Cimitero delle Porte Sante, Florence, Italy.

oozey mess
noise dept.

Jimmy Eat World
The Bright Sessions
"I'm Dorothy Gale from Kansas"

blake kathryn
Cosmic Funnies
One Nice Bug Per Day
untitled
Keni
Phantogram Three
Sweet Seals For You, Always
Mike Driver
Cookie Run:Kingdom Official!
EXPECTATIONS

pixel skylines
RMH
occasionally subtle
Sade Olutola

seen from United Kingdom
seen from Malaysia
seen from Croatia

seen from Italy
seen from United States
seen from United States

seen from Australia

seen from Canada
seen from Colombia

seen from Singapore
seen from Philippines
seen from Ecuador

seen from Italy
seen from United States

seen from Germany
seen from United States
seen from Colombia
seen from United Kingdom
seen from Netherlands

seen from United States
@em-bon-point
Cimitero delle Porte Sante, Florence, Italy.

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Biren De (Indian, 1926–2011) - November, Oil on canvas, 136.8 x 96.2 cm (2001)
Tagging and blood tests for bison. Just to give you an idea of how big they are, this male weighs around 3,000 lbs
holy shit, how big is the bison then
Mother Nature is so magical
jitabebe
Alexander Calder’s Guest Room, Sache, France (1966)

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Jan Toorop (Dutch, 1858-1928), Two women, c.1897. Pencil on paper, 46.5 x 32 cm.
Andrew Stevovich - Two Women Feeding a Monkey, 2018
By Claudia Knoepfel for Porter Edit Magazine
J. W. Godward, The Quiet Pet detail, 1906
“Fünf Dreiecke” / “five triangles” / Vienna / Austria / ©julialametta

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Schiaparelli Haute Couture F/W 2019
Turandot is visibly stirred by Liù’s self-sacrifice and she caresses her dead body. Just after Calaf kisses her, she takes her headdress off and comes out as a gay woman. In the final seconds of the opera, she kills herself with Liù’s knife, and Calaf is left alone. - Turandot at the New National Theatre, Tokyo (2019)
Honor Fraser | ph. Paolo Roversi
SAKATA RUTSUKO

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“This photograph of Joni Mitchell skating across Lake Mendota in Wisconsin is unreal to me. I love the negative space in the photo, and how it gives the sense of total freedom.”
© Joel Bernstein, 1976
from The Garden of Eden by Jimmy Marble