It's almost your birthday.Â
I tried to forget, but it crept up on me, like those things that creep up your spine and bury themselves at the base of your neck so they're always nagging the back of your mind.Â
It was an offhanded thought, when I glanced at the date and went 'oh it's almost his birthday' like it hasn't been three years since we last spoke. And I wondered what you've been doing, if you've been well, if you met a girl that you were willing to be more invested in and then, mostly, I wondered if you wondered about me.Â
And I wondered if maybe you missed me too or if you go 'oh it's almost her birthday' when you see the date nearing mine.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
He tastes like ashes and decay, but she keeps kissing him anyway.
Thereâs something addicting about destruction and death, she thinks.
Maybe thatâs why she keeps locking lips with the boy who tastes like sin,
Because he feels like a promise, like recklessness, and like adventure.
I want to pretend, even just for a moment,
that there is a universe,Â
where you and i are can be together,
without all the madness and chaos,
because i'm never going to love someone else,Â
the way i love you and it breaks my heart,
every time I hold you, and remember
that this is justÂ
     t
       e
        m
           p
             o
              r
                a
                  r
                   y
Title: If Iâm the Mockingjay, Youâre My Rebellion
Pairing: Chase x Auguste
Word Count:Â 9,781
Summary:Â Au: Where Chase is the Mockingjay and Auguste is the dandelion.
It wasnât supposed to be like this.
They were supposed to be back home, in District Twelve and inside one of their too large houses pretending to be in love. Instead, Chase was holed up in District Thirteen and Auguste was trapped somewhere in the Capitol, untouchable and unsafe.
Heâd seen the propos, he knew that the Auguste Panem saw was suffering, hurting. Dying.
It was his fault, he should have been the one to that was captive or dead not Auguste.
âI donât trust them,â Chase argued, grabbing ahold of Augusteâs wrist because he was afraid that if he didnât, Auguste would go off with Nadia and they would be separated. âSomethingâs wrong. Thereâs something theyâre not telling us.â
âYou have to let me go Chase,â Auguste, ever hopeful and sweet Auguste, insisted. He eased Chaseâs fingers from his wrist and drew his hand to his mouth. âThis is our best chance of getting out of this together.â
âI know but - â Chase started, only to have Auguste grab him by the neck and drag him down for a kiss. It felt different than all those other ones, the oneâs Chase had instigated for the media, for their protection. It felt a lot like a promise...and a goodbye.
The idea made his stomach churn, even as the kiss itself made him melt.
âWeâre going to get through this,â Auguste said firmly, resolutely. âTrust me.â
And Chase did, but maybe thatâs why everything went to shit.
His arm still aches from where Archer had dug the tracker out of his arm. Thereâs an ugly, misshapen scar marring his skin but he doesnât care because the ache of it doesnât hurt nearly as much as the gaping hole left by Augusteâs capture does.
So, he wanders Thirteen aimlessly and ignores the schedules that get printed upon his forearm. No one has ever been able to control him before, he wonât let them now. Not when there are so many people looking at him as a symbol of hope and promise.
Theyâre all fools, Chase thinks, Auguste was always the promise of better days. Iâm nothing but rebellion and destruction.
But thatâs what they want isnât it?
--
Chase starts making demands because heâs acutely aware of the power he yields. While most people donât think he understands the effect he has on others, he does and he learns to weaponize it pretty quickly in Thirteen. So, he fights and demands and rebels until heâs promised almost everything that heâs claims heâs owed.
Itâs a double-edged sword because the president makes a district wide announcement, proclaiming the protection of any recovered victors while also promising that theyâll die if he fails to live up his end of things.
People look at him, expecting shock or anger but instead they find stone. If they think that Chase Black is one to crumble under pressure, they are mistaken.
He didnât win his games by being breakable.
(Except in those last five minutes, when Auguste tried to off himself to keep Chase alive and the desperation to save them both had become overpowering enough to make his resolve crumble.)
(Itâs his fault Augusteâs life is at risk, because he rebelled and then he fell in love and now Auguste has to pay the price.)
The president sends a rescue team to get Auguste and the other captive victors, like Archer and Nadia, out of of the Capitol. Among the volunteers is golden-eyed Kaia, the one person from home than can calm his rapid pulse besides his mother.
He doesnât find out until they come back and sheâs sporting a broken arm.
âYou didnât have to do that,â he says lowly the night they get back.
Theyâre in one of the lesser travelled hallways of Thirteen. Itâs largely unused because there was a tunnel collapse at the end two years ago. Itâs not cleared for use so it sits and rots. Chase has her crowded against the wall, a strong arm holding him up with his hand pressed against the curved wall beside her head.
âDonât be stupid,â Kaia snaps, fingers gripping his standard issue gray shirt tightly. âI canât get you to pay attention to me if youâre always thinking about him. If heâs safe.â
Chaseâs jaw ticks and he doesnât deny any of it; he hasnât thought of anything besides getting Auguste out of the Capitol and to safety since he was rescued. âWell,â he says lowly, smirk creeping across his mouth, âIâm not thinking of him now.â
And he kisses her, lets her grip at him until sheâs pulling him down for harder, messier kisses but instead of thinking about her, about what theyâre doing, or how they fit together....Chase is thinking about that last kiss beneath the electric tree.
In the end, it turns out that he canât do anything but think about Auguste.
---
They let him see Auguste when he wakes, it turns out to be a disaster.
But heâs so happy to see him, to know that heâs alive and looking worse for the wear but still safe -
He doesnât see the warning signs until itâs too late. Until small hands are wrapped around his throat and he canât breathe.
Turns out the Capitol weaponized Auguste, just like it weaponized Chase.
Figures.
--
âStay away from me,â Auguste snarls while Chase just stands there, a few feet from the edge of his bed. âYouâre a monster. A mutt!â
The accusations hurt, but Chase stands rigid like a statute and takes all of the hateful things thrown his way.
âDistrict Twelve is gone because of you. My family is dead because of you!â Auguste screams, thrashing against the bed and the restraints that keep him locked in place.
âAuguste,â Chase says carefully, his voice strained, tired, pleading.
âYouâre a monster!â He shrieks in reply, blue eyes wild and crazed. âYouâre going to be the death of us all,â he says, voice low, quiet, and dangerous. Itâs not a threat or a promise, but a fact and Chase canât begin to try and deny it.
Auguste was always the good one, the pure one, the one who should have been saved and now heâs just an empty shell. All because he loved Chase too much.
In the end, Chase says, âyouâre right.â
Then, he leaves and doesnât look back despite the way Augusteâs glare burns holes in his back.
---
Despite himself, Chase keeps a careful record of how many days itâs been since they rescued Auguste. Heâs not allowed to see him, has to sit a far away from him as possible when heâs allowed to join the rest of the district during meal times. From what he can see across the room, or from behind the glass observation windows, his star crossed lover is fairing better.
Heâs been paired up with this boy from Twelve, Colin he thinks, who is all sunshine and rainbows and many things that Chase isnât. Something foreign and ugly coils around his heart whenever he watches the two together, with Colin bringing out shy smiles and pink tinted cheeks from the boy that used to look at him like he was the world.
Itâs not jealousy. Itâs not.
But Chase keeps his distance because looking at what remains of the boy he knew in Twelve, in the arena, is hard enough without seeing the hatred in his eyes when their gazes meet.
I deserve this, Chase thinks when he averts his gaze. I did this, this is my fault.
He was just trying to survive, not start a war.
---
Chase uses his influence to get him into the thick of things. What good is the Mockingjay if heâs just hiding instead of fighting with the rest of the rebels? Heâs no good for Auguste, not when all he does is remind the boy of death and blood and war.
War, he thinks bitterly when he slings the quiver across his back and wraps his hands around his bow, war is all a ruined man like me is good for.
So he suits up in the specially built suit left for him by his stylist, partners with Kaia for all of the missions because theyâd been hunting for years together. She reminds him of simpler times and theyâre still so in-sync it hurts.
When they lose the hospital in Eight, Chase is filled with a righteous fury that overtakes him when he storms over to the crew thatâd been filming his efforts in the districts.
Itâs then that his charisma shines even though heâs outraged, furious. They took Auguste from him and now - now they Capitolâs killed hundreds of sick, wounded, innocents. He cannot forgive, not after this.
âIf we burn,â he snarls, bow shaking in his hand, âyouâll burn with us.â
The propo is playing on every screen in Thirteen. He doesnât miss the weight of Augusteâs gaze on him as he walks through the dining hall tight lipped and full of tension.
When he kisses Kaia later, she goes: âIâm never going to stand a chance while heâs like that am I?â
Chase doesnât have an  answer.
---
They secure District Two but almost lose Chase in the process when he tries to talk to one of the Capitol supporters down.
His suit saves him, but the refuse to let him go on any missions. Being stuck in the hospital is maddening, especially when he realizes that Kaia is slowly but steadily getting closer and closer to one of the presidentâs right hand men. That uncomfortable feeling arises again, the one he gets whenever he sees Colin with a smiling Auguste.
He shoves it aside; there are bigger things to think about.
---
At some point, Auguste asks to see him and for some stupid reason, Chase agrees.
âI donât see why people love you,â Auguste says, looking Chase straight in the eye.
Despite his strengths, he cannot meet the gaze and instead looks at a spot on the wall just past the white of Augusteâs hair. âI donât either,â he answers truthfully, swallowing down everything else he thinks he might want to say.
Come back to me.
I miss you.
I canât stand to see you with him.
âI remember it raining and you - â Auguste pauses, looks pained as he tries to work out his thoughts, the memories that have been perverted by the Capitol. âYou were sitting by the school, soaked and bleeding.â
Chaseâs voice is quiet when he says: âyeah, Iâd gotten into a fight.â
âI patched you up, didnât I?â Augusteâs brow is furrowed, freckles crinkling across his nose as it scrunches up.
âYes,â comes out as more of a croak than a fully formed word.
âWhy would I do that? Whatâs there about you worth saving?â Auguste asks, heat and hatred, fear, coiling in his voice. The words hit him hard and Chase visibly recoils.
âFuck if I know,â he replies, quiet and bitter.
Then, he leaves, slamming the door so hard the wall rattles.
---
âIâm going to the Capitol,â Chase declares with his head held high and defiant.
âIâm sorry Chase, but Iâm afraid you wonât be,â the president replies in that cold, calculated voice of her.
âI wasnât asking,â he spits, palms slamming against the long table that separates them. âI am going to the Capitol and Iâm going to kill Beryl.â He refuses to continue to be a pawn in someone elseâs game.
