Ed Buziak just added a new piece of art to Saatchi Art! "Serpentine No.1"

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@edbuziak
Ed Buziak just added a new piece of art to Saatchi Art! "Serpentine No.1"

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I just added a new piece of art titled “Mode Radicale” to Saatchi Art! This mixed-media artwork measures 84 x 59 x 3.5 cms and is a combination of vivid red splashed paint, across an open-page spread of the French fashion journal “Jalouse”, which has been fixed to the hand-painted graphic backing of abstract symbols, itself attached to a rigid plywood backboard.
I just added a new piece of art to Saatchi Art! "untitled" by Ed Buziak and dated 1965 is a 56 x 56 cm pastel crayon on paper piece as a “technique exercise” which I chose to keep… it was literally as near as possible an exact copy of traces of crayon remaining on the college studio wall from three previous pieces I had made. However, after watching a couple of short films on Richard Diebenkorn I noticed a similarity to my own drawing with the open areas of flat colours and hints of diagonal lines. Whilst mine is much simpler or more minimalistic compared to any of Diebenkorn’s, there is a graphic similarity which I couldn’t have copied from seeing his work since it was made at least two years prior to his “Ocean Park” phase.
I just added a new piece of art to Saatchi Art! "Fragments #1" - I can remember watching my parents in the 1950s decorating one room every year in their small semi-detached house. I can remember the random mottled pattern of faded pastel colouring revealed on the plasterwork under a layer of wallpaper being stripped off with warm water and a scraper. Those faded mottled colours were the residual traces of distemper which had been applied to the household living spaces during WW2… although watery paint was cheap, wallpaper probably wasn’t available.
My technique with this painting is to use a palette knife - cranked like a trowel, not one with a straight blade - which I hold lightly between forefinger and thumb and, charged with a little paint, is dragged across the canvas surface, but barely touching it. Many paint spots and smudges are deposited, but at random. I have an idea of where I want paint to appear but I have no idea of the precise effect and colour combination it will take… all is left creatively to chance. However, the finished effect pleases me and connects me to disconnected parts of my childhood past, so I am naming the ongoing series “Fragments.”
"Anasazi No.1" - Ed Buziak, 2018.
The inspiration for this mixed-media acrylic and collage came from a film about the making Anasazi pottery in the Southern Utah outback. I used cuttings from old French legal documents and tinted papers, with pastel crayon work in addition to acrylic paint, all on a large A0-size sheet of Canson Imagine art paper to represent the pots, river and red cliff face of the location.

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"Migration" - by Ed Buziak, 2018.
Drawn with Conte black, grey, and a Talens & Co “Rembrandt” Sunproof Yellow pastel crayon, plus charcoal, on an A0 size (84,1 x 59,4 cm / 33.1 x 23.4 in) sheet of Canson “Imagine” 200 gms art paper. The visual inspiration for “Migration” came from watching flocks of different species of birds as they alight en masse as winter approaches from both the farmed fields, inland lakes, and empty beaches of France, where I currently live. Movement impossible to freeze with the eye, the rapid flapping of sometimes hundreds of bird’s wings merging into a blur where individual birds become invisible, or camouflaged.
"The Cupcake that Fell to Earth #2″ - Ed Buziak,
Acrylic on paper, 84 x 59 cms. 2017.
I just added a new piece of art to Saatchi Art!
Lucio Fontana…
Ad for Chantelle lingerie, Paris - photo Frank Horvat, 1958.
“Hommage à Verner Panton” - Ed Buziak, 2015.
This new painting is based on a series of sectioned and superimposed details I drew in 1977 of the iconic “Chaise Longue” designed by Verner Panton for Storz & Palmer in cooperation with Metzler in Germany. Panton (1926 – 1998) was considered one of Denmark’s most influential 20th-century furniture and interior designers who created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colours. His style was very “1960s” but regained popularity at the end of the 20th century. My original pencil on paper drawing has been reproduced in black, grey and white acrylic paints which have then been overpainted in red and yellow representing the original overlaid design which was drawn on tracing paper.
http://www.saatchiart.com/art/Painting-Hommage-Verner-Panton/395193/2312007/view

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“Anachronism" - Tom Bennett.
We love Rollin’ shots! Especially when they’re of green slammed bugs!
“Woman: Sunlight, Moonlight” - Roy Lichtenstein, 1996.
Nude... by Andre de Dienes

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“Squares and Discs Disintegrating, Orange and Maroon in Blues" Patrick Heron (British, 1920-1999), June 1969, Gouache, 59 x 77.5 cm.
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“Bad Love Will Make a Museum of You”
- Jillian Fleck