UGH….IM EMO!!! FUCK YOU! IM EXTREMELY FUCKING EMO0 AND DEPRESSED!! FUCK IT ALL!!! FUCK YOU IM EMO AND DEPRESSED
Misplaced Lens Cap
he wasn't even looking at me and he found me

❣ Chile in a Photography ❣
almost home
occasionally subtle
"I'm Dorothy Gale from Kansas"
d e v o n

#extradirty

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we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
DEAR READER
dirt enthusiast

Love Begins

roma★
Peter Solarz
Acquired Stardust

oozey mess
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Claire Keane
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@dreamboyf
UGH….IM EMO!!! FUCK YOU! IM EXTREMELY FUCKING EMO0 AND DEPRESSED!! FUCK IT ALL!!! FUCK YOU IM EMO AND DEPRESSED

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Kokyo Gaien National Garden, Tokyo, 2007
happy pride 🏳️🌈🏳️⚧️ we are 2 Black nonbinary lesbians trying to get my friend’s emotional support cat urgent medical care, just been to our second place for the night 10th overall this week, got to queens its $170 to be seen here im literally giving everything i can, his cat hasnt eaten for 4 days. please give what you can even $1 will help <3 c4$h4pp v3nm0 p4yp4l k0fi
after midnight, still waiting to be seen, really hungry tired and in pain tbh <3 grateful for literally any help
it's looks and smells too pretty

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From a poetry collection by Mary Oliver, where after a hundred poems showcasing gentle observations on nature and animals, she hits you with this:
[image id: photo of a book page with the following poem:
Of The Empire
We will be known as a culture that feared death and adored power, that tried to vanquish insecurity for the few and cared little for the penury of the many. We will be known as a culture that taught and rewarded the amassing of things, that spoke little if at all about the quality of life for people (other people), for dogs, for rivers. All the world, in our eyes, they will say, was a commodity. And they will say that this structure was held together politically, which it was, and they will say also that our politics was no more than an apparatus to accommodate the feelings of the heart, and that the heart, in those days, was small, and hard, and full of meanness.
/end id]
Yoshitaka Amano, Mermaid
American cultural output is so incredibly dire right now that every time a 6.5/10 horror movie comes out everyone starts freaking the fuck out and doing backflips and burning cars and shit and it gets 4.7 stars on letterboxd and they start to kill and eat people who dont like it that much because we need this. we have nothing and we need this. just until tomorrow. just until next week. please.

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Autumn Leaves of Gingko, Tokyo, Japan明治神宮外苑. Tokyobling
So what I think is that there's this default belief in patriarchy that men are superior to women and therefore the "masculine" sphere is superior to the "feminine" sphere. And so, as feminists have fought to expand the number of allowable female activities, men (on the aggregate over generations) have retreated from those activities because they're now seen as "feminine", and so partaking in them is incommensurate with their belief in their own superiority. And, unfortunately, as this has progressed, this has resulted in a lot of men sectioning themselves off from, frankly, everything that actually makes being alive worthwhile. It's a misery spiral, and the only way out is to abandon male supremacy.
#men gave up deep friendships and reading and poetry and colourful fashion#all things that used to be considered manly in the 19th century#they're currently giving up on studying law and medecine#it's so stupid and sad
(I mean, the colourful fashion was more of an eighteenth century thing, but yeah)
(source)
one piece hot(?) take but i think that yamato is actually pretty good trans representation and the controversy around him being trans are more reflective of transphobia and patriarchy than actual analysis of the handling of him as a trans character
firstly, i think that people who find issue with his appearance are misplacing their discomfort at the idea of being attracted to a trans man. literally by definition, him being a trans man means he was born in a female body and where ever he lies on the spectrum of expressing his gender and changing his sex does not change his gender identity. you dont have to be fully transitioned to be trans and given yamato's story it really wouldnt make sense for him to be transitioned as he would not have access to those sorts of resources. him not being transitions is an element that feeds into telling his story but all of that nuance is dismissed because male fragility wont allow them to acknowledge both that he is a man and they find him hot.
the second main way people dismiss yamato's identity is that they believe that him identifying with oden meant that he was never really trans but simply wanted to be oden but i think that this stems from a fundamental issue misunderstanding of the narrative. yamato claims to embody oden but the arc of his story is literally about how he was using that identity as a crutch to deal with his situation and his journey as he comes to realize his own identity and separate it from oden, but at the end of his arc he still identifies as a man. him being a man was never even questioned.
apart from the way that the opposition to yamato being trans being bull, i think that yamato is actually a pretty good example of intertwining a characters trans identity with the narrative. him being trans is not the focal point of the tensions or conflicts but rather is identity is interwoven with his story arc and colors his interactions and experiences differently.
i heard someone once say that the trans representation in one piece is especially notable among representation because of the number of characters and different experiences because no one single character needs to embody all of the trans experiences. yamato does not feel like some token trans character just slapped in but rather he feels like a fully developed character with his own compelling and interesting story to exploare. it feels like the narrative treats him as a real person just like everyone else and where being trans just one part of his identity and experiences
and for me at least, as a trans guy, i do see a lot of my own experiences reflected in his narrative. i also dont pass (altho tbh im nowhere near as hot as him) as i dont have the means to medically transition and i have a rather larger chest that makes binding pretty uncomfortable for most of the time. it is nice that have a character that portrays that aspect of the disconnect between a characters gender identity and physical appearance, it is something that exists and people experience it. furthermore, i think yamatos story with his struggles of identity and oppression agains his father altho not directly tied to him being trans can be remarkably personal for many trans kids who grew up in repressive environments (its kinda crazy the corellations that can be drawn to small town america considering this was made in japan) the journey yamato undergoes and his trans identity reflect real lived experiences for trans people around the world and because of the way his identity is woven into the story, he feels much more authentic and genuine than so much trans rep i have see before

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king of nothing
(second version on my bluesky)
Imabari Castle今治城 in Imabari, Ehime, Japan. Photography by 綾悠宇 on Flickr