), I decided to step away from commercial writing entirely. But I was left with a massive treasury of original worldbuilding, character arcs, and theological research that I refused to just throw away. So, I took a bold leap I consolidated all those distinct original branches, research files, and canon fanfiction elements into one unified, stress-free creative project.
I named that project Fantasy Worlds Collide. Today, it has grown into an Apocalyptic Mythpunk saga that weaves together Biopunk Science Fantasy, Dark Fantasy, Urban Horror, and Cosmic Epic Fantasy. Bianca herself has transformed from a mere background bystander into a villainous protagonist navigating divine rebellions, time-space manipulation, and apocalyptic tragedy on her own terms. It’s a project where every story I've ever loved telling gets to exist in the same intricate universe.
As for your second question, the honest answer is: Scrivener, relentless organization, and absolute respect for physical archives.
Fantasy Worlds Collide currently sits at over 500,000 words in a single, heavily structured Scrivener project. I lean extremely hard on Scrivener’s nesting folders, custom metadata, and color-coded character profiles. I have dedicated sections just for timeline tracking, world lore, biological and divine rules, and character development. If I didn't have a digital workspace that allowed me to collapse complex sub-plots into neat outlines, I genuinely think I’d lose my mind.
Outside of the digital space, the project's history is anchored in physical reality. I have literal boxes of notebooks, binders, handwritten timeline charts, and character sketches stored in our family's storage locker from the early years of development. When working on a project for all those years, those physical notebooks, etc, act as an essential compass whenever I need to trace a concept back to its roots.
From a worldbuilding perspective, I keep the narrative coherent by establishing strict "rules of engagement" for how these different genres and realms interact. Because the saga is rooted in mythpunk, the underlying laws of metaphysics, divine hierarchy, and cosmic consequence bind all the disparate elements together. No matter how wild the science fantasy or cosmic horror gets, everything adheres to the core thematic spine of the world.
Thanks for asking and stopping by for Summerfest. Hope you have lots of fun with it this year and can't wait to catch more of your own entries for it.
It's so interesting when a project takes a different form than you originally intended through its own organic growth. Always feels like it's fledging and taking on a life of its own :)
Sorry to hear about whatever happened that made you have to eliminate stress from your life, but also happy to hear it brought you a project that you love. 'Through adversity and with great love' has always struck me as an excellent way to write, despite the... well, the adversity.
I wish I could be half as organised as this! I regularly have to consult my own written canon when asked questions about it (using the age-old ctrl-f in the draft document itself, not through any organised system of notes), because I am just such a scatterbrained writer. Your Scrivener lore vault sounds awesome, alongside, of course, the real-life lore vault/storage unit situation.
You're welcome. I tend to get a little long winded when it comes to FWC since it's so old. lol And thank you for such a kind and thoughtful response.
That phrase, "Through adversity and with great love," honestly hits the nail right on the head. Pivoting away from commercial pressure was the best thing I ever did for my writing. It completely brought the joy back into the process for me, too.
And please don't feel bad about the Ctrl+F method! Truthfully, before Scrivener forced me into standardizing my madness, Ctrl+F in a 200-page document was my primary research tool.
We’ve all been in the trenches squinting at a search bar trying to remember what color we said an obscure side character's eyes were three chapters ago. Whatever keeps the creative momentum going is a valid system in my book.
Thanks again for stopping by and taking the time to chat. I'm really looking forward to checking out more of your Summerfest entries as the event goes on. Happy writing!
I think if we can do one more big push today, we might be able to get past the bend in this road by the morning. What do you guys think, do we have that in us?
Well, we're sure going to try!
Okay. Take a deep breath. Reblog this post and share your goal for Summerfest. Are you looking to find new writeblrs to follow? Make friends? Have an excuse to share more about your own characters and world? Is this a writing practice for you? Are you here to find the minkies or get one of our other cool upcoming prizes?
Are you worldbuilding? Developing a story? Trying to edit or getting ready to publish? Looking to do something other than writing, like the moodboards or the games?
Is this your first time here? Your fourth? Your fifth?
