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Despite frequent criticism over his depictions of women, Sion Sono has created some of Japanese cinema's most compelling female characters in films that are bold and always thought-provoking.
Natalie Ng talks about some of Sono's women in GUILTY OF ROMANCE, TAG and ANTIPORNO - three films that explore female identity, sexual oppression and misogyny.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Park Chan-wook interviewed by Mouloud Achour for Le Gros Journal:
- “Many compared you to Quentin Tarantino because of the violence in your movies, but I prefer comparing you to Stanley Kubrick, because you always tackle issues of modernity, present and future times, and you explore the themes of domination by the rich and violence of the poor. - Your remark is very interesting. On the set of Stoker in the United States, Nicole Kidman made a similar comment. She said that I was often compared to Hitchcock, but that she would see more resemblance between me and Stanley Kubrick.”
OKJA: How it capitalises on costume design for social commentary
In Okja, Director Bong Joon Ho, along with his two costume designers, Catherine George and Choi Seyeon do something unusual by giving the film’s protagonist and antagonist similar color palettes. Find out how Okja communicates its critique of capitalism and greed and themes of non-conformity, individualism, environmentalism and activism through its costume design in our feature piece HERE.
“There are some people you can never get close to. Find out too much about a person and you loose interest.“
Fallen Angels (1995) dir. Wong Kar-wai
Parallels
IN THE MOOD FOR LOVE (2000), Wong Kar Wai
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Filmed in Ether was recently at the 2017 Sydney Film Festival and got to sit down with the genius that is director Bong Joon Ho to talk about his latest film, OKJA. Told through the eyes of child, this is director Bong at his most ambitious, funny and empathetic. Read our full interview here.
“This film not only touches upon the food industry, but it’s also about the degradation of capitalism — how it’s a mixture of show business, marketing, and just corporate imagery. And out of this mayhem of this degradation of capitalism, he thought it would be effective if we contrasted with an innocent child.” - Bong Joon Ho on ‘Okja’
Fresh from its ‘out of competition’ screening at Cannes, The Merciless is yet another South Korean crime film. This one stars Sol Kyung-gu and ZE:A’s Siwan. How does it stack up against the sea of South Korean noir thrillers? Read our review HERE
Ang Lee’s erotic espionage thriller and winner of the Golden Bear LUST CAUTION (2007) turns 10 years old. We look back at this incredible film’s use of costume design to explore the complex psyche of Wong Chia Chi and her constructed identity of Mrs Mak
Fallen Angels (1995) dir. Wong Kar-wai
Celebrating mums in Asian film.
Happy Mother's Day!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I remember… that you tried to kill me.
Mother (2009) dir. Bong Joon-ho
But at that moment I felt such warmth.
Fallen Angels (1995) dir. Wong Kar-wai
Laughing sounds a lot like screaming
Helter Skelter (2012) dir. Mika Ninagawa
The Scent of Green Papaya (1993), Tran Anh Hung
How much does the music video for Bae Suzy's 'YES NO MAYBE' actually borrow from the cinema of Wong Kar-wai?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“If memories could be canned, would they also have expiry dates? If so, I hope they last for centuries.”
Chungking Express (1994) dir. Wong Kar-wai
Natalie Ng talks about how good costume design can add more layers to a film's storytelling and refers to the specific use of gloves in Park Chan-wook's THE HANDMAIDEN.
Read her original review at Filmed in Ether
