fever monument

Lucio del Pezzo (Italian, b.1933) - Untitled, color serigraph and offset print on laid paper, 47.50 x 47.50 cm (1976)

Lucio del Pezzo - Sirena, 1999

Lucio del Pezzo, Casellario, 1986, Wood and acrylic relief on panel, 143 x 103 cm.

The coolest girl in the world up-close and personal by Mark Borthwick 

“As a young skater growing up on the east coast in the 80s, Christian Hosoi had already achieved iconic status amongst my circle of friends. Some of our earliest glimpses of professional skateboarding, which at the time existed almost entirely on the west coast, were delivered courtesy of Thrasher Magazine and featured coverage of the scene and contests going on at Del Mar Skate Park. Christian Hosoi’s style practically jumped out of the pages.” https://www.instagram.com/p/CScVH-3N1Dz/?utm_medium=tumblr

https://www.wikiart.org/en/ellsworth-kelly/circle-form-1951

http://www.moma.org/collection/works/63681

Untitled, 1978, Agnes Martin

Designed by Associated Space Design. https://www.instagram.com/p/CNvE2Z8AFFT/?igshid=znap375j2nex

Located on the western shore of Lake Ladoga . Opened on October 29, 1966. It is located on the Vaganovsky descent, from where the convoys took a course to the eastern shore of the Petrokrepost bay of Lake Ladoga, and where they returned later, having covered a distance of 30 kilometers.

Prière et Force, 1952

Burroughs Wellcome Headquarters, Triangle Research Park, North Carolina. Paul Rudolph, architect, 1969-72. Photo by Joseph W. Molitor/© Columbia University, Avery Architectural and Fine Arts Library/courtesy the Paul Rudolph Heritage Foundation

Incomplete Open Cubes exemplifies the deployment of a single idea to become, in LeWitt’s words, “a machine that makes the art.” The work forges a new way of making art in its ambitious use of a serial system that enables a kind of “noncompositional composition.” The translation of the same idea into different scales and media is another key aspect of the work. All 122 variations in the series exist in three dimensions, from a set in which each cube is 2 ½ inches square to the 40 inches square human-scaled versions. There are also entire sets of photographs, drawings, working sketches and notes, and an artist’s book.

THE HOUSE BOOK | Terence Conran ©1976