If we all reblog this post with some answers, I'm sure we'll be able to find the energy to push this smoking car around the final bend!
This is my first time here! I've done some smaller/shorter events before (like Writeblr Live, which is great fun and great chaos, but very handleable due to being a single evening each month; and Flash Fiction Friday as well as some weekly ask events like STS/WBW), but never anything this long and involved. My plan is to try and do every single prompt, but I'll try to forgive myself if I can't.
My general goal is to hopefully make some more Writeblr friends to add to my pantheon, and also just to develop my public-facing writer skills, such as summarising, a little bit of marketing (basically just actually talking about the bits of my work that people might like), and overall being more confident.
Has everyone been properly invited to this trip? If we're going to make it to our destination, we'll need a lot of people helping out!
Reblog this post and tag someone you think might enjoy the Writeblr Summerfest...but even more importantly, reblog this post and tell everyone else why you love that tagged person's writing so much!
I have a few friends who like to event, but they're all already doing Summerfest! Foiled again!
But someone who I think would get a kick out of some of the prompts, and who I don't believe is currently here (even if they don't have the energy for this at the moment and I totally understand why) is @dyrewrites. Dyre loves a slightly ambiguous and unsettling piece of work as much as the next guy (especially if that next guy is me), and writes them so well. Her horror podcast is a particularly delicious listen; would recommend if you want a speedy masterclass in how to handle tension and satisfying spooks. I particularly love the impact of Dyre's writing, it's rhythm, and her ability to handle endings.
A strange storm just appeared overhead while your characters are traveling from one place to another. What sort of storm is it, how does it affect their journey, and what kind of a response do they have?
Try to hit at least 300 words when you reply! Let everyone have a glimpse into this world via a short little story and stretch those writing muscles!
Alex notices it before I do. Despite the steady pattern of rain already humming against the car roof, he's still got his elbow dangled out the window, but now he hauls it in with a click of the tongue. While he winds the window back up, I take a glance at the sky out of my side.
'They're fucking with us again,' he says grimly, brushing raindrops off his wrist like they might be poisoned. For all we know, they could be.
'Maybe we should stop.'
'Maybe that's what they want.'
I reach across and turn the radio off, since it's begun to burble with a peculiar spitting static. In the resulting hush, the rain and the drone of the coming storm seem all the louder.
'You're looking for a fight today, aren't you?'
I palm a blade from the pocket of my jeans, flipping it between my fingers, because it's not like I'm not on edge, just as much as him. I'd call Georgie for advice if I didn't know without even pulling out my mobile that I won't have so much as a bar of signal- and if we'd told them more than the bare bones about our magical predicament.
The sky's swirling silver now- not grey, silver, with a metallic sheen like stippled steel or fish-scales. Even the raindrops seem to reverberate and glitter threateningly. I half-expect them to gather into mist and swallow up the car.
Alex's jaw is as taut as a bowstring. I've stopped playing with my knife, and started holding it ready to throw at the slightest provocation. He's still showing no signs of pulling over, but I wouldn't put it past them to force the issue.
The tarmac itself seems to tremor, to bubble like someone's boiling coffee beneath the surface. The storm's turned so seismic that the trees at the side of the road are beginning to slough into many-faceted nothingness. I spare a thought for any deer lingering too close to the crash barrier, then turn my mind back to the radio.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This color just won't go away. Everything is so odd. Sarah keeps blinking and rubbing at her eyes, but it doesn't make any difference. The blue-grey stays, seeping into everything.
What does your world look like in this strange stormy shade?
Make a moodboard for your wip themed around this color!
PS. Don't forget to tag this blog so we can see it!
Something strange is happening. All this blue light that's in the air...it's covering everything, making it look otherworldly. Is it a storm sweeping in? Magic? A portal? Wow. It could be anything!
How is your adventure going?
Reblog this post and tell us about the strangest thing your main character has ever encountered!
Hi, happy summer fest! Got some snacks in the van's cooler if you want! ^w^
How did Kit get into vampire hunting?
Happy Summerfest!
I'm always up for snacks! I've got pink lemonade to share in return, if you'd like. Just say the word.
