Pufferfish tricks
Alisa U Zemlji Chuda
Mike Driver

Janaina Medeiros
trying on a metaphor
he wasn't even looking at me and he found me

@theartofmadeline
NASA

blake kathryn
DEAR READER

titsay
dirt enthusiast
noise dept.
Three Goblin Art
Today's Document

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if i look back, i am lost

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@doodlesmonthly
Pufferfish tricks

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this sticker I like
since it’s pride month, throwback to this beautiful cover and this wholesome interaction between two icons
Star Fox remake announcement brought me right back into Star Fox hell. (I'm not complaining)
Stormy evening.

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Adult plitten! Michał and Lucyna. Leshycat babies are fun to draw!
The parents:
Qifrey
#ThrowbackThursday to when I created this bad boy in 2004. I love Smilodon Fatalis and really enjoyed this anthro concept. I need to draw these guys more! "Fatalis" Watercolor and colored pencil. Prints available here

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Neurodivergent Things
Scrolling the timeline on Mother's Day can be hard for me so last year I decided to turn my grief into something positive.
This year, I decided to make it a tradition.
I noticed people were posting a lot of old, degraded photos of their parents. So I try to pick a few good candidates to restore.
I spent a couple of years learning how to do this. I am very good at it. And I really enjoy it. But I learned it isn't very lucrative and most people are fine with what AI can do now.
It makes me a bit sad, but I actually think restoring people's precious memories is not the worst use of AI. Plus, I use several AI tools in my workflow. When there is extensive damage, generative fill is a lifesaver. The remove tool makes quick work of stubborn accumulated dust. And AI upscaling makes the photos printable, often at many times their original size.
My restorations are still much better than the free AI ones. I edit them with a precision and fidelity that can hold up to 400% magnification. I take special care to preserve likenesses and often work with reference photos to make sure people's loved ones still look like who they are after upscaling. I also do colorizing by hand (though I will sometimes make initial color maps with AI). I color grade using film stock color references so the photos still look like film, and I add texture and grain selectively to keep people from looking like smooth rubber.
But that kind of quality takes so much time. One photo is probably several hundred dollars of labor. And no one is willing to pay that so I have to charge below minimum wage.
I will probably just do pro bono restorations from here on out. Focus on fixing photos that AI isn't very good at restoring. Plus I have a ton of family photos that I want to restore for my niece. At some point, years from now, she'll be old enough to talk to me without my brother's permission. And she'll probably want to know who her grandparents were. I hope to be ready with photos and stories by that time.
In any case, it felt nice to do this on a hard day. And it helped clarify to myself how I should use this skill I've developed going forward.
Before and afters...
Some of the most difficult restorations I've done...
I've had to deal with intense color casts before, but never a green one. Thankfully, the original color was still in the data, but figuring out how to filter out the bad green and keep the good green required a lot of problem-solving.
The original was actually in really good shape and had a lot of detail. But there were just so many people in the photo and they all needed individual exposure correction on their faces. And I colored everything manually. I think this ended up being over 400 layers by the end.
For this one, the car was completely blown out and had no data. But I posted it in a bunch of vintage car forums and was able to identify the make and model. I replaced the blown out car with a better photo of the exact same model from the same year. Then I researched what paint color options were available and matched that as well.
This is one where folks might assume I used AI, but aside from my upscaling tool, I actually did this with traditional compositing techniques. It is probably one of the most damaged photos I've been able to save.
Her facial likeness was completely destroyed.
However, I restored this other photo of her.
And I was able to use it as a reference to restore her likeness in the lake photo.
It doesn't hold up as well as I'd like at this magnification, but considering how damaged it was, I am pretty happy with the result. And I think I was able to make it look like her again.
One might think photo restoration is only about saving really old photos, but I have fixed modern wedding photos that were taken in bad light and I regularly use these skills to fix smartphone photos.
My phone is getting old and is in bad shape. The back fell off and I keep it together with a case. And the lenses are unprotected and hard to clean. So all of my photos look a bit hazy now. But sometimes it is all I have to capture a moment. So I take photos and hope my editing magic can fix them.
I took this out my front window on a foggy morning.
I actually got a court summons for having that chair in my front yard.
It's a long story.
And I just had a visit from a foxy friend the other day.
My neighbor says he sees this fella all the time. So I feel like he needs a name. Otis's favorite toy was a stuffed red fox, so I'm thinking maybe I'll call him Milo.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wei Weaving is a Chinese artist
Salvo -Â Strada con lampioni, 2001