Prince Ferdinand d´Orleans, Duke d´Alencon. C 1870.

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Prince Ferdinand d´Orleans, Duke d´Alencon. C 1870.

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Prince Ferdinand d´Orleans, Duc d´Alencon. 1860s.
Opie: ‘Can can’, portrait of Harold Davidson, a local 'character’ in Guernsey (Channel Islands).
Portrait of a Russian peasant, from the early years of the 20th century.

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“The Island of Men with Long Beards” - an Iranian manuscript illustration of a story from The Thousand Nights and a Night, derived from the Persian هزار افسان , itself incorporating Indian elements. The inscription at the top is in Farsi, and would reveal all - unlike the sweet gentlemen in the picture - if we knew someone who could translate it.
If they are ‘dervishes’ and they dance, then the sight of swinging beards and swinging sex-organs would be a delight to behold!
The motif of three naked men with long beards occurs in Christian Orthodox ikons - see a page on one of my websites : http://www.beyond-the-pale.uk/albanian3.htm
Sunset in a snowy landscape, 1950, Cuno Amiet
Walking Woman with Dog, 1926, Ernst Ludwig Kirchner
Medium: oil,canvas
The Canoe, 1877, Gustave Caillebotte
Medium: oil,canvas
https://www.wikiart.org/en/gustave-caillebotte/the-canoe
[Thomas Eakins and John Laurie Wallace on a Beach], Thomas Eakins, ca. 1883, Metropolitan Museum of Art: Photography
David Hunter McAlpin Fund, 1943 Size: 25.5 x 20.4 cm (10 1/16 x 8 1/16 in.), irregular Medium: Platinum print
https://www.metmuseum.org/art/collection/search/271890

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Mortuary Horse, c. 525, Cleveland Museum of Art: Chinese Art
Size: Overall: 22.3 x 22.3 cm (8 ¾ x 8 ¾ in.) Medium: dark buff earthenware with polychrome
https://clevelandart.org/art/1929.985
Portrait of Dr. Ludwig Binswanger, Ernst Ludwig Kirchner
Walter Greaves, James McNeill Whistler, 1869 Art Institute Of Chicago
Cookie Miller, Hill and Adamson, 1843–47, Metropolitan Museum of Art: Photography
Harris Brisbane Dick Fund, 1937 Medium: Salted paper print from paper negative
https://www.metmuseum.org/art/collection/search/268584
The figure Architectural Aspiration being sculpted by Bainbridge Copnall which is above the main entrance, 1934.
Royal Institute of British Architects, 66 Portland Place, London
RIBA Collections

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Aaron Smith “Juggins”, 2019, oil on canvas, 40"x 30"
https://www.aaronsmithart.com
Head of Peasant, 1934, Kazimir Malevich
Medium: oil,canvas