Heâs the king, heâll defend himself.
âEither you let me go or I take matters into my own hands.â When he smiles itâs more of a sneer. âAnd I can promise you Laurelite, you wonât like what happens then.â
He can hear the venom in her voice when she hisses, âfine.â
Laurelite is a formidable leader, Chase knows that but heâs a natural born rebel and he knows how to weaponize himself. Sheâd rather have him with her than against her, so he exploits that.
Going to the Capitol is the only way he can find some peace.
And maybe Auguste can heal a little more without his presence a constant reminder of everything theyâve done. Everything Chase cost him.
He hopes Colin makes him happy.
---
Theyâre got a tool that gives them a map of the Capitol, outlined with all of the tricks and traps that they know of. Archer, who Chase didnât even know was alive but is as bitter and angry and done with being controlled by anyone but himself, steps up next to him and snorts.
âWelcome to the 76th Hunger Games,â he all but snarls in a terrible impression of the late games host.
Chase glances at him from the corner of his eye, then back at the thing theyâve named the Holo. The bitter, feral victor from Seven is right. The map just looks like another, more destructive arena. He canât even begin to pretend to be surprised.
He should have known.
Figures heâd never actually get out of the arena.
---
Hell breaks loose three days in.
For whatever reason, Laurelite drops Auguste off in the quadrant theyâre currently hiding it. Most of the crew is confused but Chase isnât. He sees the meaning for what it is.
She hopes that he kills me, he thinks and tries not to let his heartache as he watches someone - Suri, he remembers - shackle his wrist. If only she would be so lucky, he thinks as his whiskey-gold gaze meets Augusteâs blue-sky one.
Auguste looks a little more present, features less hollow and a little more whole. Itâs startling and it hurts to look at him, so he looks to Kaia instead.
âGuess weâre not leaving now,â she says and he canât miss the bitterness in her voice.
âWe are,â he insists, lowly and quiet enough that it only reaches her. He canât look away from their unwilling companion. âThis changes nothing,â he insists, hearing the lie before the sentence leaves his mouth.
Auguste being here changes everything.
---
âWe have to set up a watch rotation for Atwell,â Suri says in a sharp, no-nonsense tone then rattles off a list of shifts that donât include Chase.
âPut me in rotation,â he says sharply when sheâs finished.
âI donât think thatâs a wise idea,â Suri replies.
Itâs Kaia who speaks up next, âI donât think so either. If it came down to it, do you really think you could kill Auguste?â
Chaseâs voice is rough, harsh when he goes, âYes. Thatâs not Auguste anymore.â He doesnât have to look at the other boy to know that his face is contorted by a confusing mix of emotions.
Auguste would do the same, if their roles were reversed.
(Thatâs a lie and Chase knows it, but Auguste had always been the good one of the two. Auguste would have been able to rescue him, bring back the Chase he knew and loved while all Chase does is ruin Auguste further.)
They put him in rotation and while he knows heâd do what he had to if it came down to it, Chase canât help but hope that he never has to.
Some time later, Augusteâs sitting shackled to a pipe staring intently at the fire they build inside one of the abandoned buildings. âI donât know whatâs real anymore. Everything is tainted.â
Chaseâs mouth opens to say something, but when he realizes he doesnât know what to say he clamps his mouth shut and picks at his meager meal.
âThen ask,â Suri suggests, voice sharp and harsh sounding but they all know itâs just her general gruffness.
âThatâs what Colin said too,â Auguste says softly and Chase canât help it when he breaks the fork in his hand at the mention of the sunshine boyâs name. Auguste looks at him, everyone looks at him, but he only looks back at Auguste and he swallows anything he might say down.
No one follows him when he leaves the room.
âChase is still trying to protect me,â he says very, very quietly. His voice is so faint that Chase nearly misses it, but he very distinctly hears Kaia answer.
âReal. Itâs what you two do.â
Sheâs right, or at least....thatâs what they used to do. Heâs not really sure what they do now.
---
Someone sets off a trap and they lose James, he transfers authority to Chase before the pain overtakes him and he dies. The last thing he says is, âDonât trust them.â Who heâs referring to, Chase doesnât know but he listens because he doesnât know what else heâs supposed to do.
Another trap gets set off and this time, a wave of black sludge comes surging towards them. No one wants to find out what it does.
Unfortunately, Auguste goes rogue and throws one of the men assigned to the squad by Laurelite into this sticky black goo that immediately triggers a series of spear chains that skewer him up when he tackled Chase to the ground. Itâs Kaiaâs quick acting that gets Chase back on his feet and the realization, the horror that blossomâs across Augusteâs face is devastating.
Itâs all he can think about as his fingers curl into the back of Augusteâs shirt and he pushes him forward, up and away from the black sludge thatâll kill them if theyâre not fast enough.
They barely climb high enough when the sludge stops crawling, lapping at the edges of their feet because thereâs nowhere left to run. Chase still has a hand on Auguste, arm slung around his shoulders and instinctively tucking the boy into his body, until he feels the way he shakes and sees the way Kaiaâs bright eyes are watching him.
He lets go, moves towards the window to peer through it incase the peacekeepers have shown up. âWe need to leave. Now.â He barks, adrenaline in his veins and his heart in his throat. He canât help but wonder what Auguste is thinking with the way heâs trembling.
âYes,â Suri agrees, pulling her radio out and trying to radio Thirteen. Every transmission fails and her sharp eyes dart to the device tightly clutched in Chaseâs hand.
âGive me the holo,â Suri insists, a threatening edge to her voice. Chase has been watching her, knows that she craves the respect and adoration that the higher ups seem to have but he doesnât budge and doesnât even let her get close.
âNo. Iâm the Mockingjay and Iâm in charge now. I was assigned a special side mission. Kill Beryl.â
She doesnât believe him and he can see the pricks of an argument beginning to form when Archer, of all people, speaks up. âHeâs right, Laurelite sent him here with the intention to kill Beryl.â
Archerâs support is a surprise to Chase, but when he asks later the man merely goes Iâm not going back to Thirteen and Iâm not going to be a slave to the Capitol. As far as Iâm concerned, youâre the best way to get what I want.
Suri looks displeased, clearly annoyed that once again sheâs stuck as second in command instead of in command, but with the support of the others at Chaseâs back she relents.
âAlright, weâve gotta get going.â Chase says, eyes the color of whiskey gold skimming over the map of pods and traps. âPeacekeepers will be on us any minute.â
So, they run.
They almost lose Auguste again when his resolve shakes and bends beneath the weight of guilt from killing that man earlier. It doesnât help that he nearly cost Suri her life when she shoves him forward and out of the way of a trap and he reacts by lashing out at her.
Itâs only Chase and his impulsive kiss that bring about clarity to his hijacked boy. âStay with me,â he pleads, sounding as broken and desperate as he feels while heâs clutching Augusteâs face, their lips centimeters apart.
âAlways,â Auguste breathes right back, looking at Chase like he used to. The way he did when they were in real games and not this Capitol mindfield.
With his heart fluttering around his ribcage at a rate that canât be healthy, Chase holds Augusteâs hand so tightly in an effort to keep him with him. For the first time since he woke up in Thirteen, Chase feels hope.
Later that night, he can hear Kaia and Auguste talking about him.
âLooks like you get the boy, huh?â Augusteâs soft voice wafts over to him, sends shivers down his spine because he hasnât heard Auguste talk about him in that wanting tone in so long.
âHardly,â Kaiaâs voice cuts the air, sharper than she means and he can hear her sigh in the aftermath. âIf you donât get better, neither will he.â
Chaseâs fingers grip at his cot and his jaw tenses so tightly that it aches after.
âHe doesnât love me. He never did.â Thereâs that bitterness in Augusteâs voice that makes Chase want to roll over, craddle the boyâs face in his hands and go, But I do. Come back to me. I love you. Instead, he squeezes his eyes shuts and tries to stop listening.
âAre you kidding?â Kaiaâs voice is full of disbelief and, despite himself, Chaseâs eyes snap open and his heart flutters against his ribs. âOf course he does.â
âNo,â Auguste insists, word coming out in a hiss that stings Chaseâs heart. âHe doesnât love me, itâs just an act.â
âI wish it was just an act.â Kaia says bitterly, voice quieting. âHeâs never kissed me like that.â
âThat was just an act too,â Auguste tries to counter but Kaiaâs sad laugh quiets him immediately.
âNo it wasnât,â she sounds a little broken inside and Chaseâs heart twists as he listens. âYou looked at him like you used to and I could see the hope and love on his face. Itâs been you for so long, I donât think heâs capable of loving anything, anyone, the way he loves you.â
Auguste doesnât say anything and Chase pretends like what Kaia said isnât true.
(But it is, so true that Chase dreads the day when it becomes clear that Auguste doesnât want him anymore.)
---
The team takes to the tunnels, with Jadeâs avox brother leading them. The boy had been condemned to the tunnels as means of getting around the Capitol when heâd been a slave, doing janitorial work. It hadnât been until theyâd broken him out that heâd seen the light of day after four years. Jade prattles on, filling in the gaps that her brother canât when Auguste tenses and stills.
His blue eyes are wide with panic and Chase is at his side immediately, with a comforting hand pressed against the small of his back. He should be cautious since Auguste is still unstable but when he grasps at Chaseâs bicep he feels a relief he didnât know he needed shuddering through him.
âListen,â Auguste hisses. A hush falls over the group when they hear it, the sound of claws scratching against concrete tearing their way.
âMutts,â Chase breathes, then, ârun!â
Itâs horrifying, these creatures that the Capitol has sicked upon them. Chase has flashes of the mutts thatâd trapped them on the cornucopia with vague features and traces of their once human counterparts. He remembers Miranaâs eyes, haunting until heâd killed her twice. Salazem hadnât been better, not when heâd torn into Augusteâs leg.
Theyâre hairless, with skin pulled tight against limbs that move the wrong way. Somehow, theyâre a cross between four legged creature and something humanoid. If it were a human, itâs shoulders would be broken and yet, they move with an unnatural speed that has the creatures gaining on the group at an alarming rate.
A horrified screeching sound echos through the tunnel and Chase thinks his heart stops at the sound, only restarting when he sees Kaia pulling Auguste up the escape ladder that should lead them to safety. His relief is short lived when one of the mutts launches at him, claws biting into his shoulders and shoving him under into the gross, thick sewer water theyâd been trudging through.
Bow in hand, Chase is thrusting it against the beastâs mouth, thrashing in the water only to hear a muted wizzing cut through the air and the beast falling off of him and sinking to the bottom of the tunnel.
