second life is a social experience

I made a crappy video tutorial on the furry effect because typing it out is confusing, yay!

： ： Ａ Ｍ Ｂ Ｉ Ｘ ： ： ☐☐☐☐☐☐☐☐☐☐☐☐☐ Main Marketplace Second Life Location The Fur Affinity ☐☐☐☐☐☐☐☐☐☐☐☐☐ Please Read All Information Provided. Thank you for your Patronage.

☐ Product Information ☐ [Original Release Date] 3/17/2016

□▬|Required Item(s)| ▬▬▬▬▬▬▬▬▬▬▬▬ [Forewarning] Do not purchase this item if you do not have or intend on purchasing either products required for this product.

No Pre-Required Items other than any avatar.

■▬|Included Item(s)|▬▬▬▬▬▬▬▬▬▬▬▬ [Mesh]

Read the Description via Product Image

[Textures] ❶. AO Maps ❷. UV Maps

☐ Not Included ☐ If you do not see it in the list above, it is not included. Do not assume.

Again.

Disclaimer: If it is not listed in the included items tab it is NOT included, please do not assume.

■▬|Terms of Service & Other Information| ▬▬▬▬▬▬▬▬▬▬▬▬ [Refunds] Refunds will be handled at my discretion and are not subjective to opinion; it is whether the product works or not. I assure you they work. If a refund is to be given it will be with in-store ::AMBIX:: Credit Only usable in-world.

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if you haven’t checked out my new mall yet, i invite you to now :3 i just put out 18 more shops for renter’s to grab <3

The second release for today are the eyebrows I made for the Raven BJD heads 3&4. I hope you enjoy~

Also made some lash mod…justa crappy but one bleh xD

Taxi http://maps.secondlife.com/secondlife/Delfina/8/208/21

For most Kemono stuff, there isn’t a lot of extra painting needed other than just copying the weights. When you get into doing things like skirts or other clothing with odd dangle bits is where you’re going to have to huddle down and do some painting. The biggest thing about doing clothing weights is probably the shoulders though, you’ll run into the under armpit clipping with clothing a lot, but its normally because the upper arm weight extends too far downwards onto the torso, and it will end up pulling up into the pit, making a nice ugly clipping mess.An example of how I weight the bones to get around that problem is below.(Shoulderleft)

(Collarleft)

(Chest)

As you can see, having the heavy weighting on the chest on the under area of the pit will make it much more rigid, and while the shoulder barely touches that area, it’s limited as to not over reach. The weights on the top of the shoulder for the shoulder bone too are less and limited, since the collar bone needs most of the control in that area to lessen distortion  from the funky movements people’s ao’s like to do with that bone.i hope that helped but i’m bad at giving advice so good luckalso heres how it looks bent, so you can see how it doesn’t funk up