Quien me conoce sabe que no es fácil hacerlo, por eso la mayoría huye al principio, por eso los pocos que lo consiguen se quedan para siempre.
Elvira Sastre (via huelesalluvia)
Color Me Curious
untitled
"I'm Dorothy Gale from Kansas"

pixel skylines
almost home
Lint Roller? I Barely Know Her
EXPECTATIONS
cherry valley forever
Noah Kahan

tannertan36
Fieri Frames
occasionally subtle
Not today Justin

Jimmy Eat World

Claire Keane
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies

#extradirty
YOU ARE THE REASON
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@fereomnia
Quien me conoce sabe que no es fácil hacerlo, por eso la mayoría huye al principio, por eso los pocos que lo consiguen se quedan para siempre.
Elvira Sastre (via huelesalluvia)

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The Kiss by Klimt, on a building destroyed by bombs in Syria

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Caí en un patético estado de desconexión. A menudo, con los humanos, ya sean buenos o malos, mis sentidos se cansan, simplemente desconectan, me doy por vencido. Soy educado. Asiento con la cabeza. Hago como si comprendiera porque no quiero que nadie se sienta herido. Este es mi punto débil, el que más problemas me ha causado. Muchas veces, cuando intento ser amable con los demás, lo que consigo es que mi alma se deshaga en una especie de pasta espiritual. No importa. Mi cerebro desconecta. Escucho. Respondo. Y los otros son demasiado estúpidos como para darse cuenta de que no estoy ahí.
Charles Bukowski (via ella-eterea)
Charles Bukowski
LIFE: Photo by Nina Leen, 1945.

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Memories. They age faster than us, die sooner, disappear silently like hair, without a passing date, a suicide note, a last vowel. And what are we then? What are we then?
Surely a memory, the memory of a memory could be remembered again. Surely the shadow of a memory, the memory of a shadow…
I am tired, tired of trying to repeat you in my head.
— Zeina Hashem Beck, from “A Few Love Lines to Beirut,” Sukoon Magazine (Volume 1, Issue 1, Winter 2013)
i just want to sit in front of the ocean for a little while
Caravaggio “St. Matthew” paintings at Chiesa Luigi dei Francesi.

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