âMove Black, move,â Archer is hissing at him, wielding his axes as best he can to ward off the onslaught. Heâd always been a man built on the strength and survival of himself, but heâs no fool. He knows that without Chase, there is no future for him where he gets to live his life as he wants.
As his own.
Someone else screeches and Chase is halfway up the ladder rungs when he sees both Jadeâs brother go down kicking and screaming, bullets shattering against concrete walls and mutt flesh. Itâs not enough. There are too many -
Chase makes it to the top, pulling the holo out of his battle suit and muttering the self-destruct phrase. âNightlock, nightlockâŚ.â
Archer is screaming Chaseâs name and guilt twists like a knife in his gut as he drops the hollow, the final nightlock dripping from his lips. The holo drops, a countdown beeping from its display as Chase gets glimpses, flashes of the life Archer had chosen to lead.
Young and docile looking Archer as heâs interviewed for his games.
The predatory grin on his face and shining in his eyes as he tears the throat of the final tribute of his first game.
Wild and untamable Archer screaming in defiance when theyâre all gathered for the quarter quell. âFuck this,â heâd snarled, fists clenched tightly and arms held at his sides, âbeing victor meant I never had to go through this shit again, but look where we are.â Hatred and anger had always gone hand to hand with him.
A singular day in the woods that surrounded Thirteen, after heâd been rescued and one of the only times Chase was alone with Sevenâs last surviving victor. Archerâs in what looks like hospital scrubs and Chase is dressed in his hunting gear. Theyâre only allowed five minutes of fresh air per Chaseâs demands of President Laurelite.
âWhat do you want out of all of this Archer?â Chase had asked, sitting upon a rock with his arm slung over a propped up knee.
âThe ability to build myself a kingdom,â he says dryly, the sarcasm dripping like venom from his throat.
âSeriously Archer,â Chase presses, both feet hitting the ground as he rises. His hand grips an elbow and Archer turns, dark eyes flashing.
âI want a world where youâre not a king and no one owns me but myself.â
The explosion brings him back, as does Augusteâs gentle hand on his arm and the concern on his face. âChase,â he says in that soft voice of his, âwe need to go.â
Everyoneâs looking at him for direction, most of them looking a little hollow and bloody.
âYeah, uh. Jade, youâve got a contact here donât you?â He says, remembering some of their early campfire conversation. Heâd been distracted by Augusteâs sudden appearance but heâd still been listening.
âYeah, follow me,â she says after a moment, the question taking too long to sink in. He doesnât blame her, she just lost her brother.
All this rebellion does is take and take and take.
---
Jadeâs contact turns out to be a former stylist who goes by the name of Dragonfly.
Chase can see why immediately; sheâs got beautiful eyes, one green and one blue, with pale skin but scales decorating her neck and on her back there are what he thinks are fabricated dragonfly wings. He must be looking curiously at him because her gaze is trained upon him, the jagged scar across her face doing little to dampen the intensity of the way she looks at him.
âYou used to be a stylist,â he says after an uncomfortable minute of staring back at her. Her lips quirk up in a sly grin, the scar making it jagged.
âUntil Beryl decided I was unfit to be one. The scar was a parting gift from her soldiers.â Chase sees the hatred in her eyes and understands it with ease. Like Beryl had done to him and the other surviving victors, sheâd taken and taken and taken from Dragonfly. âTales for another time,â she says absently, then ushers them all into the cellar before their presence becomes known.
Theyâre eating from whatever canned food their host can provide them with, barely warmed over the small fire theyâd managed. Earlier, Dragonfly had provided them with the news that Beryl was calling for the entire Capitol to evacuate to his personal home.
Itâs time, Chase knows with a half-formed plan in his head.
âKaia and I are going to go undercover during the evacuation, Dragonfly will provide us with disguises. This might be my last chance to finish what Iâve started.â He pauses to chew on his last spoonful of beans. His eyes are fixed on the fire because heâs not ready to look where he wants to, at Auguste because everything is still raw even if they felt like they were healing.
âIâm not risking any one elseâs lives. I want you to hide as far on the outskirts as you can. If it comes down to it, I will provide a distraction to make sure you get to safety. Iâm sorry I risked all of your lives for a foolish, selfish desire.â
âItâs not like we didnât know what we were getting into,â Jade says, voice sharp despite the obvious grief that weighs her shoulders.
âWeâre not idiots Chase,â Suri snaps, can crinkling in her hand as her head lifts, sharp eyes forcing him to lift his. âWe chose to follow this path with you.â
Something uncoils in Chaseâs chest and he sighs in response. Itâs one thatâs full of relief and some sort of weight slips from his shoulders, down his spine, and into the ground. âI know,â he says slowly, whiskey-gold shifting from person to person until his gaze settles on Auguste.
âMy final and last request, assuming I donât make this out alive,â he begins, lips quirking in a smile full of self-deprecation, âis that you keep him safe.â Thereâs no question who heâs speaking of. âIf the mockingjay falls, Panem needs something to remind them of hope.â
The unspoken, maybe heâll recover better if Iâm not a presence, resonates with all of them even if no one vocalizes it.
âI want a nightlock pill,â Augusteâs soft but firm voice fills the silence that follows Chaseâs request. âIf Iâm captured and you fail, Iâm not going back. I canât.â
Unease settles across the surviving members of their ragtag team, then Chase and Kaia share a look before she rips her pill out and hands it to Auguste. Thereâs something exchanged between the two fair haired, golden children that Chase loves desperately and it leaves an unsettled feeling in the pit of his stomach.
It worsens when Kaia goes; âuse it as a last resort,â because sheâs looking at him instead of Auguste when she says it.
When did it become so obvious that Chase couldnât live in a world without Auguste?
----
Things go to shit pretty fast, because while their disguises are exceptional it turns out that peacekeepers are combing the crowds. At first, itâs obvious that theyâre just taking the children to use as some sort of safety net for Beryl, but as they get closer Chase can feel his heart thundering against his ribcage.
Theyâre going to be found out, theyâre going to fail -
Parachutes drop from the sky and explode in the hands of the children whoâd been gathered at the front of Berylâs mansion.
For a moment the world drops out from beneath him and Chase canât focus on anything because his ears are ringing but then thereâs Kaia screaming his name with peacekeepers dragging her off and away from him. He gets jostled by the crowd of parents and panicked civilians who are terrified that the rest of the parachutes are bombs too.
âKaia - â Her name slips from his lips in a strangled form and suddenly he canât see her anymore and it hits him what she was saying.
Shoot me.
Heâd promised her that theyâd do what they had to keep the other from becoming a slave of the Capitol again and he failed her - he was always failing somebody.
What a shitty rebel king he was -
A familiar face caught his eye in the wave of rebel medics thatâd flooded the scene and dread fills him instantly.
No, no, no!
âM-Mom!â Chase shrieks and Lara looks up, pretty face crinkling in confusion -
The second set of bombs go off and all Chase can see is red and fire and flames.
It burns and burns and burns.
Chase hits the ground, flames licking up and down his back and spine and heâs rolling, trying so hard to put the flames out and - it hurts, it hurts, it hurts.
Wait. What about -
He manages to open his eyes long enough towards the space heâd last seen his mom. His stomach lurches when he sees nothing but charred remnants of the woman who was his mother.
If we burn, you burn with us! Chase had screamed defiantly and now, now all he can do is laugh. Itâs not even a laugh, but gargled sound that dies only when his vision goes black.
He should have known heâd go up in flames.
--
Itâs a full week before he wakes and the first thing he thinks is, Auguste was right. Iâm just a mutt. A fire mutt.
His thoughts are distorted by the phantom feeling of flames licking up and down his spine, burning and singeing his skin. If Auguste thought him a monster before, he surely would now because there are scars littering his back, firm and ugly reminders of how he canât even burn to ash like the phoenix everyone pretends he is. The medical team did their best to fix him where they could, but he wishes he hadnât.
At least then, heâd look like the monster he was outside and in.
It doesnât take him long to learn that they wonât let Auguste see him, despite the way his precious boy begs and demands and cries. They donât let Kaia seem him either, but for some reason Suri gets to visit with her stern face and tightly pressed lips.
For a long while, the two just stare at each other like their wolves who canât decide if their packmates or if their enemies. In the end, it seems that Suri thinks of him as pack when she goes. âI heard about your mother.â
Chase doesnât respond, but he hasnât said a word since he woke up and itâs been nearly two weeks while Laurelite and whatâs left of the council sort out end of war things/
âI - â Suri stops, fingers digging into the side of her hand when she swallows. âLara was a good woman,â she says, more softly this time and Chase can tell that sheâs sincere and it make his heart ache a little more. âThe bombs they - â
Chase shakes his head, he doesnât want to know. Suri seems to get it when she closes her mouth and nods instead. âPresident Laurelite is hoping to see you this evening. To discuss the terms of your agreement.â
He only nods, turning his head away shortly after because heâd rather stare at a wall than look at the face of someone who reminds him of all the lives heâs taken, and worse, the ones heâs cost.
Later, during the meeting Laurelite tells him that heâs still going to get to kill Beryl, in a public execution. Itâs not what he wants, but he doesnât argue because heâs still a little hollow and definitely reeling from his motherâs death. It was bad enough when the first games cost him his father, to lose his mother after a third time in the arena...itâs a wound that runs bone deep.
Then, the rest of the surviving victors are ushered into the conference room to make a decision and Chase is forced to look at all the people that remind him of the first lives heâd taken.
Why are we called victors when all we do is bring death. Thereâs no victory in death, he thinks then laughs awkwardly and bitterly aloud because thatâs what heâd been championing for so long to realize he was wrong is humorous to him.
Maybe he would have never thought that death was the road to victory if heâd been given a real choice. Or if Auguste hadnât been taken from him.
What was the point of surviving the games if there was no one left to rejoice with after?
âChase,â Augusteâs soft and sweet voice wafts over to him and his gaze snaps over. He doesnât need to say anything else for Chase to understand. Theyâd gotten so good at wordless communication another part of him aches at the reminder.
Still, he doesnât respond and only clamps his mouth shut as he turns to look at Laurelite expectantly.
âThe council and I discussed one final hunger games, using the children of the highest ranking officials. We found that it would be a suitable beginning when establishing our reformed society, but we also wanted to leave the decision in the hands of those that had been brutalized by it most. Panemâs surviving victors.â Her voice is clear and sharklike and Chase isnât sure what to think of the news.
All around him people are praising or protesting.
He mostly just feels empty. A final hunger games...would that even be a true end to the chapter that was Berylâs rule?
Nadia, Lorne, and Auguste vote no.
