DREW SAID NO BROKEN LINES, SO I SAID LETβS BREAK EVERYTHING ELSE. WHY NOT? LETβS PULL DOWN THE BRONZE STATUES OF CAUSALITY, LETβS SMASH THE STORE WINDOWS OF PLOT AND PLAUSIBILITY, LETβS RIOT IN THE STREETS OF CHARACTER DEVELOPMENT AND MIX OUR METAPHORS. [β¦] WORLD WITHOUT END.
a private writing blog for a variety of canon & original characters. dreamt by eve! relies on personal interpretation and headcanons, a vague recollection of the canon material, and a willingness to adapt to any universe.
guidelines + characters, prompts.
best way to get a starter is to send a prompt or two. force-shipping through memes is totally okay with me.
if you don't know which muse you want to interact with first, ishtar usually is the safest bet you can make.
my memory isn't always great so if you see me messing up canon, please look away.
i tag triggering stuff with 'trigger /', if it's really bad i use 'dead dove do not eat /' as well. however be aware that mature and explicit themes will appear. i obviously don't condone any of it
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daniel is so fucking annoying. what do you mean you posted revenge p/rn on the world wide web because lestat refused to let you film him breaking down into tears. what do you mean you literally went and cut off his head because you didn't get your fix of mentall ill vampire breakdown in 4k. what do you MEAN
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( πΏ ) : for our muses to shower or bathe together. (midnight dip in a moonlit lake action between the Druid and the Wizard per chance)
night reflects into the soft ripples of the lake; the moon, bright above their head, illuminates indigo's silhouette as they walk toward the water. the wizard moves to escape, a movement born of habit at this point, but the druid shakes their head before it can be achieved. like a spell spoken, its effect is immediate. he does not move, his feet buried in the soft clay surrounding the lake. he can barely breathe as he sees them ridding themselves of their blood-battered clothing. the soft thump of fabric falling to the ground is deafening; nearly as loud as the beatings of his heart as his gaze linger on the druid's silhouette.
they're beautiful. he, a man of observation, keen on details, knew that already. it would be foolish to pretend he has not written a few sonnets about the tender way light hits their eyes, or the gentle slope of their shoulders when, sitting against tree bark, they observe the wide horizon. if he were an artist, he'd know the curve of their hips by heart; he'd draw it blind, from all the times he has walked behind them, suffering the distance but willing himself to keep the pace, if only to maintain the sight. but this⦠this is more than a glimpse in haste, with indigo taking off their robes before the wizard gets a chance to turn around. the usual way to watch them is a shameful thing; either from afar or in the wild second it takes to look away. he is not proud of it. he doesn't recognize himself in it; doesn't know where the hunger for such a thing comes from. their history is one of silences stretching while they take their full, looking at each other, as if the rest of the time it was a treat he was not willing to indulge in.
right now, it's an invitation to bathe in the vision, to watch as it unfolds, to discover the shadow cast beneath their breasts, or the intimate notch between the clavicles. for a wild moment, he wonders what it could be like to be close enough to press a kiss there, where the flesh is at its most tender. the thought, of course, spreads like wildfire; he must be blushing a thousand times worse than that cruel day they gifted him a flower. he has it still, dried and spread across his favorite book. he should leave. he knows where that particular urge comes from: he would rather keep his eyes closed at all times & get to love them than watch them & risk indigo misunderstanding his attentions for lust.
but they asked, in their way. they shook their head. it has to mean something.
the sight of them is enough to steal his breath away, but it is also the rest of it. the body as it disappears into dark waters. the way moonlight spreads around them like a cloak of shining diamonds. the shadows of the trees high above their heads, swaying with the night breeze,like hands reaching down. in this very moment they seem to be a part of the scenery, another creature of the forest, bathing at night. the moon kisses them home, lapping at exposed skin with the kind of gentleness that gale struggles to understand-- the night had been, up until that point, a moment in time. with the druid, it seems to be a creature of its own, holding them in their loving arms.
if it weren't for the warmth of his cheeks, the bruising of his body and the aching of his knees, he would think it a dream. it certainly has the hazy foundations of such a thing. he doesn't know what he is meant to do, but it seems not to matter: his gaze is ensnared, and the rest of his body is just a slave to the sight. he has been on other planes and has bedded a goddess-- he should be used to such marvels. how foolish of him to think so. perhaps it is more jarring that there is no scent of rosemary, no flickers of magical light. it is nature; mud and water and the buzzing of insects around them. it is desperately alive. it is desperately lively. how the goddess pales in comparison. how mad she must be, to realize that the magic holds this moment in time, that it is breathing. that it can be reached, and held. that it can hold them back, their gazes intertwined.
