Fabian Blondel

@Schwarzenegger

1973 Elvis cover

Fabian Blondel is vandaag 13 jaar geworden!

My cover of Del Shannon's classic, now as a full recording. :) Enjoy it in this spartanic arrangement, including only my vocals and e-guitar playing.

Hardheaded Woman - Cover of [Original in Movie & Soundtrack: King Creole, 1958]; I do not own any of the rights.

@DanScavino @Scavino47 @TheSlyStallone @KidRock ; Here's looking at you kid @BillyGilman - #runaway; Jamming around with electric guitar: Del Shannon's famous hit Runaway.

"Let Yourself Go" is a song first recorded by Elvis Presley as part of the soundtrack for his 1968 motion picture Speedway, recorded on June 21, 1967 - another version of the song was recorded for the 1968 Comeback Special.

"I Need Your Love Tonight" is a rockabilly song recorded by Elvis Presley and released as a single written by Sid Wayne and Bix Reichner. It was published by Elvis Presley's company Gladys Music, Inc. Elvis Presley recorded the song on June 10, 1958, in RCA Studios, Nashville, Tennessee. It was recorded at a final session conducted just prior to him leaving the US for Germany to serve in the United States Army

“Aerith’s Theme” (エアリスのテーマ, Earisu no Tēma?) or “Aeris’s Theme”, is Aerith Gainsborough ‘s eponymous theme originating from Final Fantasy VII (Squaresoft, 1997). It was composed by Nobuo Uematsu. LatinAutorPerf, Warner Chappell, LatinAutor - Warner Chappell, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, PEDL, Polaris Hub AB

There's A Honk Tonk Angel (That Will Take Me Back In) - Elvis recorded the song on December 15, 1973 at Stax studio in Memphis, TN. Copyright: LatinAutor - UMPG, UMPG Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutorPerf

Fabian Blondel - Little Sister (1977 version)

‘I Miss You’ was written by Donnie Sumner. Elvis recorded this at his residence 845 Chino Canyon Road, Palm Springs, California, September 23, 1973. The track can be found on the album ‘Raised On Rock’. Copyright: PEDL, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, WCM SG/PRS, Warner Chappell, LatinAutor - Warner Chappell, LatinAutorPerf.

Copyright holder: LatinAutor, LatinAutor - SonyATV, LatinAutorPerf, Audiam (Publishing), UMPI, SOLAR Music Rights Management, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, UMPG Publishing, Concord Music Publishing

Johann Sebastian Bach was a German composer, cantor and organ and harpsichord virtuoso of the Baroque era. In his main creative period he was cantor in Leipzig. As the most prominent representative of the Bach family of musicians he is today regarded as one of the best-known and most important musicians of all. Enjoy Fabian's organ interpretation of the prelude XII in F minor, from the Well-Tempered Clavier book 2.

Fabian Blondel presents his own composition for guitar (the original version was written in 2008). The famous Spanish composer Fernando Sor and more contemporary composers such as Benjamin Britten served as inspiration in creating the piece. As suggested by the title, the character of this piece is a little lighthearted and comical, but also agile and lively with melodic effectualness. Title: Scherzo Melodico (in G-Major).

"In The Garden" is a song by Charles Austin Miles. Sometimes this song is also hinted at by its first line, which is "I Come To The Garden Alone". Miles (1868 – 1946) was an American songwriter who had also worked as a pharmacist, editor, and manager. According to Miles' great-granddaughter, the song was written in a cold, dreary, and leaky New Jersey basement. This title deals with the personal encounter with God in prayer.

The Lore-Ley or song of the Loreley is a poem by Heinrich Heine from 1824, which has the legendary story of the Loreley, the beautiful maiden leading to the demise of ships with her singing, as its subject. It was spread primarily with the melody composed by Friedrich Silcher in 1837, which is considered an expression of Rhine Romanticism. In the poem, some see Heine's confrontation with Romanticism. He used motifs and means of representation from Romanticism and folksong to ironize them (through accumulation and exaggeration, also through exaggerated pathos) and in this way to distance himself. The combination of vanity, seductiveness and transience points to the revival of vanitas motifs in Romanticism.