One of my favorite Team leads I've ever had, Minerva. My ass-kickin Blaziken, she was good at making slashing problems out of existence.
todays bird

#extradirty
Cosmic Funnies
hello vonnie
"I'm Dorothy Gale from Kansas"

@theartofmadeline

β
ojovivo
Lint Roller? I Barely Know Her
cherry valley forever

tannertan36

Andulka

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noise dept.


oozey mess
2025 on Tumblr: Trends That Defined the Year

Origami Around

Janaina Medeiros
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@ember-spook
One of my favorite Team leads I've ever had, Minerva. My ass-kickin Blaziken, she was good at making slashing problems out of existence.

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A sketch (maybe WIP?) of Athena from @occasionalzoroark.
no no its not mood swings its emotional parkour
Hoods are hard to draw
I get so annoyed because there are no good hoodie tutorials that I decided to try and make my own. (note TRY.)
The reason theyβre so weird to draw is because they are different depending on how thick the material is theyβre sewn with, and the amount of fabric used in sewing. There are SO MANY different ways for a hoodie to work! In fact thereβs totally different types of hoods, soΒ thereβsΒ no one specific way to draw them. In this mini tutorial Iβm going to highlight the main three that i saw floating around on google images.
The first type of hoodie is the βhigh and tightβ kind
The fabric on this guyβs hood is thicker, making the fabric more stiff and it sort of curves in higher up on his head, like this
Itβs also a smaller hood, so its clinging closer to his head.
Also take note of how the hoodΒ doesnβtΒ just end with the edge of the fabric, but it goes up to where the top of his hair is. This happens when the hood is pulled far forward or theyβre bending forward, because then it can drape down over theirΒ face.
The other two types are the limp and tight ones and the drapey ones:
Limp and tight donβt really have a curve outward because the fabrics tight, so the edges dont move outward. Also, the limp kind have more oval-shaped openings in the front, so the fabric goes to the top of the head.
The drapey ones are sort of adventure-looking and they flare out near the bottom as apposed to the top or middle. They have a lot of fabric used and are probably the hardest to draw (for me anyway). Lots of folds and movement.
generally hoodie fabric goes like this, outward from the face
it doesnt fold down like normal fabric unless its the limp kind like this
So, thatβs the front. As far as the side view of a hood goes, itΒ generallyΒ looks like this.
The folds go down towards the rest of the hood and the back a bit, and the fabric covers most of the side-view of the face. Notice how thereβs only a little bit of the front of the face showing. You cants see their ears! Even if its a drapey hood, it looks like this (with probablyΒ someΒ exceptions depending on the weather and how the hood is being moved). Also, if the hoodΒ isnβtΒ very tightΒ thereβsΒ usually a bit of a βbumpβ or space at the back of the head like above.
But that bumpβs only there if theyβre trying to let you see their face. In hoods that are pulled all the way forward like this
thereβs no space at the back, because the fabrics all forward. Spooky.
Another thing to consider when drawing hoods is how theyβre deciding to wear them. A more shy person or character might have it forward more, which will in result make the hood look tighter and hide their face more.
And of course, the most important thing to think about when drawing hoods is βhow is the fabric movingβ? Thereβs plenty of different ways for the fabric to move, depending on how their head is turned and what theyβre doing. Hereβs a few good reference pictures I just found.
Oh, also, when people turn their heads, the fabric moves by a focal point
Her body is facing one way, and her head is turned the other, which makes the fabric tilt itself like that. This is on the drapey hoods only usually.
Just always remember that all the hoods very from hood to hood. You might get a sort of drapey one that looks like the tight ones, or maybe a gradient between the three i showed you, or even something weirder.Β
This is just me covering the basics as best I can, and if you feel the need to add anything, feel free!
Images found on google, I donβt own them.
i love you
I canβtΒ ππ
do ya thang lil homie lol
Dude, that is true wardrobe commitment⦠Sir, I applaud you!
When you have a character with a color theme.

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So my girlfriend was frustrated a while back. I need to work on my cartoony stuff
A concept for a genderbent version of this Blog's mascot and my Sona. Fember basically looks like Kuvira but with a loosely curling undercut and no amazing beauty mark.
People often say to me: βYou draw like some kind of inhuman machine.Β If I eat your brain, will I gain your power?βΒ The answer is yes, but there is another way. The key to precise drawing is building up muscle memory so that your arm/hand/fingers do the things you want them to do when you want them to do them.Β Teaching yourself to draw a straight line or to make sweet curves is just a matter of practice and there are some exercises you can do to help improve. If youβre going to be doodling in class or during meetings anyway, why not put that time to good use?
My old tutorial! Wanna share it with you)
Follow this

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Ooooold drawing based on a dream. Wehsohloh Kanjo, the Mountain Guardian.
Siren, a blade befitting a goddess of Madness and Destruction. Its steelsong enraptures the mind and stuns those that hear it, those exposed are left with their senses and minds muddled, dumbstruck fools awaiting slaughter.
A sketchy little body study, focusing on shadows.
Made a ponysona once upon a time for shits and giggles, and it didn't turn out bad honestly. He's a Zony because I'm mulatto, which I thought was clever.
A little peek of a character I made, Synthia. Still think robo-dreads are the shit.

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An old expression practice. I like this style honestly, oughtta to use it more often.
The first sketches of Fennick and Yulong, characters in a comic that may or may not ever get made. Messy, but I like it.