blue vacated their fingers and left a tincture there: Β dusk, Β spell-scoria, Β petaline afterlight. Β then the answering rose, climbing sudden through the face before them with such febrile vividness that winter in them receives it by its oldest catechism. Β flesh as weather. Β flush as augury. Β the mortal frame no less ensouled than root, Β bark, Β moss silvering under moonfall.
thus the hand already lifted in brief assay, cool fingers, Β moonwater-light, Β settling once at the wizard's brow while the other speaks first in the simpler language. Β two gestures, small and efficient: the sign for sickness, then heat.
only after/ Β voice catching a little on the threshold, Β reluctant as if the word itself were burr-thorned: γfevβfever?γ
by then the other hand has gone, by some blind hedgewise liturgy, to the little pouch at the hip and drawn from it a sprig of feverfew Β β¦ Β a druidβs first reading: Β the wizard was red in the face, Β warm at the brow, Β and therefore unwell, Β or near enough.
fingers at his brow while he is talking; the words tumble over one another until there is nothing but silence. confusion blooms; more so than it did at the offering, touch even less comprehensible than gift. it is a myriad of firsts that the wizard cannot wrap his head around, and it shows in the frowning beneath lithe fingers. the question, of course, catches him off-guard-- at least until the explanation for it reaches the surface of his mind. a fever. sickness⦠oh mystra help him.
he laughs, but it's short-lived, if only because he is mocking himself & not them. "gods, no, not a fever, i am perfectly fine!" voice a bit frail, rough at the edges. well, fine might be too big a word to express both the warmth at being considered and the never-ending hunger of an orb set on killing him, piece by piece, but in the very grand scheme of things he is further down the "fine" path than anything else. right in this moment, he thinks he might be exactly where he wants to be, and isn't that a marvel in itself?
"i am, well, this is⦠the kind of physiological reaction one gets because of emotional stress⦠not that i am stressed! this is more due to⦠um⦠due to...." his face even more red than it was a second prior, "romantic stimulation?" he coughs, "i fear i might be to blame for this erubescence. nothing to worry about, i assure you!"
i have a very real question. why are people putting themselves in their own version of a saw trap by forcing themselves to watch/read media they DO NOT LIKE only to then spend all their daylight hours shitting on the aforementioned media like they're being paid to do it
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"i don't," mak looks at her, brows flat and no furrow between them, despite her words, "i don't understand what you're saying." her facial expression starts and stops at a slight squinting, while her head dips to the side. it's obvious, at least, that she is wondering what is going on. "can you explain it again?" then, because they've been told to be more polite a thousand times, and dusara's ability to wield pleasantries is still a bit of sore spot, her jaw tightens around a: "please."
PROPHETIN by luna / lovingly crafted ( but very chill ) multi-museΒ featuring original & canon muses from mainly mystical & fantastical backgrounds MUSESΒ Β /Β Β RULES
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it is late and the stars have yet to shine bright on sins past; in the silence, karzaen finds her shoulders to drop even lower, while her eyes remain on the horizon-- she told others she would keep watch, an excuse as to avoid sleep altogether. but leitha has yet to let sleep claim them, and karzaen wants to ask: "if your goddess demanded something," her voice is soft, like a gentle breeze on a summer's morning, "and it was an awful, despicable thing... but you knew it to be necessary. would you do it?" she assumes shadowheart's trials to be a decent hideout for her own responsibilities.
"calling me a miracle-maker while offering a miracle."β β β β β β βshe scoffs, but there's no substance to it, there rarely is anymore.β β β β β β in every day that goes by they drift further and further from who they once were, from who her sister once knew β β β β β β(would kimberly hate her now or be proud of the blood spilled in her name).β β β β β βbut the other is right β β β β β βββ β β β β β they are looking for ashlyn, they are trying to get payment up front for the pain she caused. β β β β β βall she's doing is what she's learned. β β β β β βshe turns her head slowly, dark circles under her eyes hollow both physically and in the gaze behind her eyes.β β β β β β"what miracle are you offering, hm? β β β β β βwhat kind of person are you to think you could make a difference?"
the little witch looks exhausted; ceri wonders what that feels like. she doesn't remember. now there is electricity running from one end of her body to the other; she's always on-- and when respite comes, it comes in waves of quiet. there is no going forward when sleep claims the body: she lets it. she'd rather sleep a thousand years than be awake (a truth that used to be a lie) "a person no more," she tells her, slowly, unblinking and unflinching, "can't you tell?" if not for the scars then perhaps the eyes: the emptiness that stares back. "i'll help you, i'll hide you. i know a place where your kind of miracles cannot fail." papa left her that much. "and once you're done slaughtering your way to a new life⦠i want death." a sigh, the hint of a sweet smile, "clean and precise and never-ending."