I see the worst opinion I’ve ever seen and then I go to their profile and it says 16 and I just go about my day
Today's Document
he wasn't even looking at me and he found me
tumblr dot com
ojovivo
occasionally subtle
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

oozey mess

almost home

Origami Around
Sade Olutola
todays bird

PR's Tumblrdome

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

Janaina Medeiros
TVSTRANGERTHINGS
I'd rather be in outer space 🛸

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@downthiscorridor
I see the worst opinion I’ve ever seen and then I go to their profile and it says 16 and I just go about my day

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Baby Damian woke up and chose violence
Talia and Bruce have the potential to be the Morticia and Gomez of DC but the writers refuse to acknowledge this
Post-resurrection Jason Todd must have dealt with one hell of a paradigm shift when he got Talia as a mom. His relationship with mothers pre-death was that they (Catherine, Sheila) are people he must protect, but then he gets Talia and, well, one must assume, it was a big deal for him to go from “I have to protect mom” to “mom will protect me”.
Bruce Wayne: *sitting by his desk and reviewing papers*
*telephone rings*
Bruce Wayne: Hello?
Talia al Ghul: Beloved, hello.
Bruce Wayne: Talia, hello to you too. To what do I owe the pleasure?
Talia al Ghul: I'm calling about our son. He's not answering my calls and he's turned off his tracker again.
Bruce Wayne: Isn't he at that tournament, on Lazarus Island? Talia, Damian's been—
Talia al Ghul: I know where Damian is. We're in contact and he visited father recently. I didn't ask about him, I'm asking about Jason.
Bruce Wayne: Jason?
Talia al Ghul: Yes, Jason, our son. Where is he?
Bruce Wayne:

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Sometimes I just ignore anon hate because theres a proverb I learnt in a Nigerian movie that said. ‘You cannot run naked after a mad man in the street after he has taken your clothes away from you because the public will not know who is the mad person between the two of you’
I feel like this proverb was based on firsthand experience.
my wife: so I heard that you and the little man took a trip downtown today :)
me: yeah haha
my wife: you guys saw a marching band, huh?
me: uh
my wife: he said you got kind of intense about his career prospects
so fond of characters who haunt their stories, who exist without actually existing at all. when a character is long gone, but persists in the actions and words of all the characters they have left behind. when everything to come unfolds because of them. when they are both dead and the beating heart at the very center of the narrative... that’s the stuff 💗__💗
it’s like... all of this happened because of you, and you weren’t even around to see it
I firmly believe that how feminist a book is is better demonstrated by its background characters rather than its mains
What I mean by this is that a book may have “feminist” female leads who are strong, competent, complex, whatever, but how do they portray women just...existing in the world? Are there women in the background, or is the fantasy novel with its strong independent Action Girl protagonists set on a background of generic male soldiers, guards, councilors, shopkeepers, messengers, and wizard apprentices? Are minor characters ever women when there’s no particular reason for them to be? When women appear in the background of your story, do they have any unique qualities that hint at a complex picture we’re not seeing or do they slide seamlessly into Pampered Noblewoman, Prostitute and Vaguely Maternal Older Woman Who Runs A Tavern Or Something?
If your protagonist is a fighter or magic user, do you show other women in those roles? If your society is more relaxed about sex discrimination, have you built a world that looks like it?
Have you built a world where your female characters don’t all have to be The Best At Everything, or is almost every female character placed where she can be extraordinary next to a bunch of male counterparts? Are you comfortable letting a female wizard or warrior be average or unimportant, or does she have to be one of the most skilled and powerful of them all, able to match or best all the men around her? On the other hand, are you comfortable having a female wizard or warrior be indisputably the most skilled or powerful out of the wizards or warriors, without drawing attention to her gender, placing her in competition with men, or having her be an exception to the rule because she’s female?
Are you letting your female characters be mediocre and un-extraordinary? Your world is full of powerful sorceresses, fierce battle maidens and calculating noblewomen, but do women do things in this world other than be Exemplary and Great and Awesome? If you’ve established that women do business and fight, do you have female soldiers carousing at bars and vaguely dull female Evil Minions Of The Dark Lord bumbling around doing evil bidding and female apprentices slacking on work or is every background woman we see competent and controlled and intelligent and doing whatever it is she’s doing without error, whereas only men are allowed to be foolish, impulsive, mess things up, or just be shown unflatteringly during the couple sentences we know them? In other words, does the world show women being unapologetically human beings or are all your female characters basically making up for being women by not doing anything that would badly represent their gender?
In particular, if you’re trying to show a society with gender equality, that means the dark lord is willing to hire women who are bumbling idiots as guards, and not just that some female wizards climbed their way to the top and became As Good As Men because they’re so badass they can snap god like a bunch of uncooked spaghetti.
we need more books about queer ppl who are violent and unhinged
we have enough books about being gay in high school it is time for books about being gay and a cunt
The Illiad

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having a crush as an adult is so embarrassing i’m literally too old for this. i should be busy with my blacksmith apprenticeship or something
Stop motion wood working
tool_tips
I personally find these empty sterile "wholesome" unsexy romances being made for the gay audience super condescending. I want spit swapping in my homosexuality
“Why should rich people pay more” because fuck ‘em
“So you are okay for paying more when you have money” I am not excluded from ‘fuck ‘em’ when relevant
“I am not excluded from ‘fuck ‘‘em’ when relevant” is surprisingly powerful as both a statement and philosophy
BRIDGERTON #2.04 ‘Victory’

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leg of bicuriousity
That took a turn.