hello, hello, everyone! this is autumn, and i'm a 24 year old that goes by she/her pronouns. this is an rp resource sideblog that will be reblogging things such as unique sets of prompts (made by me), rp prompts made by others, and just general rp stuff that you may or may not be interested in here in the RPC on tumblr.

requests for new memes / prompts are open, by the way!! unique graphics may also be posted on here as well, but in any case, enjoy your stay here! also, just as a note, this blog is 18+ because of how i will be including usfw content on it. so please do not interact with this blog if you're a minor!

QUICK LINKS TO CERTAIN TYPES OF PROMPTS:

by media genre:

novel prompts.

movie prompts.

music prompts.

by rp genre:

medical whump.

a series of starters based around monster-fucking with werewolves being the primary subject of it [ because i have yet to come across TRUE monster-fucking starters in the RPC, and if you want something done... as they say, sometimes you've got to do it yourself (; ] . as such, this post is very USFW, and no one under eighteen is allowed to interact! send ' + reverse ' to switch the roles in the prompt and feel free to change pronouns here as needed.

actions:

[surprise]: the receiver, who is a werewolf, is someone who took a partial transformation suppressant that failed — and this left them half-shifted, as well as rutting against their roommate / friend / lover, who came home from a night out only to find fur and claws and a different kind of hunger in reciever's eyes.

[mistake]: the sender is a hunter who cornered what they thought was a massive wolf in the forest, only to realize too late it's the receiver — a towering werewolf in full transformation — and now finds themselves pinned against a tree with hot breath against their throat.

[lost power]: the reciever is a werewolf test subject who is in the custody of the scientist sender, and when the containment protocols failed during a power surge... now stands trapped in the observation chamber as seven feet of muscle and fur advances with predatory intent.

[into the lions den]: the sender is a traveler seeking shelter from a storm who knocked on the receiver's remote cabin door, not realizing the scratches on the doorframe aren't from animals, and that the moon is already rising behind those yellowing eyes.

[trapped]: the receiver is a feral werewolf who has cornered the sender in an abandoned warehouse on the edge of town, and the sender is a graffiti artist who didn't realize the 'abandoned' building was actually territory-marked.

[little gifts]: the receiver is an alpha who caught the sender's scent during a pack run and tracked them to their apartment, and the sender is the neighbor who has been secretly leaving meat offerings on the fire escape and is now face-to-face with what they've been feeding.

[obstacle]: the sender is a rival pack member who challenged the receiver for mating rights, and the receiver is the pack's strongest fighter who has just pinned them in the challenge circle and is waiting for submission (or something that looks like it).

[sticky situation]: the receiver is a werewolf who took a partial transformation suppressant that failed, leaving them half-shifted and rutting against the sender, their roommate / friend / lover, who came home early from a night out to find fur and claws and a very different kind of hunger in those eyes.

[breaking]: the sender is the receiver's longtime friend who agreed to lock them in the basement during the full moon as a favor, but the reinforced door is splintering and the sender realizes they didn't bring the sedatives. or maybe they 'forgot' them on purpose.

[bar conversation]: the sender is a skeptic who mocked the receiver's 'lycanthropy delusion' at the bar earlier that night, now backed against their car in the empty parking lot as fabric tears and bones crack and the creature they didn't believe in towers above them.

[spittle]: the receiver has shifted almost completely, tongue lolling and dripping onto the sender's heaving chest, currently hunched over them on the forest floor with claws carefully (barely) retracted as they rut into sender with an animalistic rhythm that all they can do is take.

[compromising position]: the sender is on their knees in the back of a truck bed, hands gripping the side-rails for dear life, while the reciever (who is still wearing their torn jeans around one ankle) has just mounted them from behind somewhere public where people could potentially see.

[in a tight spot]: the sender is trapped between the reciever's body and the bedroom wall, legs wrapped around a waist that is thicker than human, feeling the constant growling against their collarbone as the werewolf — the reciever — chases both of their climaxes with a single-minded focus.

[hidden]: the receiver has the sender pinned on all fours in the tall grass, muzzle pressed against their neck with hot breath panting against sweat-slicked skin, having just slowed down to a brutal, grinding pace that makes the sender see stars every time those hips snap forward.