Rory and Pietro, whoâd surfaced from captivity when the Capitol fell, vote yes. Aree, who had been Chaseâs mentor throughout both of his games looks to Chase and says; âMy vote is with the Mockingjayâs.â
It takes a long while for him to decide, his throat feeling like sandpaper when he utters his first word since he woke in the hospital. âYes,â he says with a decisiveness that leaves the otherâs devastated.
Chase makes it a point to avoid Augusteâs gaze when he stands and abruptly leaves the room.
He doesnât need to look at him to know heâs disappointed and hurt, but Chase is hurting too and heâs never been as dangerous as he is when heâs raw and aching.
--
Chase has come to live in what used to be President Berylâs home. He wanders aimlessly most days, barely eating and using too much morphling but he doesnât really like feeling much of anything these days. Heâs only still in the Capitol until all the pieces fall into place for Berylâs trial and execution. Augusteâs been sent away for more therapy and recovery sessions back in Thirteen with Colin and a few other people who wonât trigger him.
One day, he stumbles into a massive rose garden greenhouse with two guards posted at the entrance. Chase tries to enter, but the barr him and say; âPresident Laureliteâs orders, no one enters.â Confused and curious Chase stands there with his mind racing when a soft voice speaks behind him.
âLet him through.â The voice belongs to Commander Cosmos, the rebel leader who Chase met back in Eight and again in Two. He likes her, because she cares more about the welling being and balance of Panem verses the power leading can bring her.
Chase doesnât feel like heâs in shark-infested waters when heâs with her and sheâs leading.
âI hope you find what youâre looking for Mockingjay,â Cosmos says, sounding weary. He nods and enters the garden.
Immediately, he finds Beryl. For some reason, it shocks him and he stands there with a gaping mouth.
âAh, Chase. I wondered if I would see you before,â she says in an airy way and a wave of a hand. âWould you be so kind as to help me choose a rose for the execution?â
The request is odd, but the dynamic between Chase and Beryl has always been odd, so he complies and moves about the rows of roses carefully.
âI heard about your mother, Iâm sorry for your loss,â Beryl says, long fingers toying with the petals of a bright orange rose. Chaseâs snort must surprise her, because she looks up sharply at him. âHer death was not at my hands Mockingjay.â
The look on his face indicates that he doesnât believe her and Beryl sighs in response.
âCome now, I thought we promised not to lie to each other Chase.â She looks disappointed and for some reason it strikes a nerve and he feels guilty.
âBut you - â he stops, because heâs not sure what he was trying to say. Chase is usually eloquent, but words seem to keep failing him these days.
âYou and I both know that Iâm not above taking the lives of children, but I donât believe in pointless death. The war was long over and I was preparing to surrender when those bombs were delivered,â she explains, smoothing out her rose petals. Chase is trying to find the hole in her words and he canât, it terrifies him. âLaurelite has been very adamant and clear in her desire to overthrow and replace me.
Chase can hear the echos of his last conversation with James as Beryl talks.
Anyone who isnât with her is against her. You wield a lot of influence Chase.
Who do you want to replace Beryl? If your immediate answer isnât Laurelite, youâre a threat.
Chase picks a pretty orange rose and holds it up to Beryl who hums her approval.
âWe were too busy paying attention to each other to realize what was happening around us,â Beryl laments, plucking a petal from her rose before dropping it and watching it flutter to the ground. âThink about it Mockingjay, what did I have to gain from killing your mother? Nothing.â
Chase leaves shortly after when he realizes he has no argument.
--
The day of the execution comes and Chase dons his Mockingjay suit for a final time. On a balcony above the post Beryl is bound to is Laurelite, who is addressing the crowd and rattling off all of the things the former president is convicted of. Sentencing the woman to death, Laurelite informs all of Panem that she will be stepping into the vacant position of power wearing a smile that makes Chase sick.
He canât stop replaying the conversation with Beryl even as he steps forward, his bow vibrating in his hand.
I thought we promised not to lie to each other Chase.
You and I both know that the game was over before the children even made it to my doors.
Iâm not about killing children, but those bombs werenât mine.
Those bombs werenât mine.
Chase has a single arrow with him, that he notches then points at Beryl who is smiling at him with a hinting of knowing that makes his stomach sink.
I thought we promised not to lie, Beryl had said.
We did, Chase thinks and his bow tips up and the arrow flies. It lodges in Laureliteâs neck, sends her tumbling over the balcony and a riot erupts around him. People are pushing and shoving past him, both to get at Beryl but also to grab at the body of Laurelite. For a minute Chase stands numbly before dropping his bow and allowing guards to drag him from the scene.
In the aftermath of his decision, one made to prevent someone as cruel and twisted as Beryl from reigning, Cosmos is elected to lead which Chase finds to be a good choice. Sheâs a leader capable of rebirth and balance, Panem needs that in order to start again.
Chase returns to Twelve after itâs determined that he wonât go to trial and he thinks that maybe heâll get a chance to just exist instead of having to fight just to survive.
--
Heâs been back for a least six months when he exits his home to go hunting in the nearby forest and finds Auguste crouched over a bed of flowers just outside his house. Thereâs dirt all over Augusteâs pains, beneath his nails, and up his arms. His brow is knitted together in concentration, lip pulled between teeth in a way that sends Chaseâs heart skittering.
Looking at Auguste reminds Chase of how he felt right before their first game ended, where he was panicked and desperate to keep them both alive. It reminds him of the fact that nothing is unsalvageable with enough time and love and patience. When he looks at Auguste, Chase remembers what itâs like to hope and how it was Auguste and his endless love and trust and faith in Chase that kept him going.
Falling in love with Auguste was inevitable, Chase realizes as he watches the snow-haired boy planting flowers in front of Chaseâs home in Twelve.
âAuguste,â he says quietly, voice tinged with fondness and a touch of fear. âWhen did you get back?â
Startled, Augusteâs head shoots up and his cheeks burn read and Chase can feel his heart lurch and something twist in his stomach.
Oh, Chase thinks, oh Iâve missed you.
âTwo days ago,â he says in that soft voice of his, carefully packing the dirt around the flowers before standing and brushing his hands off on his pants. Shyly, he tucks hair behind his ear and steps towards Chase. âThey finally cleared me. They told me that I made enough progress with Colin, Suri, the others...you, that I could come back to Twelve.â
Auguste looks nervous, plays with his fingers as he looks up at Chase and Chase just lets a slow breath of relief ease out of him before he smiles.
âYou look good Auguste,â he says, then looks around like someone is missing. âDid Colin come back with you?â The idea that sunshine boy mightâve makes Chaseâs heart constrict like someone just stabbed it, but Colin is good for Auguste in a way Chase will never be.
And now, regardless of how he feels, Chase only wants Auguste to be happy. If happiness means Colin, then heâll deal with it.
âOh, um. No.â Augusteâs frowning at him but Chase canât help the way his smile shines a little brighter and he seems to hold himself a little taller at the news.
âAh, Iâm sorry,â he says awkwardly, rubbing his face so he can hide his grin. âI - â Chase isnât too sure what he wants to say but heâs already started and figures he might as well commit. âYou guys seemed good together.â He winces after, because it sounds as clunky and awkward as he feels.
âW-what? Colin and I - we werenât - we never - â Auguste is bright red now, stammering over his words like he canât believe that Chase would even suggest they mightâve been a thing. âColin and I were never together,â he says, smoothly this time. âHeâs got a nice boy from Two that heâs courting. A, um, Bjorn I think? Besides, I was never really in a position to, um, want a relationship with anyone butâŚâ He stops, but Chase gets it
Itâs almost shameful how happy the statement makes him.
âA-anyway, whereâs Kaia?â Auguste asks innocently.
Chase shrugs, stuffs his hands in pockets and chews on his lip. âSomewhere in one or two probably, doing political things. I donât know. We donât - â Kaia and Chase hadnât talked since the fight right after his motherâs death. She hadnât  meant it, but sheâd been part of the ploy that set of all those parachutes. âWe never really fit right, so she left and is building a new life for herself.â
Meanwhile, Chaseâs busy trying to pick of the shambles of his.
âOh. You donât, um, mind that Iâm back, do you?â Auguste asks tentatively and Chase just wants to pull him into his arms, kiss his hair and go of course not, come back to me please.
Instead Chase says; âNo, itâs good that youâre back and doing better.â Thereâs a split second of hesitation before he goes; âDo you think that we could, maybe, start again?â Chase isnât sure what he means exactly, but he hopes Auguste understands enough.
It seems like he does, because he nods and smiles brightly at Chase like he used to. âIâd like that.â
Chase returns the smile, then looks at the flowers that Auguste had planted. Dandelions and lilies, flowers that his mother loved and flowers that promise something akin to hope and new beginnings.
He loves them.
And Chase thinks that maybe this isnât what he wanted when he made that first defiant choice to pick death over losing Auguste but heâs pretty content with how things turned out for the most part.
--
It takes a while, with lots of ups and downs between the pair of them, but slowly, preciously, Auguste and Chase grow back together. Â
It starts with group dinners with all of the people that have returned to Twelve. Chase provides the meat, Auguste harvests potatoes and herbs and other things from the small garden he started to keep his mind off of all the terrible things they endured during their time in the hands of that Capitol. Dragonfly has relocated to Twelve hand helps them cook while also mending the tears in their clothing when she can.
Sometimes, Colin and Bjorn visit and so do Nadia and Lorne and Suri and when they have dinners and drinks it feels a little less like they had to give up everything just to end up there. Chase still gets a ping of jealousy whenever he sees Colin with Auguste but it always dissipates when he sees the way that Colin looks at Bjorn.
It makes him wonder if thatâs what he looks like when he looks at Auguste.
Itâs always a look of pure, unadulterated adoration and love so immense that it pours out of every stitch and seam that make up the person that is Colin Hargrove. Bjorn is a beast of a man too, with an extremely formal way of speaking and manners Chase didnât know survived the rebellion but heâs certainly helpful and Chase appreciates the pair of them more than he can ever express.
Auguste always seems a little more whole when heâs surrounded by his ragtag group of friends that are more a family than anything either of them have had before the war took everything. Things certainly arenât perfect, but they're beginning to heal and Chase finds that matters most.
Kaia never comes to visit, but he gets updates about her life here and there when he reports in on his therapy sessions that became mandatory after he assassinated Laurelite. Sheâs got an upcoming wedding to a man she met in Two, someone from District Seven named Bellamy. He expects the news to upset him, because he did love her, but instead heâs simply happy for her because she found someone who tames the burning flame without extinguishing it the same way Auguste does for his own.
