self-compassion: an antidote to shame mb
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@eloisesharpes
self-compassion: an antidote to shame mb

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Bridgerton fandom is so funny because they'll say, to paraphrase, things like "I wish Eloise would shut up about women's rights and allow other women to enjoy being cutesy and in love while suffering under patriarchal systems that taught them that's all they should desire. Like she's such a bitch for not wanting the same thing! Soon she'll end up married and having kids, that'll show her!" And I'm supposed to take you guys seriously when you complain about women not having rights (whether in the show or outside of it)? Please!
^ op's tags
Anyone else with chronic pain ever get really absorbed in a project and dissociate from your body while you're working but then you finish and you come back to your body and you're just like AAAAAAAHHH! WHAT'S WRONG?? oh yeah. The horrors. Never mind
I’ve been making potential wallpapers for my new phone from archived stuff here they are downloadable ↑

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you ever miss someone so much you involuntarily fall onto your knees. yeah.
isn't it crazy that a woman being gender nonconforming literally just requires her to exist in her own body without making any changes whatsoever. why does the fact that i don't wear makeup and i don't shave and i don't wear a bra have to be some political act. why can't i just fucking exist
and if I said the reason the show will not allow eloise to have any other ending other than a socially acceptable heteronormative marriage which is happy solely because she's in ""love"" now is because to allow Eloise to be a spinster would threaten the audience's unquestioned belief that their lives are fundamentally happier because they are/will be in love, what then
i bring a "technically i could do this tomorrow" energy to things that tomorrow me really resents
call me a tragedy enjoyer but i just LOVE belle being unable to save the girl with an aortic aneurysm. i love how it's the first time we see belle fail in a medical setting and how it's this, of all things, the very surgery that saved her, and she has to live with the knowledge that another surgeon was able to do what she herself could not. i love her panic as she realizes she's made a mistake, how she runs to find sneed, and how sneed speaks to her like she's an equal, doesn't condemn her, doesn't do or say anything to make her more panicked or upset. and i love love love how she falls apart when the girl dies on her table, and she's the only one who does, because she's the only one who's never lost a patient before, but also this isn't just any patient, this could have been her. and if she had been the surgeon assigned to her own surgery, she would be dead. that jack saved her then, but he was nowhere to be found now, and he probably would have saved this girl, but all she got was belle, and belle wasn't good enough.
belle has always known that she is good and she has been underestimated and condescended her entire life and she's taken solace in the fact that the people doing that have always been wrong. but now she looks at her patient, who died on her table, and for the very first time, she wonders whether they were right. whether it was her own arrogance, her desperate ambition, that killed this girl. because she was reckless, unpracticed, and she nicked the aorta, and now the girl is dead, and sneed and jack are right, of course, that sometimes patients die, that you can do everything right and still lose the patient, but belle will always carry this with her, this first loss. this failure to give the second chance she got. she will always feel like this was her fault.

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truthfully ive never been super into enemies to lovers as a trope if only because it implies some kind of movement from one status to the other. i dont want the enemies to become lovers i want them to remain enemies while being weird and obsessive and gay about it. you cant take the enemies out of the equation okay thats the whole sauce to me.
i DON'T need them to kiss i need them to come to the sobering realisation that their souls are merged and no part of them is extricable from the other anymore
isn't it fascinating what a fictional character can do to you? I'm so eager to explore ways to study on my own to become more cultured and intellectual, to explore literature and to learn to be critical and have well-formed opinions about things in general
and that's all because of eloise bridgerton
I've not forgotten you, ace white girl. i will keep pursuing our agenda. happy pride to eloise bridgerton.
theo sharpe, a working class man, an intellectual and a revolutionary with feminist ideals 🤎
you don't know how much the fictional (and real) world needs you right now

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Feminism was wasted on a lot of you and we are never breaking free of the patriarchy. I know this because too many of y’all believe Eloise is a “brat” and “immature” and “not a girls girl” when literally none of that is relevant. It does not matter if Eloise doesn’t “respect other women’s interests” and she “puts other women down for being feminine.”
None of them have a choice about the matter. Regardless of whether a woman in regency England “enjoys” her societal role is beside the point, because the stakes, the risks, and the outcomes are the same for all women. Just because a girl or a woman likes that role, doesn’t mean she has the option of not doing it. If the “choice” is to comply or die, the consequences of compliance being palatable does not remove the consequences! Whether someone pushes back against it (Eloise) or accepts it (her female relatives, her best friend) is irrelevant. You’re still property. You still have no legal existence outside of your father (if you’re lucky enough to have a legitimate one!!!) and your husband. You still have no right to an education, or mobility, or agency. You only have a choice of husband on a technicality. But hey, you can enjoy being a tradwife! It’s a good thing you’re interested in embroidery and the piano! Yay!
The only other person in-universe who truly seems to understand where Eloise is coming from is Lady Danbury (and probably Lady Kate), because she knows what it means to be Othered in that society and what it means to have an abusive husband that she cannot survive without, but even so without whose money and status she would’ve been SOL in that particular environment. And even then, even she isn’t “free” because she’s beholden to a mercurial, emotionally combustible monarch. She is second in social power to only the literal queen of England and cannot even travel to her ancestral home without permission. Y’all see how this works?
But yeah sure, Eloise is the unreasonable one. She’s nicer than I’d be.
Hannah Dodd as Francesca Bridgerton BRIDGERTON — S4E3: The Field Next to the Other Road