[tree]: the sender is already pinned stomach-first against the tree bark, claws digging into the bark beside their head, while the receiver — still partially shifted with elongated canines grazing their shoulder — has just knotted the other and is growling about how they're not letting go until morning.

[tied down]: the sender is tied to the bedposts with silk scarves they provided themselves, watching with heavy-lidded eyes as the receiver (still furred and clawed) trails open-mouthed kisses up their inner thigh with deliberate teasing slowness.

[intimacy]: the sender has their back against the receiver's chest, both of them on their sides in the tangled bedsheets, with the werewolf's arms wrapped securely around them from behind while they move together in a synchronized rhythm that has the sender gasping every time.

dialogue:

the werewolf:

❝ i'm going to fill you until you're dripping with it, and then i'm going to do it again. ❞

❝ i love you. i know it's hard to understand when I'm shifted but I love you. feel it? ❞

❝ i can feel you squeezing me. do that again. please. i want to feel everything you feel. ❞

❝ even when i'm like this — all fangs and fur — you still look at me like i'm the most beautiful thing you've ever seen. ❞

❝ i've been thinking about this all day. about you. about how you'd feel wrapped around me. ❞

the non-werewolf:

❝ you're so much bigger like this. i can feel you everywhere, it's too much... it's perfect — ❞

❝ the knot. oh god, the knot's swelling. you said it wouldn't hurt but it's so much. ❞

❝ i can feel your pulse through your cock. it's inhuman. you're inhuman. don't stop. ❞

❝ don't hold back. i don't care if you draw blood. i want to feel what you really are. ❞

a series of starters based around the idea of being sung or hearing a lullaby hummed to you after being hurt for comfort. sfw, and if you would like, you can also send '+reverse' to switch the roles that go with your perspective prompt of choice.

actions:

[hair]: sender gently brushes hair away from receiver's forehead while humming a soft melody, their other hand resting on receiver's shoulder.

[avoidance]: sender scoots closer on the bed, carefully avoiding the receiver's injuries, and begins singing quietly while rubbing slow circles into their back.

[hands]: receiver kneels beside the couch where the sender lies, taking their hand and interfacing fingers while singing a familiar childhood lullaby.

[shivers]: receiver adjusts the blanket around sender's shivering form, then begins singing softly while maintaining steady eye contact.

[cradle]: sender rocks slowly in a chair with receiver cradled in their arms, their voice barely above a whisper as they sing.

[patterns]: sender traces patterns on receiver's uninjured arm while singing, occasionally pausing to press gentle kisses to their temple.

[bath]: receiver sits on the edge of the bathtub while sender soaks, singing a lullaby as they carefully wash away dried blood or dirt.

[tender]: receiver holds sender's face between their hands, thumbs stroking their cheeks as they sing directly to them.

[sway]: sender wraps their arms around receiver from behind, swaying gently while singing into their ear.

[sitting]: receiver sits cross-legged on the floor beside sender's bed, head tilted against the mattress as they sing upward.

[change]: sender carefully changes receiver's bandages while humming, breaking into full lyrics when they notice receiver wincing.

[carry]: sender carries receiver bridal style toward the bedroom, singing softly with each step to keep them calm.

dialogue:

the singer:

"shh, i know it hurts. just listen to my voice, okay? focus on the song, not the pain."

"remember this one? your mother/other relative used to sing it to you when you had nightmares. let me help you through this one, too."

"i'm not going anywhere. i'll stay right here singing until you fall asleep, i promise."

"you're safe now. no one can hurt you while i'm here. just close your eyes and let the music take you away."

"i know you think you need to be strong, but it's okay to let go. let me be strong for both of us right now."

"your breathing is getting steadier. see? the music is working. just keep listening to me."

the one being sung to:

"don't stop... please. your voice is the only thing keeping the memories away."

"i know this song. where... where did you learn it?"

"it still hurts, but... it's not so bad when you're singing."

"will you stay? even after I fall asleep? i'm scared to wake up alone."

"i'm sorry i'm not stronger. i feel so stupid, needing you to do this."

a series of both dialogue as well as actions starters related to hyperventilation, which is when someone can not get enough air due to panic or anxiety, and both related as well as unrelated subsequent sedation. trigger warnings of things such as forced sedation, panic attacks / anxiety attacks, and other's will apply here — so proceed at your own discretion. send '+ reverse' to switch the roles in the prompt.

