art for whatever i'm obsessed w atm

• she wears pearls as her (outdated) status symbol to ward off the “poor” allegations

• like canon, her hair length is just an unmentioned break from gender norms. no deep reason, she just likes it short.

• instead of being pantsed (which i feel like would carry way more consequences if a guy did that to a girl), max “accidentally” dumps a full carton of chocolate milk on her after seeing her talk to sara zimmerman.

• when petra tries to confront him, he laughs and says she should be grateful he “rinsed her off” because she smelled. it gets a big reaction, and the nickname stankoffski sticks.

• ever since, she wears a raincoat everywhere to protect herself from further public humiliation (she also keeps potpourri in the pockets to really ward off the stank rumors).

pokey is a mall goth. but not the kind built on personal freedoms or anti-establishment grit. pokey feels like a mall goth curated by the algorithm, tiktok trends and a thousand-dollar amazon cart. his hair’s professionally dyed, his boots unscuffed. but that’s not really what you notice. it’s the presence he radiates, this quiet, sharpened confidence that only comes from belonging. you’ve never worn black lipstick, never cared for goth music, but still… something about him makes you wish you did. makes you wish you could walk beside him. his blue is familiar (not like richie’s warm teal, staining your fingers in a cramped bathroom) but in a painful way. it’s the blue of dart frogs and stovetop flames. of winter skies so empty and flat they feel like a threat. and when he looks at you, really looks, you’re not just alone. you’re individual. and it hurts.

nibbly is probably the happiest food court worker you’ve ever seen. or maybe he’s just grinning. a grin that stretches too wide, showing every tooth. too wide to be safe. nibbly’s the color of intestines, of pus-pocked acne, of grease shimmering over something bloody. his uniform might’ve started as the same highlighter pink behind every counter, but now it’s muted, aged by years (or eons) of absorbing grease. it almost looks like nibbly himself has been steeped in oil: hair clumped and sticky against his face, his shirt, your food. his visor is dull pink, his eyes cloaked in shadow. he holds a tray out to you. your hands twitch to take it. it feels like you’re supposed to relieve him of it. it’s your order. even if you didn’t place one. even if you don’t know what’s on it. you just… know. and somewhere deep in your stomach, you get the sinking feeling that it’s not the food he wants to eat.

wiggly is a paragon of snotty mall kids. sticky, unsupervised, and terrifyingly confident in the way only children who've never been punished can be. he’s also unmistakably green, crusted around his nose and mouth, fossilized under his fingernails, soaked into his shirt. and he hates you. not in the vague, bratty way. this is something deeper. something personal. every unattended kid in a mall dreams of crushing you like an ant. but when this kid looks at you, you understand that he can. he holds himself with more than reckless confidence. he’s not just sure no one will stop him. he’s sure you can’t.

blinky is a mall cop whose issues with authority transcend the stereotype. he doesn’t resent power, he needs it. he deserves it. He’s compensating for it, breathing down, your neck, keeping constant vigilance. you’ve seen him before. every mall has one. maybe it’s the flickering security cameras blinking orange in the corners. maybe it’s the static whisper of the walkie-talkie on his shoulder. maybe it’s just the way you feel watched before you’ve even walked inside. his sunglasses hide his eyes, but somehow you know. he’s looking at you. you haven’t done anything wrong. not really. but he knows. he knows what you would do. and he’s waiting for it.

tinky is still walking. he’s been walking since the fountain ran. maybe since the mall opened. maybe since before that. his tracksuit used to be tan. now it’s yellow, sickly, rusted, corroded by sweat and time. his skin, his hair, his eyes, everything about him is yellowing, wilting. creased with the dusty, moldy hue of things forgotten in the dark. his walk is slow. wheezing. bones grinding under paper-thin skin. but he doesn’t stop. he never stops. he laps the fountain, again and again. when he looks at you (eyes jaundiced yellow under the cloud of curdled milk cataracts) you feel it. not fear. not pity. recognition. you wonder if this is your future. if this is all that’s left for you. just the suit. the steps. the orbit.

any world where grace chasity isn’t a horny, homicidal prude, we lose the original plot, so this au would revolve more around the church of the starry children then max jägerman lol

solomon decides the best way to wield power in hatchetfield is through religion instead of government and he unites all the tiny denominational churches into his church, becoming the pastor (happening around the same time steph starts middle school.)

it works. almost everyone attends solomon’s church, and it becomes a required social event for anyone who’s anyone in hatchetfield.

but it’s all a manipulation for bigger purposes as solomon slowly incorporates text from the black book, pushing the church into culty territory.

as the preacher’s kid, steph is under constant scrutiny. she might have wanted to rebel as a kid, but the wrath of god is a much bigger threat than just breaking her phone and solomon uses fear and guilt to keep her in line, turning her into a model of godly behavior (at least on the surface).

the chasitys refuse to join solomon’s church, but their small congregation shuts down when there aren’t enough people left. 

grace’s parents encourage grace to pour all her free time into individual bible study to make up for the lack of church, church activities, and church outings, but grace starts treating the bible like a textbook instead of a spiritual guide.

without structured church activities, her obsession with rules and procedures shifts to the school system

grace unknowingly separates herself from spirituality when her bible obsession becomes academic. she’s still a christian, but she’s more likely to corner you in the library to infodump about angelic hierarchies than preach about purity.

travis coulson was ruth’s older cousin. it freaked her the hell out that someone could be bullied that bad that they have to transfer and their entire life is erased for a dumbass lie that everyone believes. so ruth vows that she and her friends will never be outcasts (or timberwolves) and drags pete and richie into a "popularity pact" in fifth grade, forcing them to get cool or else.

the trio spends their summer doing research and practicing social skills. (they basically spend their time practicing masking autism and refining their ability to camouflage.)

the trio starts researching what’s cool. their findings? football players, student council presidents, and school play leads are the pinnacle of popularity. so, they throw themselves into middle school tryouts and campaigns to fit these roles:

richie tries out for football but ends up as the mascot.

ruth auditions for the lead in the school play but gets relegated to lighting tech.

pete campaigns for class president but only gets elected secretary.

instead of quitting there, they regroup and try again in high school:

richie uses the athleticism he got as a mascot to land him a spot on the swim team.

ruth works her way up to the the student/assistant director for the school plays

pete works his way up the student council ranks, eventually becoming class president.