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a street ,Shinjuku
A Piece of Waste Land, 1982, Francis Bacon
ここ最近、「自分の良いところ」と「不運なこと」を天秤にかけてしまっていて、結果「なのになんで」という気持ちが導き出されてしまっている。測るもん間違えてるのはわかってる。
第三者が勝手に同情するのはエゴでしかなくて、その苦しみ、それはそれでその人の人生なのではないでしょうか。

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私は私を傷つけた人がちょっとでも楽しそうにしてるのが本当に大嫌い。
こういうことをサラッと言うために、普段めちゃくちゃいい子にしている。
相対的な幸せじゃなくて絶対的な幸せを見つめるべきだと言い聞かせてはいるのだけど、結局私の目に入ってくるのは、他の人の幸せと、他の人の不幸せ。
逆境がうんたらとか言う人いるけど、私は「逆境」って名前をつけることがない。ドラマティックすぎて荷が重くなるから。私はヒロイズムでは苦難を乗り越えられない。
人生とは、もし仮に今死んだとして、気づかれないまままでいる期間を短くしていく作業なのかもしれない。
Rug, 1929, Francis Bacon

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Adoration of the Magi, follower of Hugo van der Goes, South Netherlandish, c.1440–1482, c.1505, Saint Louis Art Museum: European Art to 1800
https://www.slam.org/collection/objects/32472/
Woman with a Madras Hat, 1930, Henri Matisse
Medium: oil,canvas
Figure on a folding bed, 1963, Francis Bacon
https://www.wikiart.org/en/francis-bacon/figure-on-a-folding-bed-1963
The Young Bather, Gustave Courbet, 1866, European Paintings
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Size: 51 ¼ x 38 ¼ in. (130.2 x 97.2 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/436003
The Yellow House, 1908, Gabriele Munter

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Self Portrait, 1912, Egon Schiele
Medium: watercolor,paper
Still life with fish, oysters and shrimps, Museum of the Netherlands
Visstilleven. Stilleven op een tafelblad met vissen (karper, paling, blankvoorn), oesters, mosselen, schelpen en garnalen. Rechts op de achtergrond een boeket bloemen.
http://hdl.handle.net/10934/RM0001.COLLECT.5020