A cliffhanger…
RMH

bliss lane

h
Show & Tell
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Mike Driver
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
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Love Begins

if i look back, i am lost
sheepfilms
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@theartofmadeline
★
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@estarsomnolienta
A cliffhanger…

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it's time for spring. we'll try again next fall.
(happy time loop tragedy musical in movie theaters day to all who celebrate)
ok but eurydice is hungry all she wants is food and shelter and she has no way to get that but sign her life away to endless dehumanizing work that isolates her and leaves her to forget herself
hadestown really said capitalism strips you of your personhood and uniting through optimism and hope is the only way out (and if it doesn't work this time we're gonna sing it again and again)
Suddenly I'm holding the world in my arms
I've only seen Hadestown once. It was in a high school theater, put on by a relatively new youth theater collective. Nothing terribly special, but there's one thing I'll remember forever.
The Fates, in myth, weave threads of life. This performance gave the fates a red string. In Doubt Comes In, the moment Orpheus turned around, they cut the string and used the two halves to pull Eurydice back to Hades and to hold Orpheus back from going to her. And, more than that, Orpheus didn't sing her name. He screamed it.
That moment, that Orpheus screaming and lunging after Eurydice despite being literally held back by fate, is something I'm never going to forget.

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We Raise Our Cups really fucks with me. It’s brutally hopeful. It’s a farewell to Orpheus. Sure. everyone knows that. but. its also a call to action.
Hadestown is not subtle in how it shows the power of revolutionaries, of love and hope and human compassion over that of the capitalist cycle of abuse. WRoC is talking about Orpheus. But it is also talking about every person with that revolutionary spirit.
Orpheus is all of us, and every person who stands against exploitation, is Orpheus. The theme is there, but it’s especially strong in Is It True, where he stands against the Fates themselves to challenge the world, only bolstered by the normal people that stood up and heard his words and showed him the power of words.
When Persephone asks where Orpheus is now, it is not entirely that she wonders where the man himself is, but also that she is pouring a drop to every person who holds his legacy and fights for the cause.
Then they praise the birds who sing in the night and the flowers that bloom in snow. A metaphor for those people who fight to make beauty in inhospitable places, who strive for good in darkness.
“To Orpheus, and all of us”
To Orpheus, to those who hold his spirit, to those who lead revolutions, and to those who follow him. The cycle of Orpheus and Eurydice is a love song. It is a tragedy. And yet we all know that one day. one time. they will make it out together. It is on that day, when an Orpheus finally manages to bring their Eurydice back, that the revolution succeeds, and the Shades get to follow their path out of Hades. And the mortals get to live free from the poverty and despair of their oppression.
We sing the song even though it is sad, because we know that spring will come and the world will go back in tune once they make it out together. And Hades can take the seasons, the food from our mouths, the fire from our stoves, every ounce of gold from the rivers, but what he cannot take, nor any other like him, is our songs and the cries of an impassioned heart. And may those songs inspire a thousand Orpheus’ to journey to defeat Hades. Because eventually one will win. It only takes one.
So let the song reach the next Orpheus, wherever they are wandering. Alone on this Earth. And let the song comfort them as they start the cycle again.
The descent into the devastating and inescapable logic of “Why We Build the Wall” throughout the song will never not haunt me.
Why do we build the wall? We build the wall to keep us free. How does the wall keep us free? The wall keeps out the enemy. What do we call the enemy? The enemy is poverty. What do we have that they should want? We have a wall to work upon.
Like the show itself, the logic of the wall is cyclical, so it’s inescapable. The wall is literal. The wall is figurative. We create the wall ourselves when we value profit over life. And at the end of the day, after all that work, and all of that time spent disparaging the “have nots,” the only thing you have left is the very wall you are building, separating you from your fellow man.
wait for me ~
waiting for the proshot to come to the UK it hurts
Guys Hadestown was so good
I think a few people came to this conclusion as well, but I realized after getting to watch Hadestown proshot, that the villain of the musical isn't Hades. It's the Fates. Eurydice dies because they take her things. They try to discourage Orpheus twice, succeeding the second time. They convince Hades that no matter what he chooses, he'll be either seen as weak or a monster. Your own fate is often scarier than any beast or king.
Not just them but Persephone too. She’s visibly scared of the Fates when they surround and taunt her about having to go back to Hadestown again at the end of summer. They’re stronger than both the other gods and men

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And brother, thus begins the tale of Orpheus and Eurydice! every principal orpheus and eurydice on broadway, 2019-2025
Why is it always about Orpheus turning back foolishly and never about Eurydice following him out of the Underworld, likely knowing she was doomed. That Orpheus went all this way, singing the story of their love, hopeful that he will return her to the surface and finally build their life together— but they will not. She knows her Orpheus will turn back. And yet she still follows him, all the way to the top, because the simple pleasure of seeing his back again is enough for her. Isn’t that a foolish thing to do for love?
ok *hadestowns your percabeth*
this is the most perfect thing i’ve ever seen.
Everyone loves a cycle aware Orpheus but what about a cycle aware Eurydice? Eurydice who tries her hardest to resist the hunger and the cold. Tries to convince Orpheus to just LOOK UP time and time again to no avail. Eurydice who KNOWS and still fails. She knows he’s gonna turn around. She knows they’re not gonna make it out of hell together. But she hopes. Every time she hopes that he loves her a little bit less than the last time. Hopes he won’t look back. But of course, Orpheus is still Orpheus. And he loves her more than anything.
(tags from @meraus)
“And brother, you know what they did? They danced”

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in 30 years there's going to be a production of hadestown with eva noblezada as persephone and reeve carney as hades. and it's going to go the hardest anything has ever gone
the musical STARTS with hades looking back btw. “you’re early” “i missed you” is hades looking back. is anybody listening. orpheus is told he can’t look back because hades knows he will because hades can’t stop himself from looking back. and that’s why the world is out of tune.
All aboard!
In the original workshop, when Orpheus looks back, after her heart-rending gasp, Eurydice would say in a small voice, "...you're early." And he would reply "I missed you."
I will never forgive them for cutting that parallel.
WHAT
Edit: also, slightly controversial, but does anyone else like the original Epic 3 better? The “King of shadows, king of shades” one