Hm. Teenagers. They think they know everything. You give them an inch, they swim all over you.
THE LITTLE MERMAID (1989) dir. Ron Clements, John Musker
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@eluciey
Hm. Teenagers. They think they know everything. You give them an inch, they swim all over you.
THE LITTLE MERMAID (1989) dir. Ron Clements, John Musker

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BARBIE 2023 | dir. Greta Gerwig
LEGALLY BLONDE 2: RED, WHITE & BLONDE (2003) Dir. Charles Herman-Wurmfeld
PRIDE & PREJUDICE (2005) Dir. Joe Wright
I genuinely want to know what the fuck this marketing strategy for ACOTAR 6 is supposed to be. Like 77 days til release and we know nothing about it??? What?????

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13 Going On 30 (2004) dir. Gary Winick
Scooby-Doo 2: Monsters Unleashed (2004) dir. Raja Gosnell
✨77 Day theory please come through✨
🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️
ANASTASIA (1997) dir. don bluth and gary goldman
"LEGALLY BLONDE" 2001, dir. Robert Luketic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My bet is this.
The stories of Azriel, Gwyn, and the Valkyries will be The Little Mermaid remixed with The Wild Swans.
The story of Elain, Lucien, Vassa, Jurian and Koschei will be Koschei the Deathless/Vasilisa the Beautiful/Prince Ivan and the Firebird remixed with Swan Lake.
Just because two of those stories have swans doesn't mean they are the same story and they have to be about the same character.
THE PRINCESS DIARIES (2001) dir. garry marshall
✨77 Day theory please come through✨
🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️
Springtime (also known as La Belle Liseuse or Allegory of Spring), (detail), (c. 1880s), by Jules Joseph Lefebvre (French, 1834 – 1911), oil on canvas, 140.6 x 86.4 cm, Private Collection
i actually hate when people characterise Azriel as this suave, compulsively flirty sh*dow d*ddy type. You are confusing him with Rhys. Azriel is a nerd. He is an angsty emo kid that listens to blink 182 and slams the door to his room after getting in a fight with his parents. I’ll die on this hill.

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BEAUTY AND THE BEAST (1991)
dir. gary trousdale and kirk wise
An Elucien au where Feyre takes Elain into the woods during spring and summer, so she can see all the trees and plants blooming. They end up unintentionally finding a hole in the wall and while Elain looks over into the Spring Court, she locks eyes with Lucien on the other side and Lucien feels the bond snap into place.
Lucien, shocked that this human woman in the woods is somehow his mate, assures her that he is not a threat, bows politely and asks for her name after introducing himself.
Elain is terrified to have somehow found a fae in the woods but for some reason, she can't bring herself to run. She can't even bring herself to scream. All she can do is just stare into the strange eyes.
Then he speaks and his words calm the nervousness twisting her stomach.
Elain matches his polite manners and drops into an elegant curtsy but before she can reveal her name, Feyre's voice beckons to her.
Elain rushes towards her sister's voice, not wanting to know what would happen if Feyre, armed with her bow and arrows, came face to face with a fae but as she hurries away, she can't stop herself from look back behind her shoulder.
Lucien is rooted to the spot where he stands, barely breathing as he watches the human woman, his mate, disappear into the trees.
Elain returns to the hovel, unable to think of anything but Lucien, laying wide awake in between her sleeping sisters, she is restless. She feels like she's being drawn back the forest, back to Lucien, and she doesn't know why but she's certain that won't have a moment of peace until she sees him again.
Meanwhile, Lucien is pacing a trench into the manor grounds, his mind swirling with images of soft curls and fawn brown eyes.
Mate, mate, mate, mate... the mantra is relentless in his mind, the bond flaring up inside him, urging him to cross the wall and find her in the human lands.
Elain rises before anyone else the next morning and dresses quickly before gathering her flower basket and heading out the door.
The walk to the edge of the woods is well known to Elain. It had been many months since she started walking along the tree lines and foraging what she could find, but she had never gone more than one or two steps further, at least, not without Feyre, but Elain knows that that is no longer an option anymore. She needs to go much further and she needs to go alone. So, taking a deep breath, Elain whispers the name, "Lucien" before stepping and vanishing into the thick trees.
Lucien bolts upright in bed, instantly brought out of his fitful sleep with his heart pounding. He can feel her. She's coming. His mate.
Lucien dresses quickly, but with immense care and takes off for the hole in the wall just as the sun begins to rise.
The late morning sunlight is streaming through the trees when Elain finds the place she's looking for. A small of her mind questions the swiftness and confidence with which she moved through the unfamiliar woods but her heart shuts down the thought. She knows exactly where to go, what path to take, so long as it leads to him.
With bated breath, Elain approaches the wall and her heart begins pounding furiously as she catches a flash of red.
For a moment, neither one of the speaks. Elain simply breathes deeply while Lucien doesn't breathe at all. Both of them devouring the other with their eyes. Then, Elain breaks the silence.
"Lucien."
Lucien's fist clench at his sides and his eyes close while he fights the shudder of pleasure that ripples through his body at the sound of his name from her lips.
Elain introduces herself and Lucien repeats her name, pronouncing it slowly, as if he's savoring the feel of it on his tongue and then Elain is looking away shyly, blushing at the thought of his tongue.