Recovery for Panem is slow, but Cosmos is doing her best to rebuild and establish a system that is more balanced and fair than anything else. Sheâs an excellent, if somewhat reluctant, leader and Chase endorses her wholly. Sometimes, she seeks his counsel and opinions and while he doesnât want anything to do with leadership and government roles, heâs still the Mockingjay and he knows the kind of power that he wields.
Auguste holds a lot of influential power too, but Chase shoulders the burden because his precious dandelion boy has shouldered enough for one lifetime.
When it comes to the star-crossed lovers, growing back together takes more effort and time than Chase expects. At first, theyâre careful to keep from being alone together because while Auguste is better heâll never quite be healed and anything can trigger the episodes. Heâs much better at managing them than he used to, but itâs still difficult to differentiate what is true and what is false even on his best days.
Chase is always patient though, providing the berth of space that Auguste needs when he folds into himself and tangles fingers into his hair because itâs one of the only ways he knows how to ground himself, because he owes Auguste that much. Auguste does the same when Chase is having a bad day, where his grief chooses to encompass everything that he is, or when the guilt becomes too much.
Itâs the nightmares that actually bring them together, with Chase leaving his home to go to Augusteâs in the middle of the night when heâs plague with a dream about the arena or the ghosts of all the dead are sitting too heavily on his back. Heâs hesitant at first, because what if Auguste doesnât want him anymore, but Auguste always just lifts the blankets and curls into Chaseâs chest when he crawls into the bed with him.
It reminds him of the days when they were on the Victory Tour and neither of them could sleep if they werenât together.
It goes from there until one night, when Auguste had crawled into Chaseâs bed instead.
The room is dark, with the curtain drawn tight across the window but the smallest sliver of moonlight still slips through and leaves a strip of white light across the bed. Chaseâs back is pressed against the wall and Augusteâs pressed against his chest, with Chaseâs arm slung across his stomach and his nose against his neck. The blanket lays across them both, just beneath Augusteâs shoulder and both feel comfortable and safe, a foreign feeling Chase never expected to have again.
Auguste shifts in his arms, pulls back a little so that he can look at Chase when he reaches up and tenderly strokes his cheek. Very, very quietly he asks, âyou love me. Real or not?â
It takes a minute before Chase registers the question, because heâs half asleep and confused as to why Augusteâs warm body is no longer pressed against him. But when he answers, the sleep is cleared from his eyes and his thumb is pressing lightly against Augusteâs lip. âReal,â he says softly, brow furrowing as whiskey-gold searches his face. âSome days, loving you is the only real thing in my world.â
And when he scoots forward, draws Augusteâs mouth to his, Chase is reminded of that kiss beneath the electric tree that lit a fire in his belly and a yearning that he couldnât explain. That feeling is present again, a warm and bubbling hunger that leaves Chase wanting when he pulls away.
Augusteâs hands are gripping the shirt he sleeps in tightly and he looks a little dazed when Chase shifts so that his hands are pressed to either side of Augusteâs head and his knees are on either side of his hips. âChase?â
âI love you,â Chase declares, head dipping for another kiss because heâs been waiting so long and yeah, theyâre still both a little broken, but he feels a little more whole everyday theyâre together and he thinks itâs the same for Auguste. âI love you. I love you. I love you.â He breathes, punctuating every I love you with another kiss.
Thereâs the pinprick of tears gathering in his eyes, because Chase is so overwhelmed by his own declaration and how much he loves this boy who went through hell and back and still did whatever he could to make Chase happy and safe and whole.
âIâm sorry I took so long to figure it out,â he mumbles later, when heâs breathless and panting and so consumed with wanting more that he canât think straight.
But Auguste just cups his face and draws him into a kiss thatâs nothing but sweetness and love and perfection that Chase thinks he might melt. âSh, itâs okay. It doesnât matter. Iâm here, Iâm not going anywhere. I love you.â
As always, Auguste knows exactly what to say to calm his rapid fire heart and Chase thinks that maybe going through hell and back was worth it for this moment, if it meant that he got to keep Auguste with him for the rest of his life.
When they make love later, for the first time, Chase takes his time with everything because he wants to make sure he appreciates the gift that heâs been given. It comes full circle as Auguste moves atop him, when an overwhelming feeling of bliss crashes over him, because all Chase can think about how it was always meant to end like this.
Auguste has always been his promise of hope and new beginnings and Chase thinks that maybe, just maybe, they can heal and grow together.
Chase is still a mess of broken, sharp edges with gaping wounds that have never seemed to heal but when heâs at his worst, Augusteâs there with a reassuring hand on the small of his back and the press of his cheek against Chaseâs skin. And Auguste still has bad days when he can differentiate between real and not real, but Chase is always waiting outside the door to offer support and together they keep a journal of all the things they experienced and everything theyâre still going through.
Itâs not perfect, but it makes things easier.
They recover together, tend to Augusteâs garden and forge in the woods hand in hand, eat meals together and spend nearly every night tied up in each other. The long road wasnât something Chase ever wanted, but he canât say that it hasnât lead to something that heâs always needed.
Eventually, they reach a point in their relationship and their recovery where Chase is confident enough in himself, and them as a couple, to say yes when Auguste shyly asks for children. The idea of children both terrifies and excites him, because theyâre finally in a world where he wonât have to be afraid that theyâll be reaped or that theyâll have to suffer through any of the things Chase had to.
But he also fears the day when heâll have to explain to them his part in the rebellion and the games and all the things he did that heâs not exactly proud of.
Still, he thinks that he can manage one step at a time, day by day, as long as heâs got Auguste by his side.
i. youâll fall in love with someone and youâll think youâll be together forever, but theyâll break your heart and leave you behind. they wonât always be a lover, but a friend whose edges aligned with yours until they didnât and it wonât hurt any less, but maybe worse.
ii. youâll struggle with trusting and expressing because youâve spent a lifetime pulling your heart back into your chest, blood doesnât suit your sleeves after all. people wonât understand, will come and go recklessly and puncture your heart a little more each time they leave.
iii. someone will call you fickle and itâll resonate with you for weeks and months and maybe years. youâll second guess every friendship, every cycle or pattern that you realized you developed because youâre terrified theyâre right.
iv. people wonât understand you or how you think and youâll spend a lifetime compromising yourself while others stay stagnant just to keep them in your life.
v. it is the nature of things to come in go in waves; just because someone is a constant now doesnât mean theyâll be a constant later and the sooner you accept this, the sooner your heart will stop aching all the time.
vi. you can work your hardest and still feel like itâs not good enough; be patient lest you burn yourself into ashes
vii. feeling second best will become a constant and youâll push people away, because whatâs the point if theyâre never going to love you the same way.
viii. still, youâll give too much of yourself away because you donât know how to love in any way that isnât self-destructive
ix. and youâll reinforce your walls in the aftermath, slather plaster across the holes puncturing your skin. every freckle, dimple, and mole are just spots from when you loved too much.
x. Â youâll feel alone more than you think any sane person should, but that doesnât mean that youâre broken it just means that you need to be a little more gentle with yourself. you are loved, donât ever forget that.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Outwardly she is beautiful, radiant, with her pale skin, pale eyes, and sun-spun hair.
Inwardly she is ugly, wrapped in darkness that coils around her heart and spreads through her veins.
She is soft features, big eyes, sweet smiles, and innocence.
But thatâs not right--
She is sharp teeth, harsh words, cutting edges. She is cunning, ruthless, decisive. She leaves destruction, ruin, and death in her wake.
Outwardly he is normal, plain, with his dark eyes, tan skin, and night-dipped hair.
Inwardly he is beautiful, brightly clothed in a light that blossoms in his heart and lines his bones.
He is sharp features, strong jaw, dark eyes, brooding stares, and too much life experience for a boy his age.
Wait thatâs wrong--
He is soft grins, sweet words, dulled edges. He is strategic, diplomatic, encouraging. He is the promise of hope, rebirth, and a life after war.
He carries a weight like Atlas on his shoulders. She shoulders his burden with her own and ignores him when he protests.
He is more a soldier than a commander, but he knows how to lead when he must, and still he looks to her for guidance, assurance.
She is more a regent than a warrior, but she knows how to fight, grapple, and what itâs like to bleed.
He is her precious, loyal soldier boy who will follow her to the ends of the earth and she is his sun, his ocean girl bound to swallow him whole.
i.
In this one, sheâs a princess and heâs just a lowly knight. She loves him, but not enough because thereâs someone else. (Heâs there in every lifetime too, the thread of his lifeline strewn across theirs.)
And theyâre both so duty-bound thatâs itâs almost laughable -- there are no lengths that they will not go to for the sake of their people.
(But there are no bounds to what he will sacrifice for her.)
In the end, he dies and she lives, hides her grief because her people need her.
ii.
They meet again when sheâs sixteen and heâs twenty with blood crusted beneath his nails and the weight of the world resting on her shoulders. This time sheâs a diplomat and heâs a foot soldier and they sneak kisses beneath the stars, hidden among the trees.
He rarely smiles in this life; his mouth clamped shut and jaw tightened into a hard line. But when he looks at her, with the sun in her hair and her hands on his face - the corners of his mouth twist upward in a smile so sad itâs devastating.
Because once again, this is a lifetime where she cannot be his.
(There is a girl this time, with a chip on her shoulder so deep it sets in her spine. Sheâs wild and fierce and on the road to destruction without his princess, so he lets go like he always does because he needs her but not like they do.)
iii.
In another one, theyâre on opposite sides of  the war and she is his weakness. He loves her, as he always does, and she turns herself into a weapon against him.
Her words are sharper than any blade, cutting past the bone and into his soul, shredding him up inside. Her fingers are wrapped cruelly around his heart but he does nothing to resist.
âHurt me,â he says, rough fingers tight around slender wrists. âIâm already dying without you.â
âIâm already dead,â sheâll sneer and grip harder, ignoring the skittering of what she thought was a decayed heart.
âIâll save you,â heâll promise, determination aflame in his dark eyes.
And sheâll want it - for her skin to knit back together and for her life to stop pouring through the cracks in her flesh, to be free of the iron grip of chaos that pollutes and steals from her. Sheâll want it so badly that her heart will kickstart and her lungs will fill with all that air she stopped breathing when she gave up rebirth.
But she will rebuff him and itâll puncture his heart, fill his lungs with blood and desperation and heâll drown in her oceans.
In the end, heâll sacrifice this life to make sure she continue to live others and hope, as he faces down the cauldron, that next time theyâll get it right.
iv.
They almost do.
