-You probably have a person or two in your life who is like that. Perhaps even a sibling.
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@esotericakit
-You probably have a person or two in your life who is like that. Perhaps even a sibling.
alt version under the cut + thoughts in the tags

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I will love you if I never see you again, and I will love you if I see you every Tuesday.Â
-Lemony Snicket
âPeople donât always get what they deserve in this world.â
â Lemony Snicket, The Blank Book
People praising Cruella as if Esme Squalor didn't invent fashion.
Little known fact! Kit has done nothing wrong ever
If you thought youâve heard of her doing something bad, no you didnât
-netflix

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Count Olaf being actually attractive is like peopleâs attraction to Benedict Cumberbatch. You can see where it comes from, it has like - at least some backing, but my god you really donât want to think about it or do anything with it
THIS IS THE THING LIKE. Iâm not saying âolaf was actually handsome end of storyâ like I think he was absolutely gross and a little musty looking BUT you cannot deny that there were a LOT of people who found him pretty. itâs totally a benadryl cucumberpatch situation
count olaf actually attractive question mark?Â
Diversity win! The man hunting you and your siblings down in hopes of acquiring the large fortune left to you by your dead parents is bisexual!
Fancy ranting about why you love kit snicket?đ tbh I never found her character that compelling but Iâm extreme open to changes of opinion hhh? pls feel free to ignore this hhgkkgkg
oh my god iâm so sorry iâve been super busy I only just saw this but ahhh I love this question ((also sorry if some of thisk doesnât make sense, i just got off a 7 hour bus ride and I am sleep deprived)). also a tw here for some discussions of painful stuff like death, loss, grief, implications of suicidal thoughts (nothing graphic)
okay so thatâs valid bc she doesnât get a lot to work with in tpp BUUUUUT what you do get is very rich. so basically itâs all tied in with vfd and what theyâve done to the sugarbowl gen. every member of the sugarbowl gen has been ripped from their family extremely young and recruited into this organisation, forced into life threatening situations, kept from loved ones for long periods of time (like kit and lemony in atwq) and have sort of convinced themselves, to varying degrees, that itâs important because the organisation is important. with lemony, heâs disillusioned and disappears after heartbreak. with beatrice and bertrand, they decide to pull away and leave. with jacques, he buries himself so deeply into his work with vfd so that he doesnât have to reckon with what they did to him. and then you have kit.
with kit, I think she isnât as sold to vfd as jacques and can still be somewhat critical of it, but also recognises that sheâs trapped and always will be at their beck and call, and itâs not easy to break out from this illusion of the mighty organisation sheâs a part of. sheâs a quick thinker, sheâs a mechanic, sheâs resilient, sheâs quick-witted, sheâs as good a volunteer as they come, and so they exploit that and use her gifts (like building the queequeg and having her make the poison darts). for the most part, she buys into vfdâs bullshit, but i think itâs a sort of defence mechanism where she knows that resistance is going to be harder than compliance, so she puts her head down and does the work.
and this leads her to do things that she maybe wouldnât have done of her own free will, like aiding in the murder of olafâs parents. we donât know exactly what kit and olafâs relationship was like, but from whatâs given in their interaction in te, i think they were young sweethearts, i think kit did genuinely care for him, and i think that it was vfd that ordered the murder, and not beatrice and bertrand, as many people have implied. so, by giving beatrice and bertrand the darts, she chooses the organisation over her relationship, and it canât have been an easy choice. this then re-ignites the schism, olaf becomes a firestarter and kit has to watch as her brother is framed by olaf for crimes he didnât commit.
and then lemony dies, or so she thinks. iâm of the mind that kit never learns that her brother is actually alive, and dies thinking she lost him. and we know that family is one of the most important things to the snickets; âwe snickets look out for their ownâ, and I imagine kit going beside herself trying to find ways to protect lemony from all the attacks, the frame jobs, the rumours, only to have it be too late, and sheâs lost her brother forever.
and so sheâs left there, mourning lemony, and all she has left of her family is jacques. and she loves jacques but his first priority is vfd, itâll always be vfd. she has beatrice and bertrand, but theyâll leave to the island soon, and theyâll leave vfd after that, and be largely out of her life for good.
she starts building the queequeg and at last, her vfd work seems to be doing some good. she meets ink, montyâs latest discovery, and at last, it seems that other members of vfd are doing some good. and then she hears about the medusoid mycelium, and the illusion of vfd cracks a little bit more. she desperately tries to stop gregor from creating the mycelium, only for that to fail. another loss.
then, we donât know the nature of kit and deweyâs relationship so again, going off what we have with the fact that she is pregnant when we meet her and that deweyâs last word is âkitâ, not to mention the way that she explicitly asked about deweyâs wellbeing when she meets the baudelaires on the island, the implication is heavily that she and dewey are romantically involved. and I think she found a lot of solace in dewey. dewey, in his own way, had lost a lot, from his parents to his brother (joining the firestartera), to his own identity, all to vfd, and he understood where she was coming from in terms of being disillusioned but also being trapped.
and then the baudelaire fire happens, and itâs very clear to everyone that olaf was involved (whether he actually was or not is a different debate). so this is now 3 people who kit has loved that olaf has had a hand in their deaths. someone she loved killing other people she loved, and itâs the most painful thing.