Kit got into vampire-hunting by default. It's rather a family affair. His mother single-handedly manages a sprawling clan of Robins children, training and teaching them all until they're old and strong enough to go out on missions on her behalf. And the lady runs a tight bloody ship.
He wasn't technically born for the hunting part, though. Of course, he was expected to be just as physically capable as his siblings, but his mother values his psychic gifts far more. These were expected to be his primary contribution to the family. He decided differently.
He has his own vampire-hunting business now, with his sibling, Georgie. They both left the family home to set up shop elsewhere. They do the standard mix of eponymous vampire murder, with werewolf diplomacy and other magical affairs on the side. It works, even if they might have bitten off more than they can chew.
Stopping by and returning a Summerfest ask. Hope you are having a wonderful day / night.
What is the specific moment, or breaking point, where Kit realizes Alex is actually indispensable to him, no matter how much he originally resisted taking on an apprentice?
Happy Summerfest!
There are lots of reasons why it was practical for Kit to take on an apprentice, and why it should be Alex. Georgie walks him through those fairly early on and, though he protests, he gets it. But, while he trains Alex and does all of the things he's supposed to do, he's still not sold on the idea. He still thinks he can save the world on his own, and would rather protect Alex from what could happen to him in the field (despite taking the dangers and realities of the job extremely seriously during his training).
True to form, the moment at which Alex becomes indispensable to him is when Kit himself is injured and unable to carry out his duties. Unbeknownst to him, Georgie authorises Alex's first 'solo' hunt during this period (with Georgie not physically present but, of course, only a phone call away). When Kit finds out, he's angry, but also... relieved? It's a real watershed moment for him having to let go of the reins a little and treat Alex as a capable fighter in his own right, even if it'll take him a long time to reach Kit's exact skill level and understanding of the profession's intricacies.
The fact is, Kit and Georgie are terribly overstretched. Georgie could go out into the field if needed, but Kit would rather limp himself out there, injury and all, than permit them to place themselves at risk without at least having Kit as backup.
Of course, that's not the only reason he needs Alex. But he doesn't like to think about the others.
I saw you have a sibling duo, that's pretty cool. What kind of relationships does your story focus on?
Hey! Here from Summerfest, I take it?
I do indeed have a sibling duo- Kit and Georgie. They're hard at work establishing their own vampire-hunting business as an estranged offshoot of their family's. They are just two of the many Robins siblings, and their original bond comes mostly from being the only two both willing and able to leave.
They bond more over time, and are very close at the start of What Was Borrowed, might I add. Family expectations and the expected plans for each of their lives weigh heavy on them both.
The relationship between Kit and his family, specifically his mother, features greatly in What Was Borrowed despite his mother never appearing on-page outside of dreams and flashbacks. I mentioned that Kit is a trans man in another post- this is an important part of the picture, since he was essentially conceived in the hopes of becoming a much more skilled seer than his mother ever was. This was successful, leading to her essentially seeing Kit as an extension of herself. To an extent, she views all of her children this way, but their relationship was particularly intense.
She would never have accepted his transition, nor the way he now favours his physical fighting skills over trying to intentionally trigger his psychic abilities at all. His life now is an entire defiance of her expectations, whether he'd admit it or not.
The other key relationship in the book is between Kit and Alex, a complete outsider to the lifestyle who is slowly brought into the fold. Alex, despite being lovely and unique in his own special way, had an inordinately more normal upbringing than Kit could ever have hoped for. He sees no issue with being forthright with his feelings, entirely ignores the game of obscure, emotional 4D chess Kit thinks they're playing, and is also somehow more argumentative and defiant than any of Kit's siblings. The best way to describe it is that he's a lot to handle, but Kit likes it.
(He'd say he doesn't. I'd posit that he could very easily get rid of Alex if he wanted to)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Fantasy Worlds Collide sounds like such an interesting project! What inspired you to tie multiple worlds and stories together like that? How do you keep them all straight in your mind?
Hi! Thank you so much for dropping by for Writeblr Summerfest! I'm always thrilled to talk about Fantasy Worlds Collide, especially since its journey has been such a massive part of my creative life for nearly three decades.