Heâll meet a girl with blonde hair and eyes the color of honey in a homey coffeeshop. Sheâll look weary, haunted like the ghosts of a past she shouldnât remember are crawling up and down the ridges of her spine. Heâll offer her a cup of tea and a shoulder to lean on.
Sheâll accept and heâll feel something inside him stitch itself together when she says, âokay.â
And it wonât be quite right because sheâs in love with someone else, but sheâll love him too and heâll think thatâs enough.
Until the boy barrels back into her life and tears her up again. And heâll pretend like his split lip has nothing to do with the guyâs bloody knuckles or that he didnât break his hand punching a wall instead of a face. And heâll love her until he thinks heâll explode from the intensity.
But heâll move to the sidelines when they come back together and heâll carve a space for himself in their relationship.
And it wonât be the same, but itâs close enough.
He supposes.
v.
The motel room is small, cramped and the walls are stained a yellow that can only come from too much smoke exposure. The curtains donât close, the wallpaper is peeling in the corners, and it smells of musk and mold but itâs all he can afford. Thereâs never been a life of his where he hasnât struggled for currency.
But sheâll take his hand, tug him through the door and towards the bed and the shame thatâs stained his ears red will recede.
âItâs perfect,â she says, when she crawls into his lap.
âDonât lie, itâs awful,â heâll laugh and press his nose into her hair.
âMaybe,â sheâll relent and laugh alongside him and heâll think itâs the most beautiful thing heâs ever heard. âBut itâs here, for us.â
They donât get many days, nights, like this but they donât talk about it. And they certainly donât talk about the white gold wedding band on her finger or how they have to travel two hours out of town for privacy.
He knows that they shouldnât be here, doing this, not when she has a husband at home who works too much and he has a girl who expects him to propose but -
There arenât many times in any of his lives that he allows himself to be selfish.
He hates these lives the most, because they make him feel dirty, rotten, scumlike. They sneak and hide, keep secrets from the rest of the world  and he has to pretend like heâs okay when she leaves after every elicit meeting.
âDonât go,â he says once. âStay. Run away with me.
âI canât,â sheâll reply wearing a smile so sad he thinks his heart might shatter from looking at it. âI have to go home. To him.â
âDonât,â heâll plead
âI love him Bell,â she insists.
âYou love me,â he points out.
And she says, âbut I love him too.â
Then sheâll leave and heâll smoke a cigarette and pretend like he wonât run to her when she calls again.
(Thereâs always someone else after all.)
vi.
This oneâs a life without him.
She spends it trying to figure out whatâs missing.
vii.
Roles are reversed this time; heâs a king and sheâs his lady-knight.
And theyâll steal kisses beneath the moonlight or hidden in the darkness of his chambers. Heâll take her to the garden hidden behind the hedges and profess his love. Sheâll respond in kind but woefully reject him when he asks for her hand in marriage.
âI canât,â she say with tears pricking her eyes and her knuckles white. âI donât want that life.â Sheâs lived enough of them, sheâs tired of ruling.
So heâll say, âthen weâll run away,â because heâs willing to give up everything if it means that this lifetime is the lifetime.
âYou canât,â sheâll whisper and kiss him slow and sweet like her heart isnât peeling apart into wisps the wind can blow away.
âBut I will.â
âI know, but your people need you.â And it doesnât matter that dozens of lives have passed, theyâre both so duty-bound itâs absurd and if she asks, heâll do anything. So when she goes, âstay, be the king they need,â he doesnât argue.
He marries someone else, a princess from another kingdom for an much needed alliance in a time of war.
And then -
For the first time, sheâll perish before him, lost on the battlefield defending his name.
Lives where she dies first hurt the most.
viii.
They meet, they fall in love, she gets sick.
Terminal illness, her heart is failing and she canât get a transplant because her blood type is rare and there are no donors. Time is running out and he canât lose her.
He finds out they share the bloodtype, thereâs an accident, he dies.
She gets his heart and tries not to cry when she finds out what happens.
âIdiot,â sheâll curse because he left her too soon and she was supposed to go first this time.
ix.
Heâs smoking on the balcony of the room they have in Rome, elbows propped up on the railing and his back curved as he leans over it. Heâs shirtless, sweatpants hanging low on his hips and his thick dark locks are a curly, tousled mess on his head. Above him, the sky is a dreary gray with the promise of rain and thereâs the gust of a cold breeze that sends shivers down his spine.
Behind him the doors are open and the curtains rustle from the wind. There is a woman laying on the bed, blankets pooled around her waist and strands of blonde hair splayed across the pillow as she sleeps. Sheâs beginning to stir, he can tell, so he puts out his cigarette and drops it in the ashtray that rests on the little glass patio table.
Itâs too easy, natural, for him to lift the covers and slide back into bed. Instinctively, she rolls over and presses herself against him, body warm against his chilled skin.
âI hate when you smoke,â she murmurs sleepily, nuzzling into the skin above his ribs.
He chuckles, smooths her hair beneath his hands and ducks his head to kiss her forehead. âI know.â Â
Thereâs a half-packed suitcase by the wall with their clothing spilling out of it and Bell is amazed that they made it here.
For once, there were no hiccups along the road to finding each other and thereâs so much happiness and love in him for her that he struggles with remembering a time when she wasnât a constant. When she wasnât his north star that heâd follow to the ends of the universe if it meant they got to touch.
Thereâs an imprint of her that he thinks has always been beneath his skin, written into his bones and dna. Itâs hard to picture a life that isnât this, with this girl heâs utterly smitten with pressed up against him filling the spaces and cracks he didnât know where there.
Her wedding band glistens when it catches what little sun is peeking into the room and it makes him smile; wide and goofy like he canât believe this is real.
âYouâre my wife,â he says slowly, catching her hand in his kissing first her knuckles then the space below her ring.
âAnd youâre my husband. Thatâs what happens when you get married,â she says, a lilt in her tone thatâs fond and teasing.
When she kisses him, she cups his chin and pulls him towards her. Itâs as forward as she gets and it thrills him all the same.
He presses their foreheads together, dark eyes closing as he breathes her in. She smells like citrus and sunflowers and he thinks he doesnât want to smell anything else again. âI know,â he says quietly, hands running along her sides beneath her oversized shirt. âI never thought weâd get here.â
Not because he doubted his love for her or her love for him, but circumstance has shown him that itâs not often that he gets what he wants. This time is different  and it makes him feel like he can breath for the first time in...who knows how long.
Itâs like crawling out from underground, when all youâve ever known is dirt and grime and stale air only to find the stars twinkling above you and air so crisp and fresh it stings your lungs.
âI know,â she says quietly, mimicking his position with her nails scraping against his chest. âBut weâd get here eventually.â
He exhales when he realizes sheâs right. Everything about them has been building towards this moment, this life and after all theyâve done, theyâre owed this bit of paradise.
âI got you,â he chuckles, stealing a kiss.
âYeah, you got me.â
x.
Sometimes, he thinks he misses her in a life but then they bump shoulders, smile at each other across the train with sheepish grins and flushed cheeks. Sometimes, their time together is fleeting and they only get that singular glance where the world appears to halt on itâs axis and the people around them freeze before time jumpstarts and the momentâs lost.
Sometimes, he wonders if that one life was their only happy one, where the planets align and they get that happy ending their heartâs ache for. But then heâll find her in a book store, a plant shop, or a lecture and all the pieces click together and everything feels like home.
He doesnât mind, always pushes away the anxieties and fears that they missed their chance, that he should have kissed her harder, longer because there wouldnât be another one. He keeps going, ignores the ache in his heart in those rare lives where she doesnât exist, because he knows somehow, some day theyâll find their way back to each other.
Theyâve sacrificed enough for the universe and he thinks theyâre owed a little happiness by now.
give me one more life, because this isnât enough
Step One:
Meet a girl beneath the lamppost in the park, promise to help her find herself.
Take her hand and guide her through her confusion, the sweeping twist of amnesia filling the space of her mind.
Choose to make a deal with the devil and sell part of your soul.
Fall deeper and deeper down the rabbit hole.
Then, pretend you donât know sheâs in love with someone else.
Step Two:
Let the devil push her away, because heâs greedy and demanding that other half.
Watch her walk away and donât chase her because you donât think you deserved her anyway.
Try not to be bitter when you learn she left you for him, in the end.
Steel yourself and snuff out any of the âlightâ she thought she saw in you.
Step Three:
Rebel, rebel, rebel because itâs all youâve ever been good at.
Make your descent into darkness and make a deal with a demon. (Theyâre stronger than the devil anyway.)
Forgo sleep, become a workaholic and build your walls and muscles instead.
Ignore your split lip and bloody knuckles, fight until your knees cave beneath you.
Then, try to find something you think you can believe in instead of her.
Step Four:
Become a monster, whoâs monstrosities lie beneath the surface of a handsome face, a charming grin.
Lose yourself to the darkness wrapped around your heart.
But remember to claim yourself as one of the good guys.
And learn that maybe thereâs no such thing as a good guy.
Step Five:
Wake up plagued with nightmares and find that time has rewound.
Youâre eighteen again, with all the weight and knowledge of your 25 year-old self.
Chase her this time, travel to her house despite the storm.
Tell her youâre going to follow whatever path she takes, because your destiny is tied to hers.
Then, convince her you need to get out because when the demon collects whatâs owed, both of you lose.
Step Six:
Take a leap of faith and start a new life, forge new identities from the scraps of your last one.
Grab her hand and take off running, donât look back because your demons are behind you.
Believe that the two of you can make it, that if youâve got each other then survival is easy.
And discover that youâre wrong because you donât know who you are anymore.
Step Seven:
Cling to her because sheâs all that youâve got left.
Struggle with resentment and bitterness, because she finds herself and youâre still lost.
Put on a mask, wear it like a second skin and act like everything's okay.
Accept that the weight you carry is crushing you and youâre barely surviving.
Then, leave her because you canât keep pretending anymore.
Step Eight:
Destroy, destroy, destroy and self-destruct because you donât know what itâs like to feel anymore.
Let her save you again and again and again.
But still reject her when she tries to take your hand.
And walk away from her again, because she deserves better anyway.
Step Nine:
Swallow the jealousy and bile that rises in your throat when you see her with someone else.
Remind yourself that you left her and you donât have a right to be mad if sheâs happy.
Hate the man anyway because itâs your destiny thatâs tied up in hers.
Indulge in the temporaries youâve surrounded yourself with.
Then, drink until you canât see her face when you close your eyes.
Step Ten:
Taste the mouths of boys and girls, dabble in sexuality and promiscuity.