[actions]:

hyperventilation-specific prompts:

[event]: sender notices recievers breathing becoming erratic during a stressful event. they gently guide the reciever to focus on their voice as a result, counting breaths with them until the panic subsides.

[night-time]: the sender is hyperventilating because of nightmare and is unable to distinguish reality from the dream. reciever carefully wraps them in a blanket then, speaking softly and grounding them with physical touch and reassurance.

[fight]: during an argument, the receiver starts to hyperventilate. the sender immediately drops the conflict because of that, their only concern being the reciever's well-being as they help them through the attack.

[crowd]: the sender is hyperventilating in a crowded place. the receiver creates a barrier around them to try to help them subsequently, shielding the sender from the overwhelming stimuli while murmuring that they're safe, and they'll get through this together.

sedative-specific prompts:

[injury]: the reciever is severely injured and in agony, thrashing and making their wounds worse. the sender, with a heavy heart, prepares a sedative for them while apologizing but letting them know it's 'for their own good.'

[trauma]: after a traumatic event, the sender is catatonic with shock, completely unresponsive. a medical professional (could be AU if wanted/needed) reciever decides sedation is the only way to prevent further psychological damage and allow their brain time to process.

[breakdown]: the reciever is having a psychotic break, which makes them a danger to both themselves as well as others. the sender, who is their emergency contact and/or caregiver, makes the difficult call to administer a prescribed sedative, holding them through the struggle until it takes effect.

[illness]: the sender is suffering from a severe, incurable illness and is in constant pain. they beg the receiver for relief. the reciever tearfully administers a higher dose of sedative to them, providing them with a peaceful, pain-free rest.

combined prompts (hyperventilating and sedation):

[faint]: the reciever's panic attack is so severe and prolonged that they begin to hyperventilate to the point of passing out. fearing for their health, the sender makes the decision to use a sedative to break the cycle.

[residual]: the sender is hyperventilating from terror after being rescued from a dangerous situation. they are combative and can't be calmed. the nearest thing to a medical professional, the reciever, explains that they need to give them something to sedate them so they can be treated safely.

[allergy]: the sender is having a severe allergic reaction that involves panicking and hyperventilating. the medication to stop the reaction has a strong sedative effect. the receiver holds them close as a result, whispering reassurances as the drug pills the sender under.

[trap]: the reciever is trapped and hyperventilating, depleting their oxygen. their rescuer, sender, has a sedative in their kit and uses it to calm the receiver's panic, conserving their energy and oxygen until they can be freed.

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dialogue from the one hyperventilating (only hyperventilation):

❝ i can't breathe, my chest is so tight... ❞

❝ i'm fine, really. i just need some air. ❞

❝ don't walk away from me! i can't do this alone! ❞

❝ it's too much in here! i need to... need to get out! ❞

sedative specific prompts with the one in distress:

❝ what is that? no, don't come near me with that... ❞

❝ get away from me! i don't want it! ❞

❝ please, no more pain. just make it stop. ❞

❝ don't do this. i don't want to go to sleep. ❞

combined prompts for the one in distress (hyperventilating and sedation):

❝ i can't stop! don't... what are you doing? ❞

❝ i can't breathe! get that thing away from me! ❞

❝ everything's going dark. what did you give me? ❞

❝ no, i'm fine! just give me a second — don't! ❞

dialogue from the one doing the comforting (only while they're hyperventilating):

❝ look at me. just copy my breathing. ❞

❝ forget the argument, this is more important. just breathe with me. ❞

❝ i've got you. just close your eyes and listen to my voice. ❞

❝ it was just a dream, you're safe now. i'm right here with you. ❞

sedative specific prompts with the one doing the comforting:

❝ this is for your own good. you need to rest. ❞

❝ please stop fighting me. this will help you.

