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Dating & Living together

Inspo

My headcanon name for Jinx is Jennifer Hex. Drawing Jinx in different outfits makes me so happy🥰

thinkin about perfumes/colognes again

Looker usually just smells like fresh laundry and nice deodorant/aftershave. Like "don't pay attention to me" scent; just nice and clean. I think he dry cleans his trenchcoat often. oh wait also coffee probably

Looker on a date gets out the cologne. vanilla and woody. He wants to impress, but not overwhelm.

Anabel is similar. Iron/pressed shirt and tux. She's floral because when you have purple hair you might be doomed to lilac and lavender forever

but Anabel on a date... wants to smell.. "edible." idk what she'd get but something that's not sickeningly sweet and cute, something mature, but that's like... yknow.... like the smell of a cold moist dark chocolate cake loaf and not the icing..

jumping on the meme train~

poor newborn silver always the butt of the joke lol

Sharing this because it's snowy out in Chicagoland ☃️❄️

have some Jack and Tenenbaum and little sisters, i love them

Nick: What if you unpacked here?

Judy: Then all my stuff would be here

Nick: Well…what if all your stuff was here?

Judy: Then I’d be going back and forth between your apartment and mine all the time and…it just wouldn’t make any sense

Nick: …Okay…

Nick: …

“Where is she?”

“She…she didn’t make it.”

Is actually so chilling. Everything Pawbert says to Nick is deeply terrifying.

“But with snake bites you…go fast. You’ll see.”

“She’s gone Nick, just get it over with.”

“You’re done. Know when to quit.”

And finally,

“Leave it! You’re gonna kill us both. It’s not worth dying for.”

The ONLY thing Nick does through this narration is fight. The ONLY words he says are “Where is she?” “JUDY!” and “Agree to disagree.” That is the entirety of everything Nick had to say to Pawbert. At no point does he try to converse, talk him out of anything, question, trick, bargain, rationalize, nothing. And all Pawbert knows Nick as is That Fox Whose Entire Reason For Living Is Judy Hopps.

It’s chilling because Pawbert knows that telling Nick that Judy is dead is going to destroy him, and he believes that it’s enough to let him cave and give into death entirely. He sincerely believes that Nick’s entire purpose for self-preservation is to keep Judy alive and if she’s gone, he might as well be, too. And he’s not even entirely wrong. Pawbert’s final plea, the complete 180° turn, “it’s not worth dying for,” isn’t “keeping her alive isn’t worth dying for,” it’s “YOU CANNOT SAVE HER, STOP FIGHTING, YOU HAVE NO REASON TO LIVE, SHE IS DEAD.”

But Nick saw her lifeless body. He heard she was dead and he SAW she was gone. And all he could think was, “If there’s even a fraction of a chance she’ll be okay, I can die knowing I did everything I possibly could to protect her.” The pure desperation in his eyes as he fights for that pen, not even sure if it’ll work, but fighting to do EVERYTHING he POSSIBLY can to save her. Even if he’s already SEEN that she’s dead. Which he has.

And then suddenly he’s looking her in the eyes and crying.

The slow-mo and pacing make it hard to grasp how fast it all happened, but he saw her, DEAD, and within sixty seconds he thought he was dead too, and then suddenly he was staring her in the eyes and panting. And all he could hear in his head was

“She didn’t make it.”

“She’s gone, Nick.”

“Know when to quit.”

But she’s right there. Alive.

“It’s not worth dying for.”