Monterey Bay Aquarium

ellievsbear

roma★
occasionally subtle
he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"
🪼

tannertan36
tumblr dot com
we're not kids anymore.
Claire Keane
ojovivo
Jules of Nature
PUT YOUR BEARD IN MY MOUTH
taylor price
I'd rather be in outer space 🛸

Origami Around
hello vonnie
Misplaced Lens Cap

seen from Türkiye

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seen from Malaysia

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@fallintoblue

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PH348 -2021-
“Knot by knot I untie myself from the past And let it rise away from me like a balloon. What a small thing it becomes. What a bright tweak at the vanishing point, blue on blue.”
— Charles Wright, from “Arkansas Traveller” in The Other Side of the River
Willard Van Dyke / Bone and Sky / ca 1932.
Otto Piene Schwarze Sonne oil and charcoal on canvas

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Otto Piene Ohne Titel, 1960/61
“To kill our dream is to kill ourselves. It is like mutilating our soul. The dream is what is most truly, impenetrably, ineradicably ours.”
— Fernando Pessoa, The Book of Disquiet
Fever Technique: The Spectral Photography Of Francine Winham
Winham found jazz intoxicating, particularly fuelled by the way in which jazz artists were able to communicate a way of being that felt beautifully alien to many. Winham arrived in time to see legendary performances by the likes of Miles Davis, John Coltrane, Ella Fitzgerald, Nina Simone, Thelonious Monk, Duke Ellington, Cat Anderson, Dizzy Gillespie, and more....During this era came perhaps the most stunning photography of Winham’s career. Her style of shooting was entirely unique... She shot predominantly in black-and-white, though her pictures carried with them a sense of the ethereal... The streaks of light owing to the flash of the camera against the brass instrument are deliberate, caused by Winham reducing the shutter speed and moving the camera as she took the photograph. The result is the communication of something beyond the perception of the naked eye – both a figment of Winham’s imagination but also a true depiction of how the music makes you feel.
Here's Winham on how she came up with the technique:
“I tried to think of a way to make their photos more interesting and came up with my FEVER TECHNIQUE. I decided to do long exposures – although there was plenty of light, so to compensate for this I stopped down the lens to f32. Now I had to waste a shot to listen to the time a second lasted. Tschssst. By holding the shot still for half a second and then moving the camera for the other half, I created a blurred free-form image that mirrored the dynamic of the performer.”
These shots remind me of what Gjon Mili was doing with light and photography in the late 1940s and beyond.
Fabulous Quartz with Dumortierite inclusions from Brazil. Photo Timothy Paul. via. Rhythm of Gems
Hematite (Kidney Ore) - Florence Mine, Cumberland, England

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Destroyed Instax 4, 2012
Found some old work today.
After sitting dormant for a year and a bit, this lead into the Material Abstractions series.
Serge Yourievitch (1876-1969), ‘La Danseuse Nattova’, “The Studio”, 1924 Source “Natasha Nattova was a leading avant garde Russian ballerina who moved to the West and successfully took up Burlesque and Cabaret in London, New York and Paris. Born 8th August 1905 in Petrograd, Russia, Natasha Nattova and her parents, fled the Russian revolution and settled in Nice where the glamour of the Riviera coloured her childhood. She soon went to Paris and studied dancing under Clustine, the ballet master of the Opera and in time was admitted into the company in small roles. During this period she began painting and writing poetry and became interested in modern dancing. At first she just gave a number of recitals. She considered her adagio work at the time as conservative and mild yet observed ‘they had never seen anything of the sort in France, and it was hailed as being very thrilling.” (Source)
Ivan Meštrović (1883-1962), ‘Angel Gabriel’, “The Studio”, 1924 Source
Easy love
reading The Best We Could Do by Thi Bui is a deeply moving experience. i loved it.
Simon Boudvin - Concaves Series, 2005 - 2012

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Rock reliquaries - Sarah Flavin
[A white fortune cookie paper with blue text. Front: The best times of your life have not yet been lived. Lucky Numbers 41, 36, 22, 51, 39, 34 Back: August, Chinese text 八 (bā) 月 (yuè)]