❝ i'm so sorry, but you need this. it will make the pain go away. ❞

❝ trust me, this is the only way. you need to sleep. ❞

combined prompts for the comforter (the other muse is hyperventilating and needs to be sedated):

❝ you're going to hurt yourself if you keep this up. this is to help you. ❞

❝ i know you're scared, but you need to calm down. this will make it better. ❞

❝ your body is shutting down from panic. we need to stop this now. ❞

a series of starters based around psychosexual whump, or things related to it. trigger warnings of topics such as manipulation, toxic relationships, some USFW topics and other's will apply here — so proceed at your own discretion. send ' + reverse ' to switch the roles in the prompt and feel free to change pronouns here as needed. feel free to turn these into AU's for your characters as i know some of them are very specific!

actions:

[ therapists chair ]: the sender is a therapist of some kind, or has been acting as the other muses therapist, whom is the receiver; and they have developed an unhealthy obsession with their client / friend / etc. thus, on a certain day that they meet for 'therapy,' the therapist asks their patient to describe their sexual fantasies in detail while maintaining direct eye contact with them... taking notes about their arousal patterns all the while.

[ the artist and the muse ]: the receiver, whom is the artist in the scenario, has become possessive of their muse and the muse (the sender) feels desired, yet trapped by the artists vision. unbeknowst to the muse, the receiver has decided to suddenly lock the sender in a room with them to 'capture their raw emotions' while sketching their every movement.

[ the prisoner and guard ]: the receiver, who has been recently incarcerated, has developed stockholm syndrome through isolation with one of their only interactions being with the sender (a guard) and the guard uses this to their advantage. they maintain control using psychological methods over the receiver and that day, brings them something that they have obtained through 'special privileges' with the guard after they performed a degrading task for them.

[ the cult leader and follower ]: the sender, a charismatic cult leader who knows exactly how to manipulate minds and the receiver, whom is vulnerable finds themself being blindfolded during a 'cleansing ritual' while the sender whispers secrets to them that only the receiver can hear.

[ the patient and caregiver ]: the sender, who is a caregiver who has become resentful of their patient (the receiver), is faced with a situation where the receiver has 'forgotten' how to perform basic tasks which forces the sender to provide increasingly intimate care to them (as they use guilt to maintain control over their caregiver).

[ the hunter and prey ]: the receiver, whom is the 'prey' in this scenario who enjoys being chased and caught, comes across personal items that the sender or the hunter has left them to find during their chase. this serves as a trail of psychological breadcrumbs for them, letting them know the sender is perhaps one step ahead of them and will be catching them soon.

[ the ghost and haunted ]: the receiver has become a ghost who can become attached to the living and the sender is a person who can communicate with the dead. the receiver, or the ghost, manifests physically one night to touch sender's most intimate areas while they pretend they are asleep... trying to enter their dreams to manipulate their desires.

[ the vampire and the victim ]: the sender is a vampire and the receiver is their victim. before they are about to feed on them, the sender traces receivers pulse-points with a featherlight touch, describing how their heartbeat sounds like music and whether they're scared of whether their bite will hurt.

[ the confessor and penitent ]: the sender is someone who gets aroused by people admitting their sins to them, and the receiver seeks absolutions for their 'wrong-doings' through increasingly detailed confessions. the sender, thus, makes the receiver kneel before them and describe their most 'shameful' sexual thoughts in detail, granting 'forgiveness' only after receiver demonstrates their remorse through physical acts of devotion to the other.

a series of prompts based around radiohead's multiple albums will be below. these are all deprived directly from the lyrics, but some prompts may have been minorly adjusted for roleplaying inclusivity purposes. feel free to change pronouns as needed!

Everything is in its right place.

What, what is it that you tried to say?

I slipped on a little white lie.

Everyone around here, everyone is so near.

Everyone is so near, everyone has got the fear.

That there, that's not me.

I go where I please.

I'm not here, this isn't happening.

In a little while, I'll be gone.

The moment's already passed.

The best you can is good enough.

Flies are buzzing around my head, vultures circling the dead.

The big fish eat the little ones.

This one's optimistic.

I'd really like to help you man.

I got a message, I can't read.

I'm on your side.

You're living in a fantasy world.

The most beautiful woman in the world.

I'll laugh until my head comes off.

I have seen too much, you haven't seen enough.

Here I'm alive, everything all of the time.

Let me hear both sides.

Throw him in the fire.

We're not scaremongering, this is really happening.

Take the money and run.

Where'd you park the car?

The lights are on but nobody's home.

Everybody wants to be a friend.

Red wine and sleeping pills help me get back to your arms.

Stop sending letters.

I will see you in the next life.

How come I end up where I started?

You reel me out, and then you cut the string.

