UGH….IM EMO!!! FUCK YOU! IM EXTREMELY FUCKING EMO0 AND DEPRESSED!! FUCK IT ALL!!! FUCK YOU IM EMO AND DEPRESSED

Kaledo Art
RMH
Sade Olutola

#extradirty
Alisa U Zemlji Chuda
$LAYYYTER
cherry valley forever

祝日 / Permanent Vacation
Today's Document
KIROKAZE
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
Acquired Stardust
sheepfilms
occasionally subtle

@theartofmadeline
Monterey Bay Aquarium
Show & Tell

Love Begins
Cosmic Funnies

seen from Singapore

seen from United States
seen from Türkiye

seen from New Zealand
seen from United States

seen from United States

seen from Germany
seen from United Kingdom
seen from United Kingdom

seen from Singapore

seen from Netherlands

seen from Singapore
seen from Canada
seen from United States

seen from United States

seen from United States
seen from Malaysia
seen from Cambodia

seen from United States

seen from United States
@dreamboyf
UGH….IM EMO!!! FUCK YOU! IM EXTREMELY FUCKING EMO0 AND DEPRESSED!! FUCK IT ALL!!! FUCK YOU IM EMO AND DEPRESSED

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
You know the. You know the Femme Fatale "I grew up with 10 brothers so I know how to fight" character?
That's
That's Roy Mustang
Just the opposite.
Roy "I grew up with 10 sisters so I know how to disguise covert information reconnaissance as flirting" Mustang.
"I grew up with 10 sisters so I know how to weaponize my sexual charm to disarm others and win favor."
Roy led every higher-up to believe he was just a fuckboy and a manwhore in this for his own ego and that they shouldn't view him as any kind of violent revolutionary like "no sir I'm just a slut."
Roy Mustang.
I'm surprised I didn't say this in the original post but to specify: Roy Mustang grew up in a brothel, specifically he grew up adopted by a woman running a brothel where, specifically, all the women there are in the business of covert information reconnaissance by playing escort to important politicians.
Which. is an absolutely batshit primary character backstory to mention once, late in the series, and then immediately move on from.
And actually Hiromu Arakawa did it so well that every single fan interpretation of Roy Mustang for the FMA03 anime treated him as an honest to god man-slut. Bought his whole act hook line and sinker.
And you do, in fact, need to get further into the manga/Brotherhood to realize he is just acting like a slut because surely a true and honest hand-to-god slut like this guy wouldn't be overthrowing the government.
Kokyo Gaien National Garden, Tokyo, 2007

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
happy pride 🏳️🌈🏳️⚧️ we are 2 Black nonbinary lesbians trying to get my friend’s emotional support cat urgent medical care, just been to our second place for the night 10th overall this week, got to queens its $170 to be seen here im literally giving everything i can, his cat hasnt eaten for 4 days. please give what you can even $1 will help <3 c4$h4pp v3nm0 p4yp4l k0fi
after midnight, still waiting to be seen, really hungry tired and in pain tbh <3 grateful for literally any help
it's looks and smells too pretty
From a poetry collection by Mary Oliver, where after a hundred poems showcasing gentle observations on nature and animals, she hits you with this:
[image id: photo of a book page with the following poem:
Of The Empire
We will be known as a culture that feared death and adored power, that tried to vanquish insecurity for the few and cared little for the penury of the many. We will be known as a culture that taught and rewarded the amassing of things, that spoke little if at all about the quality of life for people (other people), for dogs, for rivers. All the world, in our eyes, they will say, was a commodity. And they will say that this structure was held together politically, which it was, and they will say also that our politics was no more than an apparatus to accommodate the feelings of the heart, and that the heart, in those days, was small, and hard, and full of meanness.
/end id]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Yoshitaka Amano, Mermaid
American cultural output is so incredibly dire right now that every time a 6.5/10 horror movie comes out everyone starts freaking the fuck out and doing backflips and burning cars and shit and it gets 4.7 stars on letterboxd and they start to kill and eat people who dont like it that much because we need this. we have nothing and we need this. just until tomorrow. just until next week. please.
Autumn Leaves of Gingko, Tokyo, Japan明治神宮外苑. Tokyobling
So what I think is that there's this default belief in patriarchy that men are superior to women and therefore the "masculine" sphere is superior to the "feminine" sphere. And so, as feminists have fought to expand the number of allowable female activities, men (on the aggregate over generations) have retreated from those activities because they're now seen as "feminine", and so partaking in them is incommensurate with their belief in their own superiority. And, unfortunately, as this has progressed, this has resulted in a lot of men sectioning themselves off from, frankly, everything that actually makes being alive worthwhile. It's a misery spiral, and the only way out is to abandon male supremacy.
#men gave up deep friendships and reading and poetry and colourful fashion#all things that used to be considered manly in the 19th century#they're currently giving up on studying law and medecine#it's so stupid and sad
(I mean, the colourful fashion was more of an eighteenth century thing, but yeah)
(source)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
one piece hot(?) take but i think that yamato is actually pretty good trans representation and the controversy around him being trans are more reflective of transphobia and patriarchy than actual analysis of the handling of him as a trans character
firstly, i think that people who find issue with his appearance are misplacing their discomfort at the idea of being attracted to a trans man. literally by definition, him being a trans man means he was born in a female body and where ever he lies on the spectrum of expressing his gender and changing his sex does not change his gender identity. you dont have to be fully transitioned to be trans and given yamato's story it really wouldnt make sense for him to be transitioned as he would not have access to those sorts of resources. him not being transitions is an element that feeds into telling his story but all of that nuance is dismissed because male fragility wont allow them to acknowledge both that he is a man and they find him hot.
the second main way people dismiss yamato's identity is that they believe that him identifying with oden meant that he was never really trans but simply wanted to be oden but i think that this stems from a fundamental issue misunderstanding of the narrative. yamato claims to embody oden but the arc of his story is literally about how he was using that identity as a crutch to deal with his situation and his journey as he comes to realize his own identity and separate it from oden, but at the end of his arc he still identifies as a man. him being a man was never even questioned.
apart from the way that the opposition to yamato being trans being bull, i think that yamato is actually a pretty good example of intertwining a characters trans identity with the narrative. him being trans is not the focal point of the tensions or conflicts but rather is identity is interwoven with his story arc and colors his interactions and experiences differently.
i heard someone once say that the trans representation in one piece is especially notable among representation because of the number of characters and different experiences because no one single character needs to embody all of the trans experiences. yamato does not feel like some token trans character just slapped in but rather he feels like a fully developed character with his own compelling and interesting story to exploare. it feels like the narrative treats him as a real person just like everyone else and where being trans just one part of his identity and experiences
and for me at least, as a trans guy, i do see a lot of my own experiences reflected in his narrative. i also dont pass (altho tbh im nowhere near as hot as him) as i dont have the means to medically transition and i have a rather larger chest that makes binding pretty uncomfortable for most of the time. it is nice that have a character that portrays that aspect of the disconnect between a characters gender identity and physical appearance, it is something that exists and people experience it. furthermore, i think yamatos story with his struggles of identity and oppression agains his father altho not directly tied to him being trans can be remarkably personal for many trans kids who grew up in repressive environments (its kinda crazy the corellations that can be drawn to small town america considering this was made in japan) the journey yamato undergoes and his trans identity reflect real lived experiences for trans people around the world and because of the way his identity is woven into the story, he feels much more authentic and genuine than so much trans rep i have see before