pittlings sticker desings because my finals are done and i've actually got time on my hands:)
we're not kids anymore.

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@epitomeofescapism
pittlings sticker desings because my finals are done and i've actually got time on my hands:)

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thinking about that first night trinity brings dennis back to her apartment. the uber or bus or car ride where she tells him if he thanks her again, or asks if she’s sure one more time, she’ll leave him on the side of the road. when he doesn’t say anything, she finds herself softening, just slightly, in a way she wouldn’t be able to name if asked. she blames it on the food she had at dinner, the way it settled something in her, and not on him.
when they arrive she tells him the lock is sticky, that it hasn’t been replaced in a while, so he’s going to have to jiggle the key just so. she demonstrates without ceremony and tells him she’ll wrestle up the spare the next day, turning serious when she explains that it’s the only one and he better not lose it. he realizes then that while he might have to be careful with what he says out loud, he can show it in other ways, and has already decided to fix the door the first chance he has.
the apartment is, of course, very her; dennis makes note of everything. when she flicks on the hall light she tells him shoes off at the door, always—no outside shoes past this point—and if he wants to wear something on his feet in the house, it has to be a pair that never goes outside. then she tells him about her cat, who is wary of men and will probably stay hidden, and not to take it personally. except when they walk into the living room, the cat is perched on the back of the couch and immediately pads over to dennis.
trinity disguises her discomposure by gesturing around and telling him she doesn’t have very many rules, except that he cannot come into her room without knocking, and if the door is closed he is to assume she wants to be left alone. he’s welcome to whatever’s in the fridge, but he’s not to touch her things without asking. she shows him his room, tells him he can decorate it however he wants, then brings him to the crown jewel of the apartment—the in-unit washer dryer—and tells him to throw all his shit in there immediately. then she whirls around and announces she’s getting in the shower, and he should do the same, her nose wrinkling slightly.
they take their showers and settle in their respective rooms, but after the day they’ve had, neither of them can fully relax.
trinity gets up to make tea and startles when dennis follows the sound of her clanking into the kitchen—says jesus fuck, you scared me—and he files that away, resolves to make more noise next time so he doesn’t scare her. she makes him a cup without asking. they both know what’s keeping them up and they do not talk about it, just sit together, the little black ball of fur that is trinity’s cat—who will, ultimately, end up sleeping in dennis’ bed most nights because, as trinity will say, she’s a backstabber—fast asleep on the carpet between them.
at some point dennis finally says i couldn’t fall asleep and trinity says no shit, me neither. dennis deflates a little, but then trinity asks if he’s ever seen the show love island, and dennis thinks she might be having him on but finds it in himself to joke and asks her what a “show” is. a genuine, bright laugh is startled out of her. you’re such a fucking huckleberry, she says, oh my god, i can’t wait to corrupt you in every way.
they migrate to the couch and she navigates to netflix. he manages to go a record-breaking few minutes without asking questions before they all burst out of him, and when she doesn’t respond, he looks over to find she’s fallen asleep. he feels something in his chest come loose looking at her. her cat has since claimed his lap so he’s trapped, and he doesn’t remember deciding to stay, but one minute he’s debating the merits of somehow getting back to his room without waking her, and the next he’s opening his eyes with a crick in his neck, disoriented, heart lurching for a moment before the warm, insistent weight of the cat knocks sense back into him. he gets up carefully, repositions the blanket over trinity, and goes to see what’s in the fridge to make her breakfast: the first of what will become many small ways of saying what he can’t.
the thought of these two makes me cry regularly
who are they? (wrong answer only)
To me both seasons of the Pitt so far have been about Santos having the worst shift a person can possibly have and when her tank is empty and her walls of sacasm have been pulverized she looks around and finds the person that desperately needs something and gives it. A roof for Whitaker. A fun night out for Mel. In one fell swoop she won the loyalty and friendship of the nicest, kindest people in the ER, and then she goes home, looks in the mirror, and thinks i am evil, i am unlovable
+ the fact that she always goes the extra mile for peds cases.
I really don't understand how people can look at her and only see her as rude
that rooftop scene in the finale was actually so important.
the rooftop is the setting in the pitt where people have these big emotional beats in which they reach out and attempt to find community. this is established in season one between jack and robby. in the beginning of episode one, we see jack facing the void and turning away from it to follow robby back to safety, robby does the same with jack at the end. season two reaffirms this interpretation.
all of these women we saw on the roof were on the brink this whole season. samira was personally and professionally adrift. mel was facing her malpractice suit and sister’s independence. perlah was facing national xenophobic sentiments and the pressure of being a highly capable nurse. dana was reeling from her assault and crumbling under the pressure of her position. mckay was realizing the depths of her emotional detachment. victoria was dealing with her insecurities and lack of freedom. trinity had the situationship and the frank confrontation and the child abuse trigger and the loss of dennis’s company.
all of these women were facing a profound loneliness, a profound void, a profound lack of support. they were all alone in this all day, briefly brushing against each other in moments that chafed and soothed in equal measure.
and just like jack and robby have each other to pull them back from the edge, these women can find that with each other in the exact same spot.
the pitt uses setting very well. the peds room represents the loss and gains of family. the bathroom represents the humanity denied to healthcare works. and the roof represents the community these providers find within each other.
they all have moments where they’re correcting, snapping, or disagreeing with each other this season. samira judges cassie for talking about her lack of intimacy, victoria and trinity have a more sarcastic relationship, mel flat out said trinity has a personality disorder, dana has been short with just about everyone. but in this one moment, they band together. they process the day, feel awe and exhaustion and sadness and wonder all at the same time, all together. they build an imperfect community out of tragedies.
it’s just impeccable story telling.

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