You used to be alright, what happened?

I do not understand what it is I've done wrong.

I have no idea what I am talking about.

I'm trapped in this body and can't get out.

Has the light gone out for you? Because the light's gone out for me.

I'm the next act waiting in the wings.

You are all I need.

I am a moth who just wants to share your light.

I only stick with you because there are no others.

I don't want to be your friend, I just want to be your lover.

No matter how it ends, no matter how it starts.

Wake from your sleep.

Pack and get dressed before your father hears us.

Breathe, keep breathing, don't lose your nerve.

Sing us a song, a song to keep us warm.

We hope your rules and wisdom choke you.

This is what you'll get when you mess with us.

For a minute there, I lost myself.

You look so tired, unhappy.

This is my final fit.

My final bellyache with no alarms and no surprises.

She looks like the real thing, she tastes like the real thing, my fake plastic love.

below will be a series of dialogue prompts from the animated movie 'the last unicorn,' originally released in the 1980's. some quotes may be minorly adjusted for roleplay inclusivity purposes, but other than that, feel free to adjust as needed.

This is a forest, like any other - isn't it?

Let's turn around, hunt someplace else.

Stay where you are, poor beast! This is no world for you.

Be a little respectful, (insert name here)! Do you know who I am?

Say my name, then. If you know my name, tell it to me.

I must find someone who knows me, who has seen others like me.

Suppose they are hiding together, somewhere far away? What if they're waiting for me, in need of my help?

You can find the others if you are brave.

Do not boast, old woman. Your death sits in that cage, and she hears you.

Oh, I know exactly how you feel. It's a very rare person who is taken for what he truly is.

And you, you have no regrets, as I do?

I can never regret. I can feel sorrow, but it's not the same thing.

Did you see me? Were you watching, did - did you see what I made?

How dare you, how dare you come to me now, when I am this?

I should laugh myself sick. Have sense, man.

Well, you're going the wrong way.

You have all the power you need, if you dare to look for it.

What have you done? What have you done!?

The power will come to me whenever I need it. And one day, one day it will come to me when I call!

You are an idiot! Do you hear me?

You see, I couldn't think of anything else I could do to save you.

You are losing my interest, and that is very dangerous.

I will keep nothing near me that does not make me happy!

I will not touch you. What are you looking at?

I wish to serve her, as you do, to help her find whatever she has come here to find. I wish to be whatever she has most need of.

You are cruel to him. You might give him a gentle word, at the very least.

Is there a way? Tell me the way. Tell me where we must go!

Well, I'm always dreaming, even when I'm awake. It is never finished.

Trouble me! Please, trouble me! I would court you with more grace if I knew how.

There is only one thing that has ever made me happy.

It makes no difference. I can wait. The end will be the same.

I would have come back. I don't know why I'm here or who I am, but I would have come back.

The happy ending cannot come in the middle of the story.

I am sorry, I have done you evil and I cannot undo it.

a series of starters based around kidnapping and/or things related to it. and as you might be able to tell by the title, this does have something a little extra added to it in the form of an overly invested / 'affectionate' kidnapper who is displaying lima syndrome as this was the option that won in the poll i posted a little bit ago (thank you to all of you who voted BTW! ily). thus, this prompt list will be full of trigger warnings and so proceed at your own discretion. send ' + reverse' to switch the roles in the prompt. feel free to change pronouns here as needed.

actions:

[all mine]: the sender, whom is the captor in this case, has kidnapped the receiver to try to receive a ransom from their family in exchange for their safe return — but besides tying them up for the ransom video itself, the reciever (the captor) has treated the sender rather well as they allow them free-roam of the facility they're in and give them three square meals a day. as a result, the captive (receiver) has come to depend on the receiver, and they realize that they have developed feelings for them

[the ex]: after the receiver was broken up with by the sender, they have tried to convince themselves that they have moved on from their relationship completely after a few months have passed. but as it was, the more time they spent apart, the more agonized the receiver felt over them... and so they, whilst experiencing a severe mental breakdown, kidnap the sender. they don't send a ransom note or anything to their family, but as a month passes in their company, the sender (the captive) discovers that their feelings for the reciever hadn't fully gone away and have come back full-force now