we donât know where kit is for the events of asoue, but regardless, she has to hear how other associates and friends have died or been killed at the hands of olaf, and each one hurts more than the last, because she canât stop or slow down how many people sheâs losing, and I think thereâs an element of not being able to help but blame herself for his actions, because if she hadnât helped kill his parents, maybe he wouldnât be doing this.
and then jacques dies, and itâs the biggest blow yet. she just lost the last member of her family she had left, and she canât cope, she stays in bed and decides that, despite dewey, despite her child, sheâll never leave her bed again.
what does make her leave, however, is vfd business; the message from quigley. she knows that she canât even take the time to mourn her brother, she has to keep moving, and the pressure to carry the whole âgoodâ side of vfd, to continue what her brother started, is on her shoulders, and thatâs immense.
and so thatâs when we meet her in tpp, and she is a broken person. she has lost so many people, been put through so much, had her entire worldview and foundation turned upside down, and sheâs still doing all of this work, putting her life on the line over and over again, for an organisation that has done nothing but take things from her and hurt her, but thereâs absolutely nothing else she can do. sheâs pregnant and she canât allow herself to be happy or excited about that because she just doesnât have it in her. all she knows is that she has to get through this as quickly as she can, losing as few people as she can. her conversation with the baudelaires is interesting too, and is so exemplary of how sheâs mourning; she remembers little details about beatrice and bertrand (like the feathers on beaâs shawl) and reminisces about how much the children look like them, and you can tell that itâs extremely painful to go through
she then leaves the baudelaires and risks her life again trying to rescue the quagmires, and itâs unclear whether it was a success or not but regardless, when she finally pulls herself up onto that stupid book raft she insists on making, sheâs so so so so tired. sheâs in labour, she doesnât know whatâs happened at the hotel denouement, she doesnât know whether sheâll return to the city and find more destruction or not. i think the only thing stopping her from giving up while on that raft is the thought of her child and dewey, so she holds on.
she washes up on the island and the baudelaires are there, which means theyâre alive, so thatâs something. but then she hears that deweyâs dead. that the hotel went up in flames. that all thatâs waiting for her in the city is more pain and more loss. and thatâs the final blow, thatâs the moment that she knows that there is nothing can happen that can repair the damage created by whatâs been taken from her. she refuses the apple, citing fear that it would harm the baby, but I think the truth is that she couldnât bear to consider continuing her life after all thatâs happened, even if it means sacrificing a life with her child.
and then olaf shows up and he rescues her from the raft and sheâs suddenly face to face with the reason for so much of the loss sheâs faced. it was him who killed so many of her associates, her friends, her brothers. and she doesnât forgive him, because she knows she isnât big enough to do that. we can also hypothesise about whether or not olaf could be the babyâs father (i like to headcanon that she doesnât know either way but itâs either deweyâs or olafâs, and the stress of that makes this moment even harder). but she also doesnât have the energy to be angry at him. she knows these are her last moments, and she knows that olaf was a victim of vfd, just like she was. so she touches his tattoo and chooses instead to recite poetry, because itâs easier than being angry, itâs easier than hating him. he recites poetry back, and then dies. and despite the fact that heâs hurt her so much, she did care for him once, itâs one more person sheâs lost, when she didnât think she had anyone else to lose.
and then she gives birth to her daughter, using the last ounces of strength she has left. itâs a horrendously sad thing, because i think she could have had the capacity to love her daughter, to be a good mother, but the pain won out and she stopped being able to want to help herself, if that makes sense. so she gives her daughter life, the only thing she has left to give her, and then dies.
I think itâs so staggering to think about this person, who could have lived a life full of colour and fire, and see her completely beaten down to what she ended up as in tpp. sheâs a prime example of what vfd does, sheâs the last one standing of her generation, and the toll that takes on her is immense. i think the juxtaposition of her recklessness and her grief against the fact that sheâs pregnant and about to become a mother is even more heartbreaking. sheâs such a compelling character and so gorgeously written, even though what we see of her is so brief. sheâs a person who so desperately wants autonomy and control over her situation, things sheâll never truly have, so she does reckless things that endanger her life, to get that control back and because she truly stops caring about her well-being.
and itâs a little comforting i guess? i tend to project onto kit a lot because of some of my own life experiences and losses and i understand where she comes from a lot of time time and itâs such a difficult place and my heart just hurts for her a lot
iâm sorry that this was so long, i got carried away lol thanks for the question though!!

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These comments exactly.
snicketcore, a subset of dark academia:
[dreary cities, typewriters, long nights spent yearning for a lover long gone, cow disguises, steaming cups of tea, yellow taxis, libraries, sad tunes played on an accordion, evenings at the opera, death]
youâre in her dms, iâm writing a response to a 200 page book that she sent me explaining that she canât marry me
i think youâre probably better off here

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it is what it is
it is what it is