styofa doing anything

if i look back, i am lost
ojovivo
$LAYYYTER

izzy's playlists!
will byers stan first human second
Lint Roller? I Barely Know Her
NASA

romaâ
TVSTRANGERTHINGS

Origami Around
Show & Tell

⣠Chile in a Photography âŁ
"I'm Dorothy Gale from Kansas"
noise dept.
Misplaced Lens Cap


çĽćĽ / Permanent Vacation
trying on a metaphor

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@etchetcetera

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Commission of Odette for @ahollowgrave !
âBreakfast Envyâ, 6âx 8â oil on panel, 2021, Julie Harman Dovan
eepy mourning dove cupping its wings under its belly for cushion ŠElla
Artwork by đŞđśđšđšđśđŽđş đŚđđźđđ - inspired by Robert Crumb - from the book Legends of the Blues (Abrams, 2013).

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DECEMBER 20: Elsie de Wolfe (1859-1950)
The famous socialite and interior decorator, Elsie de Wolfe, was born on this day in 1859. Elsie is most well-known for her 1913 book The House in Good Taste; In a review of the bookâs enormous influence, The New Yorker would eventually write that âinterior design as a profession was invented by Elsie de Wolfe.â
An older Elsie de Wolfe photographed amongst the extravagance of her Paris apartment (x).
Ella Anderson de Wolfe was born on December 20, 1859 in New York City. Her father was a Canadian-born doctor who provided a comfortable life for his family, but in a look back at her childhood, Elsie would say that she went through life as âa rebel in an ugly world.â When she was young, Elsie began a career as an actress. She appeared in a few plays and one act comedies but enjoyed no real success. It was while travelling with the Empire Stock Company and assisting in the art of staging plays that she found herself interested in interior design.
The passion for design and aesthetics was already there, but it took pulling some string to get Elsie de Wolfeâs name on the map. Once Elsie began foraying into the uncharted territory of interior design as a career, it was her partner Elisabeth Marbury who secured her such prestigious clients as Amy Vanderbilt, Henry Clay Frick, and the Duke and Duchess of Windsor. Although Elsie was simply known as an actress of mediocre fame in the 1890s, Elisabeth was a wildly successful literary agent who had managed the likes of Oscar Wilde and George Bernard Shaw. The two had first met at a party and soon entered into a Boston Marriage; it was her partnership with Elisabeth and the design of their multiple New York Homes that truly made Elsieâs reputation.
Elsie with her partner of over 40 years, Elisabeth âBessieâ Marbury, in 1923 (x).
In 1926, Elsie was married to a diplomat by the name of Sir Charles Mendl and became the Lady Mendl. However, the marriage was only formed out of convenience for both parties and Elsie remained true to Elisabeth until her death. For the rest of their lives, the women moved through high society as the artsy lesbian power couple of New York City. One friend even described them as â"the willowy De Wolfe and the masculine Marbury⌠cutting a wide path through Manhattan society.â Elsie would be named the best-dressed woman in the world by Paris magazines in 1935 and be immortalized in the lyrics of multiple Cole Porter songs before her death on July 12, 1950 at the age of 90. Elisabeth has preceded her, passing away in 1933.
-LC
Elisabeth Marbury (1856 - 1933)
Elisabeth Marbury was one of the first female theatrical and literary agent and Broadway producers. She was born and raised in a wealthy and influential New York family and discovered her career amidst the amateur theatrical performances of late-Victorian New York high society. In 1891, she moved to Paris and became a literary agent, representing the interests of her European clients throughout the English-speaking world. In the United States, she joined several other agents in forming the American Play Company. Her work as a theatrical agent and producer contributed significantly to the development of the characteristically American form of musical comedy. In 1903, along with the American philanthropist Anne Tracy Morgan and the American heiress Anne Harriman Vanderbilt, Elisabeth Marbury helped found the Colony Club, New York's first women's social club. In 1923, she published an autobiography,  My Crystal Ball .Â
For 40 years, Elisabeth Marbury had an openly lesbian relationship with the renowned interior designer and socialite Elsie de Wolfe. They lived together in France, where they purchased and restored the Villa Trianon near Versailles (along with Anne Tracy Morgan), and then in New York City, at Irving House and later at 13 Sutton Place. In both France and the United States, they were renowned hostesses. Their Sunday salons became famous for hosting numerous American and European celebrities connected with the arts, society, and politics.
Yoruba tunic, late 19th-early 20th century, glass and stone beads, cloth (probably cotton), and thread, Princeton University Art Museum.
This resplendent tunic would have been worn by a Yoruba king, or oba, on ritual occasions, dazzling spectators with its reflective quality and communicating the kingâs status and wealth. When seed beads were introduced into Nigeria in the eighteenth century, the Yoruba Oyo Empire controlled trade routes, and thus the acquisition of glass beads, encouraging the association of beads with elite ase, or authority. The red stone beads sewn into the tunicâs neckline, called okun, were likely produced locally, remnants of a once robust bead trade among the various Yoruba kingdoms. The tunicâs recurring interlace pattern is found almost exclusively on royal palace articles, and an appliquĂŠd face symbolizes Oduduwa, the first king. The miniature conical crowns (adenla) signify an obaâs ase, and their shape refers to his ibori, the conical shrine to the inner head. The intricate three-dimensional birds placed to each side of the crowns express the power of women, or "mothers." Finally, the red cones with white centers near the shoulders and nestled under the crowns represent the animal horns that enable an oba to speak with authority. Numerous repairs, indicated by the presence of later, larger beads, suggest that the tunic was valued and cared for over an extended period.
Miriam Hopkins & Francis Dee, Becky Sharp, 1935
(*please donât be fooled by these pictures into thinking this movie is either gay or good, itâs neither*)
Seeing the Least Gecko I have to ask, is there a Most Gecko?
THIS MF IS THE MOST GECKO YOU CAN GETTTT!!!
New Caledonian Giant Gecko (Rhacodactylus leachianus), family Diplodactylidae, endemic to New Caledonia
This is the longest and heaviest gecko species in the world, growing up to 17 inches total length, and weighing up to 300 g.
Photo via:  Northern Gecko Specialty, firststategeckos
Photograph by Shannonâs Reptile Room
Photo via: Â Coast To Coast Exotics Ltd
Photo via: Â Mark Orfus, Northern Gecko Inc.

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creature-y witches
Eden
For #PrideMonth2021 âĽď¸đ§ĄđđđđđĽ°
Let's ambush mama! đź
"Why do Pallas cats always look grumpy?"
"Pallas kittens."
The sheer roundness of this kitten must be admired.
victoria and weed, photographer marcelina martin, 1995.
Standing Male Cupbearer. Sumerian, Iraq, 2900-2350 BCE.
Saint Louis Art Museum.

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Wani Souma.
đŠA Stroll About Shibdenđ