Ignore the ping in your chest that goes, itâs not the same, itâs not the same.
Reject anyone that reminds you of her; no blue eyes, blonde hair, shy smiles.
Entangle yourself in people with sharp tongues and sharper nails.
Step Eleven:
Hit rock bottom and try not to laugh bitterly when she comes to your aid again.
Tell her you donât deserve her, that you never did because she always shone brighter than you did.
Try not to cry when she says youâre wrong and holds you when you do break.
Let her take you home and curl up against her like you used to.
Then, leave in the morning before she wakes up because youâre just going to hurt her anyway.
Step Twelve:
Discover your other self, learn about his past and his memories and his heart.
Relive her death, deaths, with memories that transcend lifetimes banging on your temples.
Spiral out of control, bruise your knuckles and break your bones.
Destruct, destroy, and break apart because youâre grasping at straws that turn into sand in your hands.
Step Thirteen:
Look for her when you should be looking for yourself.
Let your heart rattle against your ribcage when you think you find her.
Hold back the disappointment that shakes your bones.
Find him instead, break open the skin of your fist and watch yourself bleed.
Then, clean yourself up wash, rinse, and repeat.
Step Fourteen:
Patch yourself up, hide the cracks in your skin with the press of bodies against yours.
Lie to yourself, tell yourself that youâre okay, that the pressure isnât bearing down your shoulders.
Say the man means nothing, to her...to you.
Realize that maybe he has a place in your destinies too.
Step Fifteen:
Run to her because in the end, sheâs the only constant in your life.
Understand all threads will always lead back to her,
And admit that you donât want to know who you are without her.
Apologize and repent, over and over again.
Then, let her take your hand and believe her when she says, weâll figure it out together.
your thirteenth birthday falls on a warm spring day; the sun is bright, the sky clear, and all of the flowers are in bloom.
it is also the day that Persephone dies.
you find everything about it fitting and poetically ironic.
the day goes like this:
you wake at first light, sun creeping through the tears in the fabric of your tent, rub the sleep from your eyes and stretch your weary limbs. your muscles ache, as theyâre prone to nowadays, but you ignore them and dress yourself. your armor feels too heavy on your shoulders and the steel of your blades too comforting against your skin.
you visit the table that has maps and war plans scattered across the wood surface, your eyes glance at the calendar set in the corner. you frown when you realize what day it is.
you do not like your birthday.
so you turn the calendar down, straighten your spine, and focus on work.
you have battle plans you must discuss with your soldiers, people you need to heal, and you think youâll lead todayâs hunt, or at least the foraging expedition. you need more herbs, plants for your healing mixtures and for poisons.
you do not mean to stumble upon the goddess, in a open field littered with flowers. she doesnât recognize you, doesnât realize that you are the feared war queen, Conquest, because she smiles at you warmly when she plucks a pink flower from the grass.
âthis would look lovely in your hair,â the goddess comments casually, extending the flower like an offering. you donât accept it and she sighs. âIâll weave you a crown instead,â she suggest and you think you might be looking at her in wonder because she smiles so gently, pats the grass beside her and gestures for you to sit beside her.
you can see why Hades kidnapped her, swallowed her into the underworld like a greedy man. Persephone is beautiful, in a gentle way that will haunt you days after her death-- youâre suddenly questioning your desire to slay all of the god, but then you remember what theyâve done to your people and your heart hardens all over again. her hair is light colored, like yours, but tinged with green or pink or blue or purple depending on the flowers around her, her eyes are the prettiest shade of green you think youâve ever seen-- pale but sparkling and it creates a fluttering in your stomach that reminds you of the day you met War. she is small, barely bigger than you are and you cannot tell if that is her natural size or if sheâs shrunk herself to make you more comfortable in her presence.
youâre moving forward, settling in beside her with your feet tucked beneath you before you realize what youâre doing. she smiles so brightly, so warmly, at you when you join her that you cannot keep from grinning back in return.
you watch as her fingers twists flower stems deftly into the makings of a crown. you are mesmerized, duly wonder if this is how people watch you when you stitch up their wounds.
âwhat is your name little one?â
your mouth opens, then snaps shut because you cannot tell her the truth. you cannot bear to have the illusion shattered so soon. youâre forced to look away, cheeks flushed from the earnest way Spring looks at you. there is an all consuming warmth that spreads through you when she reaches out and pushes your hair from your face.
âLivia,â you lie-- itâs not like she can learn the truth.
âwell, Livia, I am Persephone.â you swallow the I know, Iâm going to kill you, that tries to spring out your mouth. âthank you for joining me.â
âyou are lady spring.â
she smiles sweetly at you in response and your heart lurches and your stomach flips. Â you do not understand the way she makes you feel, but itâs a warm and possibly happy fluttering in your belly and you think youâd like to keep that feeling. âI am, Livia,â she reaches for you, tucks loose hair behind your ear and you cannot keep your cheeks from growing red. âyou are a child of spring arenât you?â
you cannot look at her, instead you focus on the grass beneath you. you pluck a long blade and twirl it between your fingers. âI am,â you whisper, ashamed.
âyou look like one,â there is nothing but fondness in the goddessâs voice and her fingers trail down your cheek, cup your jaw. her gaze rakes across your face, takes in your sun-spun hair, lightly tanned skin, and bright but hardened blue eyes. thereâs a heat to her gaze that you notice, but donât understand, so you focus on the blade of grass in your hand pulling it apart at the seam.
âI do not feel like one,â you admit, pulling away and turning your face so she cannot see you frown.
it occurs to you that this is perhaps the most intimate exchange youâve had with another person since your mother passed. it does funny things to your stomach, your heart beats erratically, and too many parts of you are warm, flushed. you donât like the confusion she stirs in you, but you cannot figure out why.
âLivia,â she murmurs, soft and sweet, and your heart lurches unexpectedly.
âlady spring.â
Persephone looks at you carefully, smiling sweetly all the while before looking at the expertly woven crown in her lap. âcome here.â
you comply immediately.
she settles you between her thighs, facing away from her so that she can card her fingers through your hair. her touch is soft and gentle, like everything else about her, and you relax against her. the goddess hums happily as she twists and pulls and weaves your hair.
in the end, itâs a delicate crown that wraps around your head and she threads flower stems through the gaps. âyou look beautiful,â she tells you, pressing a soft kiss to your forehead.
your cheeks flush and a pool of warmth settles in your belly. âi am nothing compared you you lady spring.â
âhush Livia,â the spring goddess scolds, âyou are beautiful.â
you do not think yourself to be such, with your blood stained hands and the scars that litter your skin, but beneath her gaze you flush because - if Persephone thinks you beautiful, then perhaps you are.
i had a dream; where i dreamt you were here and you were mine. and when i woke - there were tears on my cheeks because you were there but you weren't mine.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
conquest breeds war, war becomes pestilence, and pestilence leads to death you learn. the pair of you are lethal, because you are strategic, cunning, and sharp edges that cut bone deep; he is deadly, brave, and made of steel. you are radiance, brilliance, and creative where he is understanding, perceptive, and intuitive. where you are hot-headed, reckless, and rash; he is level-headed, calculated, and calm.
two sides of the same coin.
you kill and conquer and destroy anything that dares stand in your way. Hermes, Hephaestus, Persephone, Artemis, Apollo, and now even the almighty god-king Zeus are all evidence of your capabilities. Even Hades, fearsome god of the underworld, quakes in your presence, though you know it is not just from fear.
beware the godslayer, bred by Jupiter and a roman princess, for the gods will fall to their knees and beg her forgiveness, are the whispers that sweep across the lands. beware the wrath of the knight that rides at her side, for she is the blade and he is the force behind it.
it should not make you proud, but it does, knowing that your reputation breeds fear in your enemies. you do not take pleasure in death but there is a swell of something in your chest whenever you get vengeance.
letting go is easy, in theory, but in all practically itâs difficult-- impossible even.
itâs human nature, you suppose, to grip so tightly the things that you want until you donât know how to uncurl your fists and let them drop. itâs a learned behaviour, you think, to rationalize things, justify behaviors, and make up reasons to forgive, forgive, forgive. itâs self-loathing, you decide, that keeps you locked into place, playing things over and over again while you try desperately to figure out what went wrong, why you werenât good enough, or why you canât move forward.
history has a way of repeating itself when youâre too stubborn, too foolish, too blind to leave it in the past where it belongs.
physically letting go is a hell of a lot easier than emotionally or mentally. itâs easier to force your fingers to loosen, to pry them off of whatever youâre clinging too than it is to tell yourself that you did everything you could and they still wanted to leave you behind. itâs harder to admit that you couldnât have done anything different or better than it is to hold your head up high, put on an impassive expression, and pretend that youâre alright.
there are some things that you want so desperately that you try and try and try again even when the results always the same. you do things differently here and there, but it doesnât matter because they donât love you the way you want to be loved.
accepting that theyâll never love you the way you love them, or the way you deserve to be loved, is always easier said than done.
itâs painful, heartbreaking even, to watch people filter in and out of your life when youâve never had anything solid or stable. it hurts to see people you love leave you behind without glancing back or going about their life like you never mattered, like you were never important.
(the rational side of you knows thatâs not true, but the emotional side of you canât see anything but your grief.)
itâs the circle of life, you muse, where people leave you behind and you leave others behind and someone, somewhere, doesnât know how to let go.
oh, itâs a vicious cycle that you wouldnât wish on anyone.
(but you know everyone is trapped in it.)
letting go gets a little easier as you grow older, you realize, because you learn how to cope a little better. you start to recognize the signs of an unhealthy relationship or a toxic person before youâre in too deep. you come to terms with the fact that no matter how negatively people react to you, youâre not a bad person and youâre only human, youâre allowed to make mistakes.
you remind yourself that you are allowed to walk away if the situation, or person, is detrimental to your health and happiness.
you assert the fact that youâre lucky to have people who love you, unconditionally and even when you fuck up, and people are lucky that you love them, because your heart is so big, you are selfless more than you are selfish, and you love so much you burn to ash because of it sometimes.
you learn how to let go; how to properly release a personâs tight grip on a part of your heart, how to coax your fingers open and blow away the remains of something in shambles, and how to mend the tattered pieces of yourself back together afterwards.
thereâs always a dull, persistent ache that settles in your heart, buries itself into the threading of your bones but, like with everything else, you learn to cope with it. you figure out ways to stitch yourself together despite the once gaping wound that claimed your chest, broke open your ribs.
there are pricks and invisible scars that cover your body, but scars tell stories and youâre tired of being ashamed of yours.
youâre not so open in the aftermath of learning to let go, to move on, and hope youâve learned something for all your troubles, but you think youâre coming to terms about the person that you are and the person you want to be.
still, letting go is fundamentally easy and terribly difficult in practice and there is too much learning left to do.
excerpts from a book Iâll never write #37
Iâm still learning how to let go, even when I think Iâve mastered it.
