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You can follow Fairuzblog account on Instagram for more pictures, videos and everything related to the legend Fairuz and Rahbani Brothers.

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Joseph Nassif, Siham Shammas & Elie Choueiri - Ya Binti Ya Nefnafe (Sketch) from the North America tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
Al-Mash’had Al-Badawi from the North America Tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
جسر القمر (video)
إنْ غَلَبَني التأثّر فما جدوى الكلمات، وإنْ ساررتُ فلا تَصْدُق الكلمات. إنْ أردتُ أن آخذك بين أضلعي فلا تكفي الكلمات. وإنْ أردتُ أن آخذحياتك فبأيّةِ كلمات؟ ولا تحدّثني عن التصوير والنحت ولا عن الرقص. ولا حتّى عن المسرح. السينما، هذا السلاح الفعّال، أكانت تكون ذلك السلاح لولا الموسيقى؟ربّما ليست الموسيقى، ليس الصوت هو القويّ، بل الأذن هي الضعيفة. أقصد الضعيفة بمعنى الأشدّ رهافة، القناة الممكن بواسطتها السيطرة على السامع. موصولةٌ رأساً بالجهاز العصبي، بالعمود الفِقَري، تنتقل منها ذبذباتُ الصوت إلى الكيان كلّه كتلةً واحدة، كعاصفةٍ تكوّمت وانتشرت في العروق. يغدو السامع فريسة، فريسة سعيدة لنوع محدود من الأصوات وفريسة شقيّة للأكثريّة الساحقة من الأصوات. نُمسي هنا في حالةٍ من التأثير المغناطيسي الصرف. تقول إحدى النظريّات إنّ حياةَ الكائن تنتظره قبل أن يولد وعندما يولد تنتقل إليه. هكذا قُلْ عن الحواس وعلاقاتها وعن الميول والحساسيّات. لم يتمكّن منّي صوت إلّا كان فيه شيءٌ من الرَقْوَة. سحر الصوت المزدوج الطبيعة، أحضانه خصبة رؤوم فيها هدهدةُ الأمّ وحماية الأب. أجنحةٌ تُعيد إلى الصدر الأجنحة. خَدَرٌ أقوى من الحلم، أرحم من الغفران، أنعم من نظرات الملائكة. لا تتوقّف الرعشة تحت تأثير أصوات كهذه، رعشةٌ تُجمّدُ أوصالك، تشلّ حركتك، تريحك من وعيك. رعشةٌ تُبارك حاسّة السمع، فترى وتلمس وتَسْبح وتشفى وتنجو بأذنيك. هذا ما وجدته في صوت فيروز صيف 1962 على أدراج بعلبك يوم ظهرتْ في «جسرالقمر» وهذا ما رحتُ أبحث عنه وأجده في كلّ ريبرتوارها. جيلُ اليوم يجهل مع الأسف القسم الأكبر من ريبرتوارها، وهو البادئ في خمسينات القرن الماضي، ومنه كنوز لا شكّ أنّ تغييبها جريمة موصوفة، ويشكّل سبباً رئيسيّاً لاعتقاد البعض بأنّنا نبالغ حين نتكلّم عن صوت فيروز.
"لِنَتَوَقَف و نُقدّم لِفيروز الشُكر في جميع العالم، لأن صَوتَها راعي الرَعشَة، لأنَهُ هُوَ الرَعشَة، و هُوَ نارُ الحُبِ الأخيرَة المَمشوقَة كَعروسٍ فَوْقَ الماء."
- أنسي الحاج
Rehearsals from the North America tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)

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Rehearsals from the North America tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
Fairuz on the North America tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
Fairuz from the North America tour 1971
(Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
Fairuz from the North America tour 1971 (Source: National Museum of American History - Faris and Yamna Naff Arab American Collection)
Elias Rahbani (1938 - 2021) وداعاً إلياس الرحباني

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The legendary Fairuz is wearing a black, gold-embellished ensemble designed by the famous Lebanese designer Elie Saab in her latest iconic appearance at her residence in Rabieh at the end of August 2020.
She accessorized the outfit with a signature beaded, black scarf tied around her hair and a visor, as a precaution against the coronavirus.
The French President Emmanuel Macron visited the Lebanese singing legend Fairuz in her home in the suburb of Rabieh on 31/08/2020.
Macron awarded Fairuz the Legion of Honour (Ordre national de la Légion d'honneur), France's highest order of merit for military and civil merits, while Fairuz presented the French President with a painting.
Macron described his meeting with Fairuz, who as a figure has almost become synonymous with the country's pain and glory, as "very beautiful, very strong".
"I told her everything that she represented to me, of a Lebanon that we love and that many are expectant of, a nostalgia that many have" he said.
*The French embassy had invited Fairuz to meet Macron at Al-Sanawbar Palace to honor her, but she apologized for not leaving her home and invited him to visit her instead at the time.
© Soazig de la Moissonniere / Présidence de la République
You can follow Fairuzblog account on Instagram for more pictures, videos and everything related to the legend Fairuz and Rahbani Brothers.
Madame Fairuz attending the Solemn Appeal on the occasion of the 50th anniversary of the Geneva Conventions in 1999. She was formally invited as a representative of the Arab world, Middle East and North Africa, along with other international personalities, in order to declare once again the refusal to see the horrors of the Second World War repeated. Instead of giving a talk, she insisted on singing only a single song, Al Ard Lakom, over a poem by Gibran.
Throughout her long and still ongoing career, Fairuz has never been only considered a diva but an icon of culture, peace and cohesion at her highness.
One of those small classy gestures that characterizes Fairuz is her typical bow, through which she thanks audience. Not a single word she spells during her performances across the world. Not a single exaggerated gesture: the unique way she interacts with her public is this wordless and universal obeisance.

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Heavy eyelids that bear the burden of all of Lebanon. Jamelik!
Fairuz sings lithurgical hymns on 29 April 2005 at Good Friday mass at Saint Elias church in Mhaidseh village, east of Beirut.