To answer your first question about inspiration. The decision to tie multiple worlds together wasn't actually part of the original grand master plan. It happened organically as a reflection of my own evolution as a writer, a researcher, and a person.
The project originally began as a single, quiet, focused story: a straightforward Final Fantasy VII fanfiction centered on an original human Shinra scientist named Bianca Moore. At the time, there were no cosmic dimensions, no complex pantheons, and no multiversal hierarchies. It was simply a ground-level human lens witnessing Sephiroth’s descent into madness and tragic fall.
Over the years, my creative goals shifted. I entered a commercial phase where I set out to write original fiction for self-publishing. During that time, I branched off into high-stakes urban fantasy and paranormal romance. I spent years immersing myself in deep theological research, classical mythologies, Dante's Inferno, and intricate angelic and demonic lore. This period expanded my roster of characters—like Kayla—and fundamentally reshaped how I viewed Bianca's thematic arc.
The real magic happened at a pivotal turning point I lovingly call "The Great Smoosh." Following a critical medical mandate to completely eliminate publishing stress (and all stress, really), I decided to step away from commercial writing entirely. But I was left with a massive treasury of original worldbuilding, character arcs, and theological research that I refused to just throw away. So, I took a bold leap I consolidated all those distinct original branches, research files, and canon fanfiction elements into one unified, stress-free creative project.
I named that project Fantasy Worlds Collide. Today, it has grown into an Apocalyptic Mythpunk saga that weaves together Biopunk Science Fantasy, Dark Fantasy, Urban Horror, and Cosmic Epic Fantasy. Bianca herself has transformed from a mere background bystander into a villainous protagonist navigating divine rebellions, time-space manipulation, and apocalyptic tragedy on her own terms. It’s a project where every story I've ever loved telling gets to exist in the same intricate universe.
As for your second question, the honest answer is: Scrivener, relentless organization, and absolute respect for physical archives.
Fantasy Worlds Collide currently sits at over 500,000 words in a single, heavily structured Scrivener project. I lean extremely hard on Scrivener’s nesting folders, custom metadata, and color-coded character profiles. I have dedicated sections just for timeline tracking, world lore, biological and divine rules, and character development. If I didn't have a digital workspace that allowed me to collapse complex sub-plots into neat outlines, I genuinely think I’d lose my mind.
Outside of the digital space, the project's history is anchored in physical reality. I have literal boxes of notebooks, binders, handwritten timeline charts, and character sketches stored in our family's storage locker from the early years of development. When working on a project for all those years, those physical notebooks, etc, act as an essential compass whenever I need to trace a concept back to its roots.
From a worldbuilding perspective, I keep the narrative coherent by establishing strict "rules of engagement" for how these different genres and realms interact. Because the saga is rooted in mythpunk, the underlying laws of metaphysics, divine hierarchy, and cosmic consequence bind all the disparate elements together. No matter how wild the science fantasy or cosmic horror gets, everything adheres to the core thematic spine of the world.
Thanks for asking and stopping by for Summerfest. Hope you have lots of fun with it this year and can't wait to catch more of your own entries for it.
It's so interesting when a project takes a different form than you originally intended through its own organic growth. Always feels like it's fledging and taking on a life of its own :)
Sorry to hear about whatever happened that made you have to eliminate stress from your life, but also happy to hear it brought you a project that you love. 'Through adversity and with great love' has always struck me as an excellent way to write, despite the... well, the adversity.
I wish I could be half as organised as this! I regularly have to consult my own written canon when asked questions about it (using the age-old ctrl-f in the draft document itself, not through any organised system of notes), because I am just such a scatterbrained writer. Your Scrivener lore vault sounds awesome, alongside, of course, the real-life lore vault/storage unit situation.
Oh, no, summary! The death of my over-rambly prose!
All right, I'll try to keep it short:
Kit, our psychic vampire hunter, finds the apprentice he needs but isn't so sure he wants in Alex. It takes two to fight the monsters in the dark, which seem to multiply endlessly, and also the future keeps calling to remind Kit that his path is never, ever allowed to be smooth. Hijinks and blood-based explosions abound.