Do you ever think about the people in your life and how you love them, but you donât feel like you can rely on them?
Itâs disconcerting to realize that you know so many people and you claim so many as yours but you lack people you trust enough to turn to when youâre having bad days. You lack people youâre comfortable enough with you go to when youâre sad, depressed, or feeling a little empty without worrying that youâre being a downer, that youâre being a bother.
Do you worry that people only love you when youâre happy or good company?
I do.
Iâve come to realize that I donât trust people to see me at my worst. Iâm not sure anyone outside of my family has really seen my lowest points and even then, well Iâm not sure theyâve seen it either because I take to hiding myself away when Iâm angry, upset, sad.
Iâm really good at pretending to be okay and itâs a problem, because Iâll have days like yesterday where Iâm doing fantastic, great! And then Iâm inexplicably sad. Last night was bad, if Iâm honest, and Iâm glad that Sam was insistent on not letting me wallow in my sadness because Iâm still a little bit sad today but I feel better than I did.
I wonder how people who have healthy, good relationships with their parents feel. I wonder if theyâd even be capable of imagining how difficult it is for those of us who have shitty family relationships. I know youâve heard about my rocky relationship with my family and Iâve heard about yours, but it doesnât stop it from sucking any less.
You feel like a failure if you cannot do the things your mom wants you to do.
I feel like a disappointment because Iâm no closer to getting a degree than I was when I graduated about five years ago. I am no closer to knowing what I want to do with my life than when I was sixteen.
Growing up, my family sorta treated me like I was stupid, because I didnât share the same interest as them and didnât share the same time of intellectual knowledge as the did--do. So I somehow managed to trick myself into thinking that the only way my parents could be proud of me is if I did awesome in college and I paid for everything myself.
So when I fucked up and more or less failed a semester because I couldnât focus, because I didnât like my teacher, because of a number of reasons, I felt like a failure. I felt like the only thing my parents were proud of me was school-- which I know isnât true, because thereâs a lot for them to be proud of.
But there was a point in time where my dad told me he was so proud of me for going to school and doing well and paying for it all on my own and it was the first time heâd told me he was proud of me for something in...god knows how long.
And I imagine you know how that feels, maybe not about school but about something like that with your mom.
You are nothing like your mom and Iâm not really like my parents and it creates a lot of conflicts for us.
We understand, intellectually, that there is a lot to love about us and that our parents are proud of us for more than just one thing but, emotionally, we struggle with accepting that knowledge because weâve grown up as less than.
Weâve grown up without proper support structures, without someone to turn to when weâre hurting and have them understand why weâre feeling the way weâre feeling. OR weâve grown up without having someone who doesnât need to understand but doesnât chastise us for feeling something other than what they want us to feel.
Weâve grown up trying to live up to expectations we never wanted and arenât capable of fulfilling and it crushes us every time we miss the proverbial finish line.
We cling so tightly to the friends we make because weâre desperate to create the family we want.
At least I do.
I struggle with letting go of toxic people in my life because I care so much about them that it hurts to know that they donât care even half as much. I struggle with admitting that theyâre being shitty, because Iâd rather believe in the best of people. It takes a lot for me to get fed up with a behavior and itâs always surprising to the person when I call them out on their shit.
And then Iâm the bad guy.
And itâs so terribly exhausting.
Iâm not sure Iâve ever really had anything stable in my life that I loved and there are days where I feel like Iâm never going to be stable the way I want.
Itâs a terrifying prospect, but then I remember that there are people out there that I havenât met yet, who will love me the way I deserve to be loved. Who will pick me first and never make me feel like Iâm second best. Who will see me at my worst and still stand by me anyway.
There are people out there like that for you too.
People suck and hate to admit when theyâve made a mistake or when theyâre in the wrong, I used to be one of them and Iâm stubborn as hell, but a part of growing up, being an adult, and living life is accepting that youâre going to make mistakes.
Accepting that youâre not always going to live up to the expectations of others.
Knowing that youâre going to do something you shouldnât and then have to face the consequences and thatâs okay as long as you take responsibility for your actions. Itâs about accepting that people are going to blame you for things that are not your fault, out of your control, and thatâs okay because you know who you are and there are still people who love you even if they donât.
I know thereâs a lot less communication between us since youâve gone through Impact and your other training, or since youâve moved states but that doesnât mean I love you any less.
Iâm still here for you, when you need me, but if Iâm a little distant itâs because Iâm learning how to talk to the newer, bolder, you who is still figuring yourself out after realizing that hey, I like girls. Or itâs because Iâm dealing with my own disastrous life that Iâm trying to clean up.
Things arenât ever going to be truly easy, I donât think, but itâll always get better if you want it to.
Itâs okay to be sad and to let people know that you might not be as well put together as they think you are. Itâs okay to show the chinks in your armor from time to time. Itâs okay to want to reach out to someone and let them know that youâre in a dark place and youâre afraid.
Itâs not going to be easy and yeah, you may feel clingy or needy or bothersome, but they love you, I love you. Iâm here for you. I will always be here for you because I know what itâs like to feel like you donât have someone you can reach out to and hold on to when youâre lost in your own head, or grappling with your demons.
Some demons canât be quelled alone.
Some burdens are meant to be shared.
Some bridges canât be crossed without help.
Sometimes you canât handle the sadness or insecurity or doubt by yourself.
Sometimes youâve got to ask for help and take it when itâs offered.
you do not belong.
you do not fit in.
you are just the girl who lived in the floor for sixteen years.
but thatâs not right, youâre so much more than the timid girl scared of being convicted as a criminal simply because you were born.
you are bright, curious, and stubborn.
you are neither a sky person or a grounder.
you are an in-between-- not quite an outsider but never quite belonging either.
a contradiction perhaps-- you like that, because it means youâre unpredictable.
you are fierce, brave, and dangerous.
you take to life on the ground like a bird in the sky. you learn to fight, battle, hold your own.
get knocked down, get back up and fight.
that mantra replaces the one that kept you safe beneath the floor.
I am not afraid.
eventually the two combine and the new phrase becomes your battle cry.
I am not afraid. Get knocked down, get back up. I am not afraid, now fight.
the lines of your identity are constantly crossed.
ai laik Okteivia kom Shaikru.
ai laik Okteivia kom Trikru.
ai laik Okteivia komâŚ
ai laik Okteivia.
you do not belong.
you are not a sky person or a grounder but a contradiction, an outsider, an in-between.
you are a child, a woman, a gona, a force of nature.
you are clanless, but you are loyal and you still have your people.
(Bellamy, Lincoln, Raven, Jasper, even Clarke.)
you are a Blake.
you are born of the Ark, but have only lived since you stepped from the dropship and onto the green grass of Earth.
you belong to your brother, to Lincoln, but really only belong to yourself.
you do not belong to any one thing.
you were born in space, but you are a child of Earth.
you do not fit in, but you belong. you belong to the Earth, the life itâs given to you thrumming through your veins, and the Earth belongs to you, to the girl who was the first person from space to step foot on it in 97 years.
ai laik Okteivia kom graun. ai laik Okteivia.
I am Octavia of the Ground. I am Octavia of Earth. I am Octavia.
you are Octavia Blake, you belong to yourself and that is enough.
Rory and Jayce come together like a wildfire, a small spark that erupts into a roaring flame that consumes everything around it. The thing about wildfires though, is that they burn until nothingâs left but scorch marks or theyâre doused by heavy rain, and they got a little bit of both.
Rory always thought sheâd be the one to get burned, because sheâs used to catching fire and burning out like an imploding star, but Jayce is the one to go up in flames, scorch marks along his back, while she gets hosed down and saved before she becomes ashes.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
your mother dies when you are seven with a spear jutting from her belly right in front of you. the greeks are raiding your home and your mother, in the confusion and danger, is too busy trying to hide you away instead of letting you fight with the others.
âyouâre just a child!â she screams at your protests. âyou will not be fighting, we need to get you somewhere--â she doesnât finish because a spear pierces her body, through her back and out her stomach, and she sags right before you.
you donât even realize youâre screaming until someone-- you donât know who --is ripping you away from her body. there are arms around your midsection pulling you back, but you struggle and squirm-- reach desperately for your mother. tears are streaming down your face and youâre vaguely aware that your throat is sore, raw from all your shouts.
âlet me go! I need to save her!â you cry, hiccup. your healing skills are limited, because you favor war games instead of playing healer, but theyâre there. you can save her, you can save her. âI can heal her! let me go! mom! mommy!â
youâre hysterical in your grief.
âitâs too late,â a soothing voice whispers in your ear as their grip adjusts and traps your arms beneath theirs. it doesnât stop you from kicking and wriggling around, but youâre being pulled further and further away from where sheâs suspended. âsheâs already dead.â
you canât really see through your tears, but thereâs a pang in your chest that tells you theyâre right. she hasnât moved since the weapon entered her body, limbs hanging limp and body only staying upright from the way the spear sunk into the soil, blood trickles from her mouth and her eyes are glassed over. you refuse to believe it.
you havenât stopped screaming, sobbing, in the three days it takes to survey all of the damage and collect the dead. you help, move mechanically through the motions of the basic stitches your mother taught you, but the tears still streak your face and too many people look at you with pity.
you hate it.
the day they pile all of the bodies together for a funeral pyre-- because there are too many to bury --is the last day anyone sees you cry. your jaw sets in stone and your blue eyes-- once bright, innocent, naive --go dark, harden, to match the resolve that solidifies your spine.
no more weakness.
you are still a child, but you are a child of wartime and youâll be damned if you let someone die while trying to protect you.
At first going to Hogwarts is daunting; itâs the school of legends, home to both the villain of Second Wizarding War and itâs Hero, and Cassadega is sorely out of place. Lacking both a British accent and heritage, sheâs nothing more than the one of those foreign kids. Ostracized by her highly judgmental housemates, the 10-year-old feels the weight of her homesickness immediately.
She seeks friendship in the other isolated exchange students and takes comfort in knowing she is not alone. They band together more strongly than she expects and she finds that despite all the nasty things her fellow Slytherin said about the other houses, theyâre alright. Even that Gryffindor girl.
She misses her parents and her brothers more than she will admit but her new friends help soothe the ache left by the homesickness.