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@elusiveann
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Writing Deaf Characters | Speech is Speech
Before I get going, I’m 75% deaf, as some of you know, semi-reliant on hearing aids and lip reading. My first languages were Makaton sign and then BSL. I now use spoken English.
There are a lot of issues I find with how deaf people are represented in books, when represented at all. I would love to see more deaf and hard of hearing characters in the books I read- without having to read books specifically about deaf/HoH people- but when I find them, they’re grossly undercharacterized or stereotyped. Authors write them in a way that sets signing language characters apart from speaking characters as if they are inferior, and this makes my blood boil.
Some technicalties
I’ll keep this brief.
You may have heard that “deaf” is a slur and you should use “hearing impaired”. Don’t. I’ve never met a deaf or hard of hearing person who believed that. Use deaf for people who are deaf, and Hard of Hearing (HoH) for people who lack hearing. These can be interchangeable depending on the person. This is why sensitivity readers are a useful part of the beta process.
Sign language is incredibly varied. It developes in the same way as spoken language. Fun fact: in BSL there are at least half a dozen ways to say bullshit, my favourite of which is laying your arms across one another with one hand making a bull’s head sign and the other hand going flat, like a cowpat. It’s beautifully crude, and the face makes the exclamation mark. Wonderful.
There are different sign languages. Knowing more than one would make a character multi or bi-lingual, even if they are non-speaking.
Makaton is basic sign language used by children, and it mirrors the very simple language used by toddlers.
Yes, we swear and talk shit about people around us in sign language sometimes, and no, it isn’t disrespectful to have signing characters do this. Just remember that we also say nice things, and random things, and talk about fandoms and TV shows and what we’re having for dinner, too.
Each signed language is different from another. ASL and BSL? Nothing alike. Just google the two different signs for horse.
Remember that sign language is a language, equal to the spoken word
Therefore, treat it as such. Use quotation speech marks and dialogue tags. You only need to explicitly state that this character uses signed language once, and then let your modifiers and description do the rest. It isn’t a form of “sub-speech" or “making hand actions”- sign language is a language all on its own: it has its own grammar rules, syntactical structures, punctuation, patterns, idioms and colloquialisms. For example, “what is your name?” becomes “Your name what?” with the facial expression forming punctuation in the same way that spoken English uses alterations of prosodic tone (inflections). There is even pidgin sign; a language phenomenon usually associated with spoken language.
In the same way that you would describe a spoken-English character’s tone of voice, you would describe a signed-English speaker’s facial expressions and the way that they sign- keeping in mind that these things are our language’s equivalent of verbal inflection.
So please, none of that use of “special speech marks” or italicised speech for sign. If your viewpoint character doesn’t understand signed speech, then you take the same approach that would be used for any other language they don’t understand, like French or Thai. E.g “He said something in rapid sign language, face wrinkling in obvious disgust.” is a good way of conveying this. The proof that you’ve done this well is in whether or not you can switch “sign language” for French or something else, and it would read the same.
Don’t be afraid to describe how things are said, either. Sign language is such a beautiful and expressive way of talking, and to see a writer do it justice would be truly fabulous. Putting this into practise:
“Oh, I love maths!” She said, fingers sharp and wide with sarcasm. She raised her eyebrows.
“I’m sorry.” He replied and made his face small, but could not keep the grin forming. She was starting to laugh, too.
This is part one of two, for the sake of readability and keeping the information simple as I can. Part two- writing the deaf characters themselves- is coming up over the weekend. See you then and best luck with your writing until that point :D
This is part of my weekly advice theme. Each week I look at what you’ve asked me to help with, and write a post or series of posts for it. Next week: settings and character development (including heroes, anti-heroes, villains, and every other kind of character).
Thank you, this is wonderful and helpful.
Some great thoughts on writing deaf characters talking!
A tale of two crits
One of my favorite things about D&D and other TTRPGs is how the dice can help shape the narrative.
I have a paladin that rolled a critical fail on a religion check one day, and as a result made a dubious decision while attempting to save his friends. You see, he had prayed for help from his god, but someone else answered instead. This eventually resulted in him multi-classing as warlock briefly while being stuck in a weird tug-of-war relationship between his Deity and his new Patron. Also now he sometimes hulked out and turned into a giant berserk demon frog monster, but that's a story for another time.
Master of past and present and my heart 😩 I haven’t posted art in two weeks so here is a Raist sketch
Playing with the art program on my new phone.
That feeling when you’ve had an OC for almost 20 years and you still can’t draw them consistently...

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http://geekandsundry.com/critical-role-fan-art-gallery-taking-on-bigger-adventures/
Every picture in this gallery is hand-picked by the Critical Role cast. How does one get their prints in front of Matt Mercer and the rest of the cast? You can throw it on Twitter and direct your drawings at #criticalrole. Sometimes it helps to include Twitter handle of your favorite cast…
Made some small adjustments that were bothering me, now I really need to stop messing with it. Also the non-cover version, since some of the detail got lost when I added the book texture and writing.
Congratulations to Matthew Mercer and the cast of Critical Role for 100+ fantastic episodes! May you have many more adventures in the future :)
Just a heads up: I am lazy and likely won’t post here very often. But friends have been pestering me to make a blog for my artwork, so here you go!