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People who complain that Japanese fans are “gatekeeping” Valentine’s messages (especially those claiming to understand Japanese fandom culture) are missing a very important point: spoilers and paid content are not treated casually in Japanese fandoms.
Posting spoilers is a HUGE no-no. Japanese fandom culture places a strong emphasis on not ruining other people’s experiences, especially when they may want to enjoy the content at their own pace. More broadly, maintaining harmony within the community is highly valued in Japanese culture, and this naturally extends to fandom spaces.
Sharing content from paid material is another HUGE no-no. Valentine’s messages are special preorder content. They are not simply free content that anyone can repost without a second thought.
I’ve seen huge scandals in Japanese fandoms over both spoilers and the sharing of paid content, even very recently.
So let's respect basic fandom etiquette and cultural differences. And be deeply grateful to the fans who do openly share Valentine’s messages and other merch photos.
Because despite all these unspoken rules, there are still people who choose to be lax about them.
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I love when people who post art or writing I dislike also reblog/retweet some stuff, so I can confirm they're also dumb and have no taste in general😊😊😊
Classical music pieces that I associate with twst characters
* these pieces are available to listen to on youtube. Perhaps I will make a video with them one day. But I doubt it.
* I apologize for any mistakes, it was a lot of information to digest
* updated because I forgot to add Presto for Malleus, sorry!
Malleus - Vivaldi - The Four Seasons - "Summer" - 1 Allegro Non Molto and 3 Presto
(I mean of course these ones. Add evil overblot laugh here too.)
ok also Schubert - Erlkönig (The Elf King), D. 328
Sebek - Prokofiev - Romeo and Juliet, Suite No. 2, The Montagues and Capulets "Dance of the Knights"
(it's just him. period.)
or Rachmaninov - Musical Moment No.4 in E minor
or Rachmaninov - Prelude in C Sharp Minor
(Rachmaninov for Sebek in general lol)
Silver - Grieg - Peer Gynt, Suite no. 1 "Morning mood"
or Debussy - Clair de lune (from "Suite bergamasque")
(Yes, basic, but it fits so so much so)
Lilia - Chopin - Fantaisie impromptu in C-Sharp minor, Op. 66
(first notes - Lilia's evil grin, then whimsical nature and the whirl of memories of countries he has been to. When it goes hard, it's cooking, some violence, and then when it gets gentle, it's when he remembers Silver's childhood. Then he softens in general but also reminds us about his playful nature and strong character.)
Idia - Vivaldi - The Four Seasons - "Winter" - 1 Allegro Non Molto
(resembles how Idia speaks when he's getting confident and how his character, in general, opens up. And kinda gives me his genius vibes)
Ortho - Graun - Gigue in B-Flat minor
(sounds like super-fast calculation is going on. But also, some notes sound like random signals and/or signs of creativity/sudden thoughts in AI)
also Chopin - Etude Op. 10 No. 5 (Black Keys)
*Erik Satie for Octa in general. Gives me mysterious underwater vibes*
Azul - Satie - Gnossienne No. 1 and Gymnopedie no.1
also kinda Chopin - Nocturne Op. 9 No. 1
(pondering, deep in thought, underwater, calculating, but also melancholic…)
Jade - Satie - Gnossienne No.3
(such big Jade vibes)
Floyd - Liszt - Mephisto Waltz No. 1
(hehe)
Leona - Haydn - Symphony No. 49 in F minor ' La Passione '
(it's long, but it's worth listening. I just imagine Leona's character and lore in general here)
Jack - Händel - Suite no. 11 in D minor. Sarabande
(not really sure about this one. But it gives me 'strength and determination and values' vibes today)
Ruggie - Mozart - Symphony No. 40 in G minor, IV. Allegro assai
(reminds me how he can adapt and be different if needed. Also, it sounds quite boisterous, like Ruggie is going fast, fast, fast and earning a lot, lot, lot!)
Kalim - Mozart - The Marriage of Figaro, K. 492: Overture
(specifically wanting to throwa feast)
Jamil - Chopin - Waltz in E minor, Op. Posth.
(he's so skillful and makes it look like he's not even trying, but he's super hardworking. Also, some parts sound like his occasional emotional outbursts)
also - Chopin - Prelude in E Minor
(I can't explain it, but it's just Jamil for me. I feel so sorry for him - he's such a cool and talented (and handsome) guy, and such destiny mgd. Or maybe I'm just in a melancholic mood today)
Vil - Vivaldi - The Four Seasons - “Spring” - 1 Allegro
(won't be original meh. like there're so many classical pieces that fit Vil but I don't really wanna bother here so)
Rook - Mozart - Le Nozze di Figaro: "Non più andrai, farfallone amoroso" (instrumental)
(ookay it was hard with Rook because I think a lot fits him but I'll stop with this one or I'll never finish this list)
Epel - Litvinovsky - Pelléas and Mélisande: III. Galliard. Navire dans la tempête (Galliard. Ship in a storm)
(unrelated but my life is divided into before seeing Epel in Book 7 dreams and after)
Riddle - Beethoven - Symphony No. 5 in C Minor, Op. 67 I. Allegro con brio
(duh. basic but c'mon. it suits him)
Ace - Litvinovsky - Suite for Strings "Le Grand Cahier": IV. Nos Etudes
(yes that's how I feel Ace)
Deuce - Tchaikovsky - The Nutcracker Suite, Op. 71a: March of the Toy Soldiers
(Deuce the honour student edition)
Cater - Beethoven : Sonatina in F Major
plus "a glimpse of a depressed real Cater" one - Chopin - Mazurka in A minor, Op.17, No.4
Trey - Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (Adagio cantabile)
(I tried to find someting "normal" meh so went with this today)
Special mentions
Rollo - Mozart - Requiem, 3 Dies Irae
Bach - Toccata and Fugue in D Minor, BWV 565
Orff - Carmina Burana: Fortuna imperatrix mundi. O fortuna
(super super obvious but c'mon it's basically canon)
Baul - Wagner - Ride of the Valkyries
(ya Baul has big Wagner vibes for me)
Grim - Edvard Grieg – In the Hall of the Mountain King
(the escalation lol)
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