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@dyllan-blackburn

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Lmao the way Katy peeked over her chair when the music didn’t play 😂😂😂
does anyone know anything about “disco” dance, like the kind where they kind of run in a circle while doing moves, mostly jumps??? Like… is it safe for your body?? It seems so forceful and chaotic but I also know nothing about it
There was a documentary about the British disco dance scene, and I remember being like “woaahhh are they okay?!?!”
for ballroom competitions where all the couples are on the floor dancing at the same time to the same music, do the competitors receive the music before the competition and then choreograph their routine to it or they have a routine pre-choreographed and they dance their routine to any music that is played?
thats a good question. im not familiar with ballroom comps. anyone know?
Each style of dance has specific time signature so you choreograph your “routines” to that time signature and then the competition picks a song and you do your routine. Provided you choreographed your routine on the correct time signature it will go to the music. So like Jive has a time signature of 4/4 (so 4 beats for every bar of music) and the counts of all Jive routines (1, 2, 3 & 4, 5 & 6) will match up.
thanks amanda!
The hardest thing about it is that everyone’s moving in slightly different directions so you have to learn how to dodge people on a crowded floor!
I’ve never quite understood why, in dances with otherwise identical costumes, guys are allowed to wear trousers but the girls are in leotards or briefs???

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Mini Female Best Dancer
Winner - Gracyn French (project 21)
1st runner up- Giselle Gandarilla (stars dance studio)
2nd runner up- Ivana Radan (Westchester dance academy)
3rd runner up- Sofia rosella (performing dance arts)
Elliana is dancing Clara at Radio City!!
Something I find a bit tiresome about the studio dance world is that there’s absolutely no concept of moderation. All or nothing.
I’m not just talking about overtraining (we all know that’s a problem); it’s more this total all-in approach to things. A few years ago when people started observing that there were a lot of comp kids out there with less than stellar ballet training, the response from a lot of studios and dancers was to start working in some sort of pre-professional ballet program, prompting a lot of studio dancers to become full-time ballerinas, entering kids into big ballet comps like YAGP and WBAC, bringing variations to standard dance comps… instead of just hiring better ballet teachers and developing a stricter ballet curriculum? Like it kind of made it seem like it was impossible to get decent ballet technique without training in it on a full-time basis.
It’s also like right around the time I graduated, acro started finally being seen as not a niche but an essential to training, but for several years after that it ramped up so heavily you had kids doing more hours of acro than ballet or jazz and suddenly dancers were doing Uber-specialized acro like contortion and aerial silks and canes. Like again, you don’t have to have kids doing SO many hours of one genre just to become proficient in it, you just need good teachers!
I feel the same about the trend for ballroom. I compete in that here in the UK, and it’s so bizarre for me to see kids just deciding to train full time/packing in the hours. Especially as most studio/convention ballroom classes contain almost no work in hold (so with a partner) which is pretty much the basis of the genre! They’re training so many hours in something when less time, with more partnerwork and competent teachers would help just as much!
I had a feeling this was the case and was going to add that but I didn’t know enough about ballroom — thanks for your very welcome addition! Not surprised at all.
I thought you might have considered it! I’m not pretending to be a pro - it’s not crazy high level. But 90% of ballroom technique is partner work. Lead/follow, body contact, the entirety of waltz/quickstep?? All of that is essential to the style and isn’t taught, especially at conventions. The ballroom they teach at BTF isn’t a style I recognise. Maybe parts of cha cha perhaps? But again, that’s purely latin. No standard technique at all, and nothing that transfers to dancing with a partner (the way ballroom is meant to be performed)!
It’s definitely not a dancer problem. They’re dancing the choreography beautifully, but it just isn’t transferable to dancing latin and ballroom either competitively or socially.
Also, for those who suggest the problem is a gender imbalance - same sex couples are a definite thing, particularly in junior levels! I’d even say about half the couples I compete against are girl-girl! It’s a beautiful style. I’m just always a little sad when I see kids overtrain in something minimally useful to them
Something I find a bit tiresome about the studio dance world is that there’s absolutely no concept of moderation. All or nothing.
I’m not just talking about overtraining (we all know that’s a problem); it’s more this total all-in approach to things. A few years ago when people started observing that there were a lot of comp kids out there with less than stellar ballet training, the response from a lot of studios and dancers was to start working in some sort of pre-professional ballet program, prompting a lot of studio dancers to become full-time ballerinas, entering kids into big ballet comps like YAGP and WBAC, bringing variations to standard dance comps… instead of just hiring better ballet teachers and developing a stricter ballet curriculum? Like it kind of made it seem like it was impossible to get decent ballet technique without training in it on a full-time basis.
It’s also like right around the time I graduated, acro started finally being seen as not a niche but an essential to training, but for several years after that it ramped up so heavily you had kids doing more hours of acro than ballet or jazz and suddenly dancers were doing Uber-specialized acro like contortion and aerial silks and canes. Like again, you don’t have to have kids doing SO many hours of one genre just to become proficient in it, you just need good teachers!
I feel the same about the trend for ballroom. I compete in that here in the UK, and it’s so bizarre for me to see kids just deciding to train full time/packing in the hours. Especially as most studio/convention ballroom classes contain almost no work in hold (so with a partner) which is pretty much the basis of the genre! They’re training so many hours in something when less time, with more partnerwork and competent teachers would help just as much!
Project 21 - Love Potion #9
Mini Jazz Group Choreography: Molly Long RADIX Anaheim 2018/19
Dancers: Jamieson Deacy, Laci Stoico, Gracyn French, Regan Gerena, Madison Ortega

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JT Church - All My Friends
As the reigning 2018 Junior Male Core Performer, JT performs his solo at the RADIX Anaheim 2018/19
This is one of my favourite songs!!! Who did the choreo?
what happened to quinn starner did she completely stop competing?
well no, she spent all of the past season touring with btf and doing her solos in the closing show since she couldn’t compete anyways (Except the ballet comps she did)
and it’s just the start of this season so only time will tell if she competes this year!
She’s at SAB now (she’s in a lot of their pictures on Instagram) so she’ll have much less time to tour and compete. She seems to be aiming for a ballet career!
some changes to add to your list: bri racewicz is now with k2 studios, avery hall switched to danceology(from gc dance) and katie paulus to dance precisions (from mccoy rigby) and alexis alvarez switched to club dance
Updated. Except Idk where Alexis is from
She’s from Seraphim I believe
Showstopper West Coast Finals 2018: Best of Crystal Huang
@your tags - that would be amazing!

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Kylee Brady - Pump It