[accidental]: due to a very unhealthy attachment that the sender has to a mutual crush that the reciever also likes, the sender has chosen to kidnap the receiver in order to 'eliminate the competition.' but in a twisted turn of events that neither of them foresee, the receiver ends up sympathizing with their captor and getting attached to them as they seem so broken up about it; and the days blend together until the reciever admits that they have grown a twisted love for the reciever

[wishes]: in an act of absolute desperation and after suffering immensely (as in the sender feels like they've lose everything and everyone), the sender didn't even think about it before they kidnapped someone who represented everything they could ever want off the street — which was (a happy family member, a successful artist, a person with a bright future, etc.) but the captive, or the reciever, seems to be a genuinely nurturing and/or kind person; which makes the sender respond to their captives attempts to 'soothe' and pay attention to their captor over several weeks by making them fall in love with the reciever and the sender, the captive, with them

[for hire]: for whatever reason, the receiver has found themselves being in a position where they are taking jobs doing crimes for money... and they take one in which they are told to kidnap a certain someone, which would be the sender. but the sender actually displays a lot of humanity and treats them with respect, which makes their captive (reciever) fall in love with them as a result as the reciever has decided they can no longer go through with the job, because they also love sender (the captive)

[unintended]: the receiver, whom is the captor, never intended on kidnapping the sender; they are actually a fugitive on the run, after all, but they had burst into the sender's (the captive) home whilst fleeing from whatever crime they might've committed. what is supposed to be a short forced stay to 'lie low' for the reciever, however, turns into the sender falling in love with the reciever since they had to tend to their wounds and the reciever treats them as an equal (though that doesn't mean they are)... so the captive falls in love with them

[protection]: though it very much seems counterintuitive (and for good reason), the sender has kidnapped the reciever in order to 'protect them' from a force that has revealed themselves to want to harm and/or kill their captive. the sender appears to have evidence behind this and after they have an encounter with these people, the reciever's fear turns into a sense of gratitude. the sender forms an attachment to the reciever first, but nonetheless, their captive now seems to have some kind of feelings for their kidnapper

[lab rat]: the reciever has been watching the sender for a good amount of time due to some quality or skill they have, or just merely because of who they are... and they ultimately decide to kidnap them one night. and although it's undeniably twisted, over the course of a month as they keep them in their care, a codependency develops between the two as the sender even begins asking their captor for affection and the reciever happily indulges them

[resemblance]: the sender, whom is the captor, has captured the reciever because they remind them of someone they used to know and were fond of whom they had lost (a family member, lover, etc.). between the desperate affection that their captor offers them and the occasional violence, the sender finds their performance of behaving and being the perfect 'substitute' for whoever the captor lost being blurred into genuine affection for them. it's horrific but the reciever now is in love with the sender

dialogue from the captor:

They don't care about you the way I do. Out there, you're just a number. In here, you're everything.

If you ever tried to leave... I don't know what I'd do. Don't ever try to leave me.

I brought you dinner. I made sure to get the kind you like.

No one is allowed to hurt you. No one but me.

You're safer here with me than you ever were out there in the world.

I've never felt like this about anyone. It's... messing everything up.

I had a nightmare last night that you were gone. I woke up and I had to come check that you were still here.

I'm a bad person. I know I am. So why do you look at me like... like you could actually care?

I'm the only one who really understands you.

Tell me you need me. Say it.

You think they'd even want you back after this? After everything that's happened between us?

Remember when I found you? You were so lost. Now you have me.

dialogue from the captive:

Are you coming back soon? It gets quiet when you're gone.

Thank you for the food. It was... kind of you.

Can I stay out here with you? I don't want to go back in the room yet.

You'll protect me, right? If something happens?

Is it wrong that I feel safe with you?

When you're gone, all I think about is you coming back.

Sometimes I forget that I'm your prisoner. It just feels like... I'm home.

I know I should hate you. Why don't I?

He's not a monster. He's just... complicated.

He takes care of me. He's good to me.

