THE QUEEN’S GAMBIT (2020)

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THE QUEEN’S GAMBIT (2020)

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You Who Wronged
by Czeslaw Milosz
You who wronged a simple man Bursting into laughter at the crime, And kept a pack of fools around you To mix good and evil, to blur the line, Though everyone bowed down before you, Saying virtue and wisdom lit your way, Striking gold medals in your honor, Glad to have survived another day, Do not feel safe. The poet remembers. You can kill one, but another is born. The words are written down, the deed, the date. And you’d have done better with a winter dawn, A rope, and a branch bowed beneath your weight.
A Swedish woman hitting a neo-Nazi protester with her handbag. The woman was reportedly a concentration camp survivor. [1985]
Volunteers learn how to fight fires at Pearl Harbor [c. 1941 - 1945]
Maud Wagner, the first well-known female tattoo artist in the U.S. [1907]
A 106-year old Armenian woman protecting her home with an AK-47. [1990]
Komako Kimura, a prominent Japanese suffragist at a march in New York. [October 23, 1917]
Margaret Hamilton, lead software engineer of the Apollo Project, standing next to the code she wrote by hand that was used to take humanity to the moon. [1969]
Erika, a 15-year-old Hungarian fighter who fought for freedom against the Soviet Union. [October 1956]
Sarla Thakral, 21 years old, the first Indian woman to earn a pilot license. [1936]
Voting activist Annie Lumpkins at the Little Rock city jail. [1961] (freakin’ immaculate)
Now with more awesomesauce!
Female pilots leaving their B-17, “Pistol Packin’ Mama” [c. 1941 - 1945]
The first basketball team from Smith college. [1902]
Filipino guerilla, Captain Nieves Fernandez, shows a US soldier how she killed Japanese soldiers during the occupation. [1944]
Afghani medical students. [1962] (man, screw fundamentalism.)
A British sergeant training members of the ‘mum’s army’ Women’s Home Defence Corps during the Battle of Britain. [1940]
and just to wrap up…
Nina Simone, one of the most talented vocalists of the 20th century.
Alma desnuda
Por Alfonsina Storni
Soy un alma desnuda en estos versos,
Alma desnuda, que angustiada y sola,
Va dejando sus pétalos dispersos.
Alma que puede ser una amapola,
Que puede ser un lirio, una violeta,
Un peñasco, una selva y una ola.
Alma que como el viento vaga inquieta,
Y ruge cuando está sobre los mares,
Y duerme dulcemente en una grieta.
Alma que adora, sobre sus altares,
Dioses que no se bajan a cegarla;
Alma que no conoce valladares.
Alma que fuera fácil dominarla
Con sólo un corazón que se partiera
Para en su sangre cálida regarla
Alma que cuando está en la primavera
Dice al invierno que demora: vuelve,
Caiga tu nieve sobre la pradera.
Alma que cuando nieva, se disuelve
En tristezas, clamando por las rosas
Con que la primavera nos envuelve.
Alma, que a ratos, suelta mariposas
A campo abierto, sin fijar distancia,
Y les dice: libad sobre las cosas.
Alma que ha de morir de una fragancia,
De un suspiro, de un verso en que se ruega,
Sin perder, a poderlo, su elegancia.
Alma que nada sabe y todo niega.
Y negando lo bueno el bien propicia,
Porque es negando como más se entrega.
Alma que suele haber como delicia
Palpar las almas, despreciar la huella,
Y sentir en la mano una caricia.
Alma que siempre disconforme de ella,
Como los vientos vaga, corre y gira;
Alma que sangra y sin cesar delira
Por el oro precioso de una estrella.
Alfred Hitchcock was not even in the neighborhood of fucking aroudn.

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La Dolce Vita (1960) dir. Federico Fellini
Anita Ekberg
“Do you think your heart is dead or broken? Every winter the flowers and trees die. Can not the One who gives life to dead land, give life to dead hearts?”
— Yasmin Mogahed
“Some people aren’t loyal to you. They’re loyal to their need of you then, once their need changes, so does their loyalty.”
— (via purplebuddhaquotes)
Striped by Vasily Kandinsky, 1934, Guggenheim Museum
Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris Medium: Oil with sand on canvas
https://www.guggenheim.org/artwork/1960
Composition in Gray (Rag-time) by Theo van Doesburg, 1919, Guggenheim Museum
The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976 Medium: Oil on canvas
https://www.guggenheim.org/artwork/1079

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“But Maria explained and painted their life cycle. Their metamorphosis from caterpillar to chrysalis to butterfly. She not only explained that process, she showed which plant species each butterfly species was dependent upon. This book revolutionised the study of insects in Europe. But it also helped Maria raise the funds to embark upon a journey to study the more exotic creatures that she knew she would find in the tropical regions of the Dutch empire.”
David Olusoga, Civilisations, ep. 6 ‘First Contact’ (BBC 2018)
“Be, don’t try to become.”
— Osho (via naturaekos)
Lord Krishna 🍃🌺
LA LECTURE OU RABELAIS, c.1912. Kees van Dongen. Oil on canvas

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B. Altman and Co. Display Windows, c. late 1940s-early 1950s. Jesse M Biow. Gelatin silver and dye coupler transparencies.
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