I think I need you.

a series of starters based on the primal play or predator / prey kink will be below. this is very nsfw, so please don't interact if you're under eighteen! send 'reverse' for the roles to be swapped.

actions:

[clanging]: the sender, who is the predator in this situation, is in active chase after the other — but they have stopped to look in an old industrial building which they decided should be a part of their play while the receiver, their prey, tries to hide from them. the receiver then hears the sender use a tool they had brought with them for 'subduing' the receiver intentionally being dragged across metal bars to create a sense of anticipation and nervousness in the prey

[net]: as a part of an elaborate roleplay, the receiver has been asked to run away from the sender (the predator) while they give chase to them. but as they enter the woods that was supposed to be their 'hunting ground,' they step onto a trap and are suddenly being swept into a net trap a few feet in the air; the sender looking at their quarry with a satisfied look on their face once they reach them as they cut off only what was necessary to carry them like that back to their destination

[inhuman]: the receiver, whether they are a human that just has pointed nails or are a supernatural creatures of some kind with claws, finds themselves (as the predator) guiding one of their clawed hands down the body of the reciever, their prey, as they lay completely strapped down head-to-toe next to them

[fright]: in an unexpected turn of events, the prey (the sender) seems to have gotten deeper into subspace than the reciever thought they would and so they lose track of reality; but wake back up in the middle of their scene, startled and telling their (chosen honorific) that they're scared. the receiver immediately stops to comfort them then and stop the scene

[blissed out]: the prey, or the sender, had fought against the reciever while they were being 'captured' with all of their might; and they try to stay out of subspace just to give the predator one last middle finger as a part of their roleplaying while they give the prey oral. but the way the predators using their tongue on them makes them involuntarily drop in combination with their soothing voice telling them to just 'let go,' the prey actively leaning into their mouth and panting as they can't hold back their noises anymore... which makes the predator very pleased

[dragged]: the reciever, the prey, is dragged off by the sender (the predator) right when they thought that they had gotten away from them by their legs — and they frantically try to grab onto whatever they can as a part of the roleplay to stop them from pulling them completely to them, to no avail

[flipped]: the predator, or the receiver, becomes the prey in a subversion of events that has the sender actually using a sedative on the predator to try to quote unquote 'outsmart' them. and whenever the predator wakes up, they are strapped down in a similar way that the sender usually would've been

[comforting]: the sender, a predator, has kind of an unconventional relationship with their prey as the prey doesn't even pretend to run away from them with gusto that day — but instead stands right where the sender can see them, as well as can tie them up, because the receiver (the prey) of course wants to be caught by the predator... and they are a comforting kind of presence once they are caught, as they rub them in oil's as if to 'sweeten their flavor' and make them completely relaxed before having sex

[mansion]: this hunt is perhaps one of the most elaborate that sender, the prey, has had with the reciever as they are given a ten minute head-start to hide anywhere in a property that is huge. and so once the predator is after them, the sender can feel the pressure, but also excitement rise in their chest as they are cornered by the predator after a long and fun chase ensued between them

[car ride]: the prey (the reciever) is being guided by the predator, the sender, while they drive to go to a specific place. but there is definitely an element of uneasiness yet anticipation to the predator/prey dynamic that the prey gets off on, considering that they know at the end, they are going to be essentially driving right into the predators 'trap'

dialogue (from the predator):

I can hear you breathing. Don't try to hold it; I like the sound.

You left a trail. Did you want to be found this badly?

I'm not going to hurt you. I'm just going to catch you.

Run. It makes the chase more satisfying.

Don't move. You look perfect right there, trapped.

Look at me. I want to see your eyes when you realize it's over.

Did you really think you could escape?

You fought so hard. I'm proud of you.

Shhh, it's all over. You're safe... with me.

Good little prey. You didn't disappoint me.

You're mine now.

Tell me where you are, and I'll make it quick.

Every time you make a sound, I get closer. Try to stay quiet.

Are you scared? You should be.

dialogue (from the prey):

Is this a game to you? My life isn't a score for you to keep.

Go ahead. Take your shot. But know that if you miss, you've just shown me how you fight.

Please... I don't know what you want from me.

I left a trail for you. Did you like it? I wanted you right here, where I chose the ground.

What's the matter? Can't catch me unless I'm cornered? You need the advantage to feel strong?

I know you're out there. I can feel your eyes on me.

You're enjoying this, aren't you?

You're not going to hurt me, are you?

I’m yours, but only if you take it.

Trap me. I dare you to try.

Are you going to make me scream for it?

Choke me... I want to breathe only because you let me.

I'm not even a challenge for you